Universal's 1929 part-talkie "The Last Warning," the last film for director Paul Leni (1927's silent "The Cat and the Canary") was long thought to be a lost film, and while it remains superior to this 1939 remake, "The House of Fear," the latter need not lower its head in shame. Actor John Woodford (Donald Douglas) dies during his latest performance of the play "Dangerous Currents," in the very theatre named for Woodford himself. The police assume it's just a publicity stunt when the body disappears from Woodford's dressing room, and the case remains open for 2 years, with no solution and no corpse. Arthur McHugh (William Gargan), a detective posing as a Broadway producer, decides to bring together the original cast to repeat their performance of "Dangerous Currents," despite the rumors that the theatre is haunted by Woodford's ghost, who communicates with McHugh through a dead phone line. Also, there is one supremely eerie encounter with a spectre in the darkened theatre, and this too cannot be explained away, so there may actually be a genuine haunting. Both actresses stand out: lovely Irene Hervey (who starred in Lugosi's 1942 "Night Monster") plays Woodford's leading lady, and Dorothy Arnold (who co-starred with Lugosi in the 1939 serial "The Phantom Creeps") is the sluttish golddigger. Fast paced, many twists and turns, and consistently witty dialogue (especially Alan Dinehart); a vastly underrated Universal mystery which is too often confused with the studio's 1945 Sherlock Holmes release, plus its 'Crime Club' series, a total of 7 features that ran from 1937-1939. German director Joe May would follow this with "The Invisible Man Returns" and "The House of the Seven Gables," both 1940 releases featuring Vincent Price. "The House of Fear" made three appearances on Pittsburgh's Chiller Theater: March 22 1975 (between "The Ghost of Frankenstein" and "Horror Island"), Dec 17 1977 (following "Cult of the Cobra"), and July 2 1983 (solo).
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kevinolzak23 February 2010
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utgard1413 August 2023Enjoyable programmer helped by a solid cast of recognizable faces and a script that's wittier than it has any right being. Despite being a Universal picture, this has no connection to the Universal Sherlock Holmes film of the same name released six years later. This is a remake of the silent film The Last Warning. It's also part of the Crime Club series.
The plot isn't any better than your average Charlie Chan flick, but there are some fun characters here with some snappy lines brought to life by great character actors like William Gargan and Alan Dinehart. The standout to me was Dorothy Arnold (who married Joe DiMaggio a few months after this was released). She's a lot of fun. Anyway check this out if you like cozy old murder mysteries with a little humor. -
gridoon20241 March 2024Bearing no relation to the Sherlock Holmes 1945 outing of the same title, and actually being a little mistitled itself (shouldn't it be "Theater of Fear"?), "House of Fear" (1939) is a minor if well-plotted whodunit, a remake of a 1928 silent film called "Last Warning" (which I have not seen). It begins well, with a murder (?) during a radio show that turns out to be part of a stage play (the radio show, not the murder), it stalls midway through as it seems no progress in the investigation is being made, but there are some good stunts at the end, and an amusing turn by the little-known Dorothy Arnold as the "easiest study in town" (wink, wink). **1/2 out of 4.
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tedg5 February 2015I watch these old mysteries not because I expect to find a good one. They rarely are, but often you can see a free art experimenting with different cinematic tricks while no one yet had a settled cinematic vocabulary. And here is a good one.
This is a mystery about the murder of a ruthless radio reporter. We see the murder occur just as he is about to make an announcement that will ruin some innocent people. Oh, but wait. A few moments later we learn that what we have seen is a play, a play within the movie.
In fact, the movie itself is an adaptation of a play. Essentially all the action occurs in a theater. To fully appreciate this, you need to know that the mystery genre made its leap from cheap paperbacks to movies via radio.
That first scene where things slide effortlessly is not as sophisticated as say, The French Lieutenant's Woman. But it is more impressive for the time. As the story goes on, it becomes more ordinary, but I'll mark this opening as a milestone in a nesting vocabulary. -
BA_Harrison6 September 2022Theatre actor John Woodford (Donald Douglas) dies suddenly while on stage, and his body mysteriously goes missing shortly thereafter. The actor's ghost is rumoured to haunt the theatre, and the place closes down.
To try and solve the mystery, police detective McHugh (William Gargan) poses as a producer who wants to reopen the theatre, putting on Woodford's last play, 'Dangerous Currents', with the same cast members.
Mysterious notes, purportedly written by Woodford, warn the cast not to go ahead with the play, and leading man Carleton (Walter Woolf King) is found dead. The play goes ahead, however, McHugh determined to catch the killer.
A creaky whodunit with plenty of suspects, The House of Fear is like a live-action Scooby Doo episode, with the detective discovering clues along the way that help him to solve the crime. And like a Scooby Doo episode, any seemingly supernatural occurrences are explained away, with the villain chased, caught and unmasked in the final act, an outpouring of convoluted exposition explaining their motive and modus operandi.
It's all a bit too talky to be wholly entertaining, but at just over an hour, the pace is fairly brisk and there are some fun performances (Dorothy Arnold is great as gold-digger actress Gloria DeVere), although the obligatory comic relief -- El Brendel as stagehand Jeff -- is thoroughly irritating. -
Norm-3030 June 1999An actor, John Woodford, dies on-stage during a performance of a play. His body is taken to his dressing room, where it disappears. The theatre is closed for over a year, and rumors that Woodford's ghost haunts it spread all over Broadway.
A detective (posing as a producer) rents the theatre and attempts to present the same play, but all sorts of "ghostly occurences" happen to try to thwart his plans. (Woodford's voice coming over a dead telephone, his face appearing on the pitch-dark stage during a police vigil, more murders, mysterious notes from the "dead man", etc).
All-in-all, a "different" mystery with good acting; if you watch the film intently, you can figure out who the murderer is (but, it's DIFFICULT!). Highly recommended. (btw....this film has NOTHING to do with the Sherlock Holmes film of the same name). -
mark.waltz25 December 2017Satisfactory B comic melodrama involves warnings from a murdered man for a company of actors gathered at the theater where he was killed not to continue with the play that they are rehearsing. It's up to novice producer William Gargan (really a detective) to find out what's up, dealing with the usual theatrical eccentrics of varying egos, some of them rather suspicious in character. The dead man's voice even haunts the company through a radio show, and certain incidents turn the theater into a haunted house giving more reason to keep that ghost light on.
At just over an hour, this film rushes by, often comical, sometimes annoying (El Brendel's cloying Swedish accent), suspenseful in the quiet shadows, and acceptable for its mysterious atmosphere. Jan Duggan gets the bulk of subtle laughs as a hammy character actress, with Dorothy Arnold and Irene Hervey trading barbs as rival leading ladies. It's obvious to me that each plot move is carefully mapped out, making each twist seem deliberately written and not often fresh or natural. But as B movies go, this is nonstop thrills and some surprising laughs which will keep you involved. -
Michael_Elliott27 February 2008House of Fear, The (1939)
** (out of 4)
Lazy, routine and by the numbers remake of The Last Warning from Universal. The story is pretty much the same as an actor gets murdered during a performance and then years later the cast is brought back together to try and trap the killer. This certainly sinks to the "C" level in Universal's library and it comes off very lazy compared to the original film. Several scenes are redone here but they don't come off nearly as good as the original film. The cast is also rather boring and bland but the 67-minute running time does go by fast.