"There Will be Blood" actor Daniel Day-Lewis once said, "I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else."Indeed every mortal has an aspect of self delusion hidden within themselves which is reflected under the spell of specific situations.Every religion believes in the existence of Shaitan within us and we are just wearing mask for the peace of "cultured" society.The concept of God was thus created to give a positive direction to irrational mortals. Shaitan,the directorial debut of Bijoy Nambier under safe umbrella of Anurag Kashyap who is one of the pioneers of Dark movies in Indian cinema talks about existence of Shaitan in this god fearing society. The story involves five youngster from various backgrounds bonded through friendship.The friend circle comprises of Gulshan Devaiya playing the role of KC, a rich brat and a non-conformist living on the edge of reality.A parsi pervert (resembles Fattu of Paanch) Zubin played by Neil Bhopalam,Tanya (played by Kriti Kulhari) an upcoming film actress and a model, then Amy superbly played by Kalkie Koechlin.Amy is the disturbed daughter of a rich NRI father (Played by Rajit Kapoor)who is yet to accept her mother's death.Strangely her mother was a psychic patient who in her self-destructive mode tried to kill young Amy. Amy in her psychotic dilemma loves her mother and at the same time trying to come out of her mother's death web.The gang comes to full circle with Divyanshu sahu aka Dash (striking debut by Shiv Pandit) who is a drug peddler and a coffee shop waiter.Dash is connected to the whole group with the element of Lucy in the sky with diamonds.The friends gang with Screw rules faces an accident in a moment of ecstasy and thus follows the series of crime one after the other while they go into the self- delusional mode.With a dejavu of Paanch the young spirited minds came to terms with their inner Shaitan (satan). To solve the crime a self righteous cop Mr Mathur (played brilliantly and confidently by Rajeev Khandelwal) had been appointed. The cop is himself going through a turmoil in his personal life and while solving the case he finds a connect with the case and his life at a cognitive platform. As they youngsters and the cops life intertwined there are thousands of questions towards society, morality and inner devil raised in a subtle manner that forms the crux of the brilliant story. Anurag Kashyap is a brilliant film maker who understands cinema and gives break to brilliant new directors. Bijoy Nambier like Kashyap pens a unapologetic amoral characters who are reflection of today's rich youth who have no respect for anyone's life. Without going into any morality Nambier simple tells the story of a devil mind in a unique fashion. It is his execution that elevates the story to another plain and with a brilliant technical team he almost created a neo-realistic masterpiece. There are numerous sequence which deserves accolades specially the "khoya khoya chand" sequence which is one of the best executed sequences in recent times. With slow motion he plays beautifully with time and space while there is a background score of Khoya khoya chand. The scene where the Negros are firing Rajeev Khandelwal and instead shoots the German lady has an unique sexuality attached to it.The effect of hallucinogenic drug leading to the hallucination of Amy with her dead mother is a masterpiece execution specially the bathtub sequence towards the climax is a master stroke as real mixes with hallucination. The usage of geometric shapes within the narrative shows Nambier's eye for detailing and understanding of cinema. Apart from Nambier credit should be given to A Shreekhar Prasad for editing and Madhi for cinematography.The usage of light is captivating and meaningful.Nambier played with light to show the catharsis within Amy towards the end and also tried to portray The cop as anti-devil which is reflected by the scenes where the cop is standing with bright background light compared to the darkness in the same frame. There are plenty of situations where the camera and editing had the potential to compete with any world cinema.Moving to the music and lyrics each of the songs are appropriately placed in the narrative with the wordings taking the story forward. Dialogues of the film are cleverly written. Without going overboard they are kept short,crisp thus having an impact. The sequence between the commissioner and the cop is well written where the commissioner explains the difference between "sach" and "sachai". Nambier should also be applauded for inducing dark humour in the otherwise disturbing story. The flashback within flashback with a cameo done by Rajat Barmecha (of Udaan fame) will bring the house down. Also some witty one liners like "what will you call a moving vibrator? Dil-doh pagal hai" provides moments of laughter for the cine goers. The casting director did a tremendous job as each one of them gave a powerhouse performance. Rajeev Khandelwal stole each scene he was present in. Like a chameleon he went into the character of the Moral upright cop fighting with his own self as he tries to solve the case as well as his personal crisis.Kalki Koechlin as usual gave a superb performance as disturbed Amy coming to terms with her existence. The whole gang which comprises of new comers (Neil Bhopalam,Shiv Pandit,Gulshan Devaiyya,Kriti Kulhari) are all competent actors who have the potential to rock the industry. Veterans like Pawan Malhotra (as the politically incorrect commissioner) and Rajit Kapoor (helpless rich father of Amy) are the pillars of the brilliant ensemble supporting cast. Overall Shaitaan is another milestone in Indian cinema. One wouldn't expect it to be a blockbuster but it will be lapped up by it's target niche audience. More movies of this kinds need to be made in India. Take a bow Anurag Kashyap, Bijoy Nambier and the whole team.