Anthony Quinn is the captain of a pirate ship in the middle 1600s. The ship and its crew loot a British passenger ship. Half a dozen young kids, mostly British, board the victim ship accidentally sail away aboard the pirate ship. Quinn, a drunken and pediculous lout, comes eventually to care about the children in his own crude way, before a British Naval steamship capture him and his superstitious crew and rescue the kids, who are by this time wearing tattered clothing and are filthy.
The two central roles are those of Anthony Quinn and Deborah Baxter as one of the children. Quinn does his usual reliable number -- Zorba the Greek with edginess. He's dashing around the deck in his bare feet shouting orders in Spanish, slapping impertinent seamen about the head.
But Deborah Baxter's role is important. And she's magnetic. It's worth speculating why this should be so, but the answer isn't too flattering to the gentlemen in the audience. She was nine years old when this film was released. She's not striking beautiful -- no porcelain doll like Brooke Shields in "Pretty Baby." There is nevertheless something extremely appealing about her appearance and demeanor. Please, I'm no pedophile. I find older women more likable, for all the reasons given by Benjamin Franklin.
But Deborah Baxter, prepubescent though she may be, combines her juvenile vulnerability with a clearly seductive quality, which Quinn's character, the writers, and director Alexander MacKendrick all recognize and put to use in the story. It mocks our sensibilities to deny it. Jenny Agutter was about fourteen when she made "Walkabout" and Sue Lyon fourteen when she was Kubrick's "Lolita." Not that Quinn's pirate captain necessarily realizes what's up. He's clearly embarrassed at one point, at which he finds himself having to pin Baxter down to the deck, hovering above her, the crew chuckling because the position is suggestive. It's also clear that by the end, Quinn's desire to help and protect her has eclipsed any sexual feelings he might have felt.
She's a decent actress too, for a young girl. Her confusion at the climactic trial puts a definite period at the end of Quinn's career. And she turned quite beautiful in the next few years. That's why she was cast as Teddy Roosevelt's daughter in "The Wind and the Lion." Her character in that film, Alice Roosevelt Longworth, was a no-nonsense woman who lived into a candid late old age and died just one or two decades ago. You know the song, "Alice Blue Gown"? She's the "Alice."
I loved Quinn. People accuse him of overacting, yet it fits the part of a self-indulgent, not-too-bright pirate captain, huffing and puffing, always on the edge of hysteria. It's not really Zorba we see on the screen. It's Zampano from Fellini's "La Strada." A brute, but one who comes to have civilized feelings after all.
11 out of 15 found this helpful