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  • "Captain Salvation" could have been a segment of "Intolerance." In 1840, faced with blind discrimination, unfounded gossip and strict religious judgment, Anson Campbell, a seminary student, retreats to the sea. There, through a series of unfortunate events, he is reborn to his faith, 'baptized' by the fallen woman who has enlightened him.

    Most performances are standard, but Pauline Starke's work is excellent. George Fawcett's character, Zeke, provides some of the story transitions by being around when the transitions occur. It is a critical function in silent movies too often provided by title cards alone(in talkies, by a narrator or other dialog). Generally, this picture is very smoothly directed by John Robertson.

    Cinematography by William Daniels helps this picture shine. The new orchestral score by Philip Carli (TCM induced, I think)is great.
  • This first-rate production from MGM, effectively evoking the Victorian atmosphere and attitudes of 1840s New England, is a fine film about the redemptive power of religion that isn't at all preachy or stereotypical.

    Highlighted by sensitive performances from Lars Hansen as a divinity student, Marceline Day as his fiancée, and especially Pauline Starke as the prostitute who comes between them, this film is not a melodrama as some have described it, but treats seriously complex issues of rape and the Christian's moral duty to sinners, and shows to what desperate measures people may resort in order to achieve redemption. Without giving away too much, I will add that the way former prostitute Bess Morgan preserves her new-found virtue defies Christian orthodoxy yet defines her as a hero just the same, and demonstrates just how subtle these early non-talking films could be.
  • In the Spring of 1840, tall, fair and handsome Lars Hanson (as Anson Campbell) returns from seminary studies, to his little New England town. A prayerful and seafaring man, Mr. Hanson is welcomed by the folks at home, especially virginal sweetheart Marceline Day (as Mary Phillips). The pair plan to become minister and wife, but drift apart when Hanson defends Boston prostitute Pauline Starke (as Bess Morgan) against the town's wrath. He is advised, "Get that trull out of here!" But, Hanson shocks puritanical villagers by taking in the shipwrecked woman, and nursing the "Waterfront Jezebel" back to health.

    Ironically, Hanson's "Christian charity" threatens his ministry and engagement. Returning her ring, Ms. Day exclaims, the "scarlet woman is stealing your soul!" In a grand scene, Ms. Starke tells Day she should have stood by her man. Ostracized, Hanson and Starke join a ship supposedly headed for Rio. That the Captain of the "Panther" is frequently nasty Ernest Torrence should tell you smooth sailing is not in the offing. Helping Hanson find his faith is one of Starke's best roles, and she performs it beautifully. Director John Robertson, photographer William Daniels, and the crew make "Captain Salvation" exciting.

    ******* Captain Salvation (5/14/27) John S. Robertson ~ Lars Hanson, Pauline Starke, Marceline Day, Ernest Torrence
  • As excited as I was a couple of months ago to see this film on TCM's schedule--if for no other reason than that it isn't available anywhere and I love it when rare films get pulled out of the vaults--I was also prepared for it to be a snooze-inducer, since some of the contemporary reviews were lukewarm at best. I am so glad this didn't turn out to be the case! Although the TCM score by Mr. Carli was simply perfect (and a great score can make even a mediocre silent seem better than it is), this is a film so beautifully composed and structured that I think it would hold its own even without music. I really wasn't expecting much from director John Robinson, since his name hasn't come down as one of the seminal directors of the silent era, but he proved me wrong, too. From breathtaking ocean views to subtly-lit interiors and sets, this is a visually rich film (photography by the great William Daniels); the titles are also well done by John Colton (credited on-screen as the author of "Rain"--obviously the right man to recruit for a story of religious hypocrisy and a "scarlet" woman). Yes, Lars Hanson does overact the crucial dramatic scenes, but Pauline Starke does especially fine work, along with Marceline Day and Ernest Torrence as yet another sea-faring type. Overall, this is an enjoyable film--not quite as preachy as I expected, with some lighter moments as well.
  • As was noted by Cine Tiger, this excellent silent film was offered by Turner Classic Movies on their Sunday Night Silent feature.

    "Captain Salvation" was beautifully photographed, and although it does show the difference in the movie-making of that day to this day, it was a captivating journey. Marcelline Day was simply excellent in this film. My original vote for this drama was a 6 but after reflection, I raised the vote to a 7 because some of the scenes were so very haunting.

    The newly added soundtrack for "Captain Salvation" was most enjoyable.

    Plaudits all around to the restoration team, to the music composer, and to the Turner Classic Movies channel and its executives. This was a great film to restore and it was definitely an enchanting story to view on a quiet Sunday night. This movie also gives the lie to those modern cynics who say that spiritual or religious themes in movies are passe' or "old hat." Not so. Granted, this was truly a '20s movie and the 1920's had an element of resurgent Christian fundamentalism in that era, a resurgence which contrasted so very sharply with the age of "flappers, flivvers, and fol-de-rol".

    With many other classics of the '20s awaiting restoration, we can only hope for the best and for the immediate rescue of these cultural documents from our true American history !! Let's hope TCM shows this one again and again.
  • Warning: Spoilers
    Directed by John S. Robertson, and based on the Frederick William Wallace novel, this silent film tells the story of a man returning from seminary school to his small community near Boston, only to find that intolerance, vs. Christian values, rule the day.

    In the Spring of 1840, Anson Campbell (Lars Hanson) returns by ship to Maple Harbour, and the whole town comes to greet his ship. Noticing that he's dressed informally, no coat and his vest is unbuttoned, and expressing his exuberance at being home, the town- folk wonder, under their breaths, if he'll be an appropriate addition on the pulpit of Nathan Phillips's (Jay Hunt) church. His daughter Mary (Marceline Day) seems to be one of the only ones really happy to see him; she's able to overlook Anson's appearance. Zeke Crosby (George Fawcett) whispers to Anson that there will be a fish fry later at his shack by the sea, but Anson makes secret plans to meet Mary by the shore later. Anson's uncle Peter (Sam De Grasse) tries to access whether his nephew feels appropriately "called" to his new profession.

    When Anson meets Mary later down by the sea, a nor'easter interrupts their brief interlude, but not before Anson declares his love for her and gives her a ring. With the wind kicking up, the two young lovers find their way to Zeke's shack where the fish fry is underway, followed by a belt busting contest which, helped by Mary, Old Sea Salt (James Marcus) wins. Because of the raging storm that night, a ship crashes on the shore and the whole seaside community comes to its aid. A woman aboard is briefly attended to before a man (it's possible this is James Marcus) from the ship accuses her of being the cause of the ship's fate, she being a "loose" woman. The woman, Bess Morgan (Pauline Starke), accuses the man of not paying for her services. Now no one is willing to help her, though she's obviously in need of it, until Anson steps forward and reminds them of their Christian duties. When no one steps forward to assist, Anson picks her up himself and carries her down to Zeke's shack, where together they help her to recover.

    Anson is now shunned by the entire community, from his uncle to Mary, who visits him at the shack and then leaves his ring behind. Bess appreciates Anson's kindness and promises him she'll be clean forevermore. When she sees a ship off shore, she decides to leave town. Zeke rows her, and Anson, out to the "Panther" and pays her passage to its Captain (Ernest Torrence), who tells him they're heading to Rio. Realizing he has no future in Maple Harbour, Anson asks the Captain if he needs any able bodied men, and signs on to work as one of the ship's crew. Unfortunately, the ship is really a slave ship headed for the "Islands of the Blest". Anson is too repulsed to assist in branding the prisoners, and is struck down by the Captain himself, who has Anson whipped for trying to save Bess from his clutches. Distraught over his situation, Anson acts "mad", saying "there is no God", while Bess tries to convince him otherwise.

    The Captain later advances on Bess who, rather than return to her sordid ways, fatally wounds herself with a knife. Before she dies, with Anson at her side, she tells him that she kept her promise to stay clean. Enraged, Anson lures the Captain up the mast and into its rigging for a fight. During the fight, the Captain falls to his death. The next scene shows a ship sailing into Maple Harbour. As it gets closer, it is clear that Anson is its captain and the ship's name is Bess Morgan. The community is outraged until he tells them the story, of how he found his calling to serve God when Bess died, which reduces them to tears. His uncle Peter forgives him, as does Mary, and the Bess Morgan becomes a gospel ship.
  • Lars Hanson is a seminary student in this silent feature, who is engaged and a model citizen in a small fishing village on the coast of Massachusetts in olden times, but his defense of a lady of ill repute who's "lost" lands him in hot water and the people who have been shunning her have started to alienate him as well. Through a series of events, both of them get out of town by means of a ship, which is presumably a fishing or cargo ship in search for goods, and thereby leaves his girl in the wake of the upset and still pining for him. But, on the ship, they soon find out that the crew and captain are not what they seem. After a scuffle and a dramatic moment between the young lady and the captain, the emotional ending begins. What began as a rather straight-forward and involving little film becomes a very moving and sensitive experience. I'm so glad I taped and watched this forgotten film. Lars Hanson, star of The Scarlet Letter with Lillian Gish, and who was quite the sex symbol of his day, is very effective as a man of the cloth and underplays his role. What might have been corny or over-the-top by someone like Richard Dix is very heartfelt and sincere by Lars. "Captain Salvation" can be found on TCM (in fact it was just on, but I watched my own copy of it) and is a silent film that sadly has been overshadowed by major films like Metropolis, Sunrise, Greed, and a lot of director D.W. Griffith's. Discover it today.
  • JohnHowardReid25 September 2017
    Warning: Spoilers
    Producer: John S. Robertson. Executive producer: William Randolph Hearst. A Cosmopolitan Production, released through Metro-Goldwyn- Mayer: 14 May 1927. M-G-M copyright: 17 May 1927. 8 reels. 7,395 feet. 87 minutes. (Available on a superb Warner Archive DVD with an absolutely brilliant music score by Philip Carli).

    SYNOPSIS: A would-be preacher is rejected by his puritanical congregation when he comes to the defense of a "fallen" woman, the survivor of a shipwreck . COMMENT: Although the synopsis would not seem to hold out much hope for a dramatic, thrilling and suspenseful picture, that is exactly what we have here in this magnificently realized, fast-paced and impressively characterized movie.

    True, Ernest Torrence is in his element as one of the most sadistic and evil villains he ever wickedly brought to fruition, but heroine Hanson gives him a good run for his money. And yet for all that, both Hanson and Torrence are outclassed by Pauline Starke who brings her Bess Morgan to such vibrant life, it's impossible not to feel for her along every acutely painful step of the way. Certainly one of the most powerful performances ever given on the motion picture screen!

    With this lavishly produced and pictorially visualized movie, director John S. Robertson has easily surpassed his famous Dr Jekyll and Mr Hyde (1920).
  • I was fortunate to be sent a copy of this movie after my plea. It was worth it as it was a far better movie than I had expected, it not being one of the most well known of silents. Everything about this movie was class and to top it all off, the soundtrack by Philip Carli was just perfect and the print was crystal clear. The direction by John Robertson was first class, again considering that he was not one of the more well known directors of the time and the photography was the usual high standard that we expect from William Daniels. The cast were all excellent, Lars Hanson was superb as the tormented title character Anson Campbell, he has been accused of over acting, but, Anson Campbell is a man who is losing his faith and heading for a mental breakdown to boot and Hanson portrays that with chilling clarity at times, though admittedly he was a little over wrought in some later sequences. Pauline Starke was absolutely amazing as Bess Morgan, she made you care so much about her and you truly believed in her character as a woman who has endured so much sadness and has hit rock bottom as a whore, but, is willing to seek redemption and change her life. Marceline Day was excellent as Mary Phillips, so much in love with Anson, but, still putting her faith ahead of her heart. This was a film that questioned the personal interpretation Christian charity in a manner that I found surprising for a film of that time All the cast was superb and the settings of a small New England harbour town was excellent, the shipwreck scene was very well done. All in all an excellent movie and if TCM show then I recommend it 100%. Special thanks to Paul, without whom I'd have never seen this treat. Hey TCM UK, when are you going to show more silent classics like you do on the other side of the pond?
  • Warning: Spoilers
    The first half to two-thirds of the film worked very well and I would rate this portion a 7 because the plot was very engaging and I found myself really caring about the characters. A man who loves the sea returns from theology school. He's expected to marry and become a minister in the local church, but all this comes to naught when the gossipy and hypocritical people of the town ostracize him. That's because a loose woman arrives via a boat wreck and no one wants to help her. The young man, being a true Christian, takes her into his home and nurses her back to health--at which point all the evil old jerks in the town begin gossiping and intimating that they are living in sin! The man is willing to accept this, but what really crushes him is that his fiancée also begins to believe this.

    So, feeling crushed and furious about the rotten little town, he books passage for the fallen woman on a passing ship and joins the crew as well. However, the ship is not as it appeared and the captain is a lecher and the ships cargo are prisoners who are severely man-handled by the wicked crew. The young man despairs and his faith is gone,...that is until the young woman stabs herself when the captain tries to rape her! At this point, he springs to action and kills the captain. Somehow, and they really don't explain this, after killing the captain, he then converts the wicked crew and begins traveling the world to spread the Gospel. While this idea was very, very far-fetched, it could have worked if handled with some grace and intelligence. Unfortunately, it was not and the film just ended on a very silly and unbelievable note when he returned to his original town and everyone recanted their evil ways and begged forgiveness after the man made an impromptu sermon at the dock. Too bad, as the first half was exceptional.

    By the way, as the film talked about rape, prostitution and suicide, it was a decidedly "Pre-Code" film that NEVER would have been made a decade later when the subject matter on the screen was more tightly regulated. Also, this film was largely forgotten until recently shown on TCM. Much of this was probably due to it having no one particularly famous in the film (at least today). The quality of the print and restoration is indeed superb.
  • I just finished watching "Captain Salvation" on Turner Classic Movie's "Silent Sunday". I was greatly impressed by the quality of the print, with great picture clarity, facial expressions, town scenes (we had just watched the "High Noon" DVD that evening, and it was comparable in picture quality). The new soundtrack showed copyright 2005. All of the dialog boards were, of course, new.

    The storyline was something else, but still delightful to get a feel for the dramatic overacting required of silent stars in the 1920's. The ending storyboard explained "and that is how the first Gospel Ship came into being". What a great experience, to feel transported back in time.

    Thank-you TCM for the efforts and monies to rescue these films, and then for sharing them with us.
  • "Captain Salvation" (1927) stars Lars Hanson, Pauline Starke, Marceline Day, Ernest Torrence, and a host of fine silent character actors known well in the day, such as George Fawcett, Sam de Grasse, Flora Finch, Eugenie Besserer, and James Marcus. A seminary student - one who ardently loves the sea and ships - returns to a small town near Boston in 1840 where it is presumed that he'll soon take over the pulpit from his uncle. A ship comes into near harbor during a nor'-easter and a very bedraggled, sick, and possibly injured prostitute, Pauline Starke, is taken off of the boat and brought into the village. Here the young man of the cloth, Hanson, befriends and helps her recover, leading to what nearly looks like proclaimed damnation from the other citizens, including his fiancé, Marceline Day. Because of all this, he is later driven to take Starke to a waiting ship in harbor, where the captain, Torrence, says the ship is going to "Rio". It's not. It's a convict ship going to the far southern hemisphere where the convicts will be used in salt mines. The captain plans to "use" Starke. Hanson decides to stay on the ship to make sure she's all right. Of course she's not. The show proceeds from here, and we see many consequences of faith and lack of faith, retribution, good versus evil, and so forth.

    Extremely well done, though admittedly more a potboiler than a great parable. Still, Pauline Starke shows what a great actress she was. Torrence as the evil captain shows his chops as he did in every film he ever made. Lars Hanson does a very creditable job as the young sailor/seminary student/preacher. It is often said he rather over acts in this film, and though their are definite flashes of over-melodramatic moments on his part, he nevertheless carries off the part remarkably well. Those particular moments are moments of temporary madness, and they probably aren't far off the genuine mark.

    Superb direction by John S. Robertson, topping his superb direction in the silent classic "Dr. Jekell and Mr. Hyde" (1920), starring John Barrymore. Photography by William Daniels is equally good. Recommended highly. This is the Warner Archive release on DVD, and though it has grainy moments and several artifacts at different moments, is still very watchable and enjoyable. Philip Carli's accompanying music is quite apt and most enjoyable.

    I recently watched "The Viking" (1928) and was especially impressed by Pauline Starke's performance. She seems to have had a large reservoir of talent; most of her films, beginning with 1916's "Intolerance", were silent, and many are lost. Too bad, because she seems to have had the acting talent to rank her with the best of them who are recalled today from the silent era.
  • Warning: Spoilers
    . . . probably could rack up more views if repackaged as a "ghost ship" tale. The tag line could be something along the lines of, "What happens when you throw a preacher, his Trull, and a lecher together on the same tall slave ship?" The answer, of course, is plenty, as this 1927 silent catches a second wind when it takes to the high seas for its second half. Climaxing with a battle in the high rigging which still is riveting after 86 years, the denouement is a little short on explanation, if long on grace. Both Bess Morgan, the scarlet woman here, and Anson Campbell, the reluctant preacher, seem incredibly naive when they cast their dice by joining the crew of a virtual pirate ship. After taking turns redeeming each other, Bess finds peace by transmogrifying into a vehicle of salvation. The sadder but wiser Anson gets a final hug from the pastor's spinster daughter, Mary. If this movie is remade any time soon, I'd vote for Joaquin Phoenix as "Anson" and Madonna as "Bess."
  • Warning: Spoilers
    Crystal clear restoration in this silent film from MGM/Loews. Pauline Starke is working girl "Bess", a rescued passenger when a ship goes down off Boston harbor. Pretty serious plot for such an early film. I must confess, I typically change the channel when Turner Classics shows the silent films... I don't usually have the time or patience to watch the silent films. This one caught my interest, and probably due to the clear picture quality and the "location" of Boston, I gave it a go. No actual locations are currently listed (was it filmed on the beaches of Los Angeles, or were those all just backdrops?? Clearly SOME were "still" scenes behind the actors. ) The town turns on the seminary student (Lars Hanson is Preacher Campbell) who comes to the aid of Bess in her time of need. Co-stars Marceline Day as Mary Phillips. From the original novel by Frederick Wallace. Directed by John Robertson, best known for his 1920 version of Dr. Jekyll and Mr. Hyde. "Salvation" was right in the middle of his directing career. 87 minutes. Sadly, it has the feel of a hays code film, but you'll have to watch it to see what I mean by that. an entertaining hour and a half. One of the more meaty scripts of the silent films.
  • Captain Salvation (1927)

    *** (out of 4)

    This Cosmopolitan picture contains a lot of melodrama but it also features some rather graphic material that certainly wouldn't have passed the Hayes Code only a short decade later. The story is pretty simple as a future preacher (Lars Hanson) is about to be married in his small town when there's a boat crash and a "unholy" woman (Pauline Starke) washes ashore. Near death, the preacher takes her in, which causes many of the gossiping Christians in town to spread the word that there's something sexual going on between them. Disgusted by the gossip, the preacher and woman board a ship not knowing that the Captain (Ernest Torrence) isn't being honest with them in regards to where it's headed. The plot of a town's gossip isn't anything too original seeing as how even D.W. Griffith was dealing with it a decade earlier but what makes this film really stand out are some great images, nice performances and some rather dirty stuff that wouldn't be in movies many more years. It's funny but if you want to see a more realistic movie then you have to go back to the silents because they appear to be the only films where the hero doesn't have to win in the end and they can also contain darker material. This film deals with rape, prostitution, murder and suicide; all of this in the short 87-minute running time. The movie comes off rather refreshing because we get to see all of this stuff and we also get a rather wild account of the Starke character being raped by her step-dad and then her saying how happy she was when the child died. These pre-code elements certainly separates this film from other melodramas out there and it's one of the reasons this film is worth viewing. Another are for the performances with Starke easily standing out and delivering a very memorable character and performance. She was wonderful early on as the vamp and we believe her transformation into the girl who wants to do good. Hanson, best remembered for playing the preacher in the Lillian Gish version of THE SCARLET LETTER, goes a bit over the top here but he still manages to be quite powerful. Pauline Starke, Torrence and George Fawcett all add nice supporting performances. What doesn't work in the film is the second half when we board the ship. There are some rather wild events that happen and I really didn't believe any of them as they all felt rather forced. I also wasn't as moved by the ending as I'm sure everyone making the film would have liked but with that said, this is still a pretty impressive film for fans of silents.
  • Warning: Spoilers
    " . . . This is the Devil's world!" preaches disillusioned seminary graduate Anson Campbell. Rampant holier-than-thou hypocrisy, indiscriminate misogyny, malicious gossips, stiff-necked unforgiving prudes, maritime con artists, brutal flogging henchmen, rapacious authority figures, slave colonies, human branding, over-sized flannel nightgowns and two-faced kin are just a few of the outrages the Mangy Fat Cat Leo movie studio presents as evidence to support Mr. Campbell's defection from the church. This story concludes by recommending suicide as a possible means of producing a dying fantasy of a better place.