Two very big stars who didn't spend a lot of time at MGM were united there for this little soap opera, interesting mainly as a barometer of '50s morality. Cagney, a used-to-getting-his-way tycoon, wants to track down the son he had (horrors) out of wedlock, so he enlists the unwilling aid of Stanwyck, who runs the clinic for unwed mothers that handled his case decades ago. It's visually dull and prosaic in words, and both stars seem constrained; Cagney manages to throw a few curves in his characterization of a morally ambiguous man, but Stanwyck, polite and circumspect, is less interesting than usual. The most impressive work comes from Betty Lou Keim, a '50s TV actress as an unwed mom-to-be (Debbie Reynolds almost played it) who wraps up the plot. Walter Pidgeon, riding out his Metro contract, is also around, dispensing legal barbs as Cagney's used-to-winning lawyer. You'll be glad to know that Cagney eventually does find his son, in a well-written scene, and there's a mildly hopeful, mildly surprising ending. But mild is the operative word here.