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There I was, in Sitges' film festival, in Barcelona, where one year ago Chan-Wook Park had won his prize for the great masterpiece Old Boy. This time he was presenting his last movie "Sympathy for Lady Vengeance" to end the revenge trilogy.Everyone was waiting for the movie to start, all Park's fans and the lady at the festival announced the director's arrival. There he came in, the Korean director with the translator, trying to explain the meaning of his surname in Korean, and talking about loads of stuff - except the movie. Finally he thanked people for making his movie Old Boy "win a lot of money". I think is this personality that makes Park's movies so special. Just like this last one, its a beautiful bizarre movie, like its creator. The audience was already amazed with the starting credits of unusual beauty that just took the breath away from all audience and guarantied that the movie was going to be something different. Truth is that the movie is different, at least more different than his early Old Boy. This time he had created a movie where the story didn't count as much, but maybe the visual side of it, images that contain so much beauty that just makes the movie already worthy of seeing. The story is also really good, charged with all sort of surrealism and irony that makes it extremely interesting. Also, this time the director had treated vengeance with another style, more beautifully and also comprehensive, accomplishing that the audience can identify themselves with the main character, Geumja. When it was ended, the movie received a warmly applause from an audience, including myself, that hadn't been disappointed and that thought the director had done a great and bizarre job to end his trilogy.

WKW strikes back again with this wonderful - and different movie. The Hong Kong director brings us a unique story about loneliness. As other movies of WKW, this movies represents a wonderful visual experience. Great directing for 3 stories: The story of an assassin, lonely and living day to day deciding weather it's really worth continuing with his profession or not; the story of his partner, a beautiful woman who relies her loneliness on her obsession with her partner; and the story of a mute guy that works at night in all the closed stores and markets, and with the different encounters with a woman and his relation with his father. All three stories are stories of loneliness, of love affairs impossible to fulfill and of the wish of each one to find a meaning to their existence. Like in all movies of WKW, all characters are solitary. This movie is another one of the directors masterpieces, trying to describe all the lonely souls in Hong Kong and the impossibility of finding a meaning to their life, their professions and a meaning to love. A bizarre and great soundtrack, such as the great photography and stylish directing makes this movie a must-see in the Chinese's director.