The basic premise - a man begins the day by killing another(s) and then, rather than flee, waits in a locked room for the police to come and, whilst waiting, reflects on the events that led to his drastic action - is unashamedly the same framework employed by writer Jacques Prevert and director Marcel Carne in their late thirties classic Le Jour se leve, the essential difference being that their protagonist, Jean Gabin, had, by 1939, established himself in a series of 'blue-collar' roles, a symbol of the working-class, whilst Jean-Pierre Darroussin is the opposite, middle management or better and working in an International bank rather than performing semi-skilled work in a factory. Again, in Le Jour se leve although social conditions do play a part there is also a more 'personal' element that drives Gabin to kill Jules Berry whereas in Le Bon Matin corrupt banking is the prime factor behind Darroussin's action. Darroussin is an actor - and latterly director - who is virtually incapable of giving a bad performance and this is close to his best which is another way of saying as good as it gets. Whether it will find its audience is another matter but it certainly deserves to.+