• Warning: Spoilers
    Firstly I have to give credit to the visual design and acting in this film. Despite some too- modern dialogue, and a dull overuse of static shots of people standing talking to each other, the characters look convincingly like they inhabit a darkened between-world-wars Europe lit by dim lights through heavy curtains. It feels like a realistic period piece without the Downton Abbey gloss. And the story itself should have been gripping, but - and I must add a SPOILER warning - unfortunately, due to the strident music telegraphing that this kid is bad news right from the start, the ending loses most of it's power. I'm sure some people will love the music, but a score should serve the story, not detract from it. Maybe the music was pumped up to stop people losing interest during the early parts of the film, which is quite slow and features way too many repetitive scenes of a grouchy child being reprimanded. But there are other ways to keep audiences awake, like working on the dialogue, camera angles, editing etc, rather than loud ominous music that tells the audience more than they should know about where the film is going. The exact nature of the ending still manages to be surprising, but it doesn't have much power, and instead of being frightening it was just a relief to not have to watch more scenes of the cranky kid. The music at the opening of the film will put you on edge more than anything else in the film!