Everybody seems to be dissing the Jule Styne-Leo Robin score to this friendly little 1955 widescreen musical, so let me put in a word for it. True, Columbia might have had an even better movie had it shelled out for the Bernstein-Comden-Green "Wonderful Town" Broadway score. But this one works just fine. It's tuneful, witty, and to the point, and it gives the great Betty Garrett (a replacement for Judy Holliday, whom Harry Cohn originally cast, but she was trying to be seen as less of a plain-Jane) several wonderful opportunities. Her comic timing's expert, she has a natural warmth, and it's easy to buy her as the overlooked sister of the well-cast Janet Leigh. Columbia, trying Jack Lemmon out in a number of guises at the time, perhaps shouldn't have cast him as a playboyish editor; it's not a very likable part, and he's not a singer, though he did do two other musicals for the studio around that time. But there's a splendid supporting cast, notably Bob Fosse (also choreographing) and a hideously underused, under-billed Tommy Rall. The Blake Edwards-Richard Quine screenplay preserves most of the best lines from previous versions and adds a few of its own, and the location footage is almost indistinguishable from the backlot work. Most raters have this one right--it's unpretentious, clever, happy, and picturesque. But it may send you out humming, too.