‘Made in England: The Films of Powell and Pressburger’ Review: Martin Scorsese-Led Doc Gets Personal
Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
- 6/7/2024
- by Simon Abrams
- The Wrap
While filmmaking duo Michael Powell and Emeric Pressburger — aka The Archers — may be best known for their extravagant color films like “The Life and Death of Colonel Blimp,” “A Matter of Life and Death,” “Black Narcissus,” and “The Red Shoes,” their underseen black-and-white, post-wwii potboiler “The Small Back Room” may be their most daring.
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
- 6/4/2024
- by Harrison Richlin
- Indiewire
"A valentine to British cinema's greatest dreamers." This one is for all the die-hard cinephiles! Mubi has unveiled the official trailer for the cinema history documentary film called Made in England: The Films of Powell & Pressburger, made by filmmaker David Hinton. This originally premiered at the 2024 Berlin Film Festival earlier this year, and it's next screening at the 2024 Tribeca Film Festival in NYC coming up this June. The doc is narrated and presented by Martin Scorsese, who explores the history of these two famous filmmakers: Michael Powell and Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships." Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and Hungarian Pressburger who thrived in...
- 5/30/2024
- by Alex Billington
- firstshowing.net
“All this filming isn’t healthy,” says blind but perceptive Mrs. Stephens (Maxine Audley) late in Michael Powell’s resolutely disturbing Peeping Tom, and every aspect of the film’s rigorously self-reflexive construction seems to bear her out. From the opening shot of an opening eye, to the final shot of a blank screen swathed in black and blood-red gel lighting, Peeping Tom obsessively examines the social and psychological ramifications of overactive cinephilia. This situates Powell’s film as a direct precursor to later 1960s autocritiques along the lines of Federico Fellini’s 8½, Michelangelo Antonioni’s Blow-Up, and Haskell Wexler’s Medium Cool.
Powell and screenwriter Leo Marks originally wanted to make a film about Sigmund Freud and his theories, but word of John Huston’s upcoming Freud biopic put the kibosh on those plans. So instead they came up with the story of Mark Lewis (Carl Boehm), who works...
Powell and screenwriter Leo Marks originally wanted to make a film about Sigmund Freud and his theories, but word of John Huston’s upcoming Freud biopic put the kibosh on those plans. So instead they came up with the story of Mark Lewis (Carl Boehm), who works...
- 5/24/2024
- by Budd Wilkins
- Slant Magazine
David Niven and Kim Hunter of the set of A Matter Of Life And Death (1946). Photo: courtesy of Altitude
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
- 5/24/2024
- by Paul Risker
- eyeforfilm.co.uk
Martin Scorsese has a new smash hit on his hands. No, it’s not a Chanel ad or an epic Oscar nominee but yet another TikTok video courtesy of daughter Francesca Scorsese. But this one stands out in how it gives fans a look at his movie shrine, complete with vintage posters, props and, of course, a home theater.
The video is a play on TikTok’s We Are trend, with a general format that goes something like: “We’re ____, of course we _____.” The TikTok trend can be a fun way to poke fun at or champion cliches and stereotypes, but when Scorsese does it, it’s purely out of love for cinema…and directing his daughter. In the first clip, Francesca begins with, “We’re movie lovers, of course we have film posters all over our house.” Unfortunately, she doesn’t give the right delivery for hyping The Paradine Case...
The video is a play on TikTok’s We Are trend, with a general format that goes something like: “We’re ____, of course we _____.” The TikTok trend can be a fun way to poke fun at or champion cliches and stereotypes, but when Scorsese does it, it’s purely out of love for cinema…and directing his daughter. In the first clip, Francesca begins with, “We’re movie lovers, of course we have film posters all over our house.” Unfortunately, she doesn’t give the right delivery for hyping The Paradine Case...
- 5/22/2024
- by Mathew Plale
- JoBlo.com
Legendary film editor Thelma Schoonmaker is honoring the films of filmmaking duo Michael Powell and Emeric Pressburger with an upcoming retrospective at MoMA.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
- 5/1/2024
- by Samantha Bergeson
- Indiewire
Warning: Spoilers Ahead!
Zendaya is weighing in on the end of Challengers.
The 27-year-old actress opened up about the end of Luca Guadagnino‘s film, and what she thinks happened.
In the final scene, the camera lands on Tashi (Zendaya) as she screams “come on!” and smiles following a match point volley between Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist). Art jumps over the net and into Patrick’s arms.
In an interview with The New York Times’ Kyle Buchanan, Zendaya shared her thoughts on the ending, and admitted that it might be “confusing” to some.
Keep reading to find out more…
Zendaya said she felt that Tashi’s expression is a “yes!” of approval, “but my mom’s like, ‘I saw it differently.’”
“My mom read the ending so different,” Zendaya said.
“My mom is like, ‘She’s pissed because they realize that they don’t need her anymore.
Zendaya is weighing in on the end of Challengers.
The 27-year-old actress opened up about the end of Luca Guadagnino‘s film, and what she thinks happened.
In the final scene, the camera lands on Tashi (Zendaya) as she screams “come on!” and smiles following a match point volley between Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist). Art jumps over the net and into Patrick’s arms.
In an interview with The New York Times’ Kyle Buchanan, Zendaya shared her thoughts on the ending, and admitted that it might be “confusing” to some.
Keep reading to find out more…
Zendaya said she felt that Tashi’s expression is a “yes!” of approval, “but my mom’s like, ‘I saw it differently.’”
“My mom read the ending so different,” Zendaya said.
“My mom is like, ‘She’s pissed because they realize that they don’t need her anymore.
- 5/1/2024
- by Just Jared
- Just Jared
Spoiler Alert: This article contains plot details for “Challengers,” now playing in theaters.
All Tashi Duncan wanted was great tennis. At the end of Luca Guadagnino’s buzzy tennis drama “Challengers,” the camera freezes on Tashi (Zendaya) as she screams “come on!” following a match point volley for the ages between competitors Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist). The volley got so intense that it ends with Art leaping over the net and falling into Patrick’s arms. Is Tashi mortified or elated? Zendaya admitted in an outtake from the actors’ recent interview with The New York Times’ Kyle Buchanan that the ending might be “confusing” to some.
“My mom read the ending so different,” Zendaya said. “My mom is like, ‘She’s pissed because they realize that they don’t need her anymore.’ I was like, ‘But I smile a little bit at the end!’ My...
All Tashi Duncan wanted was great tennis. At the end of Luca Guadagnino’s buzzy tennis drama “Challengers,” the camera freezes on Tashi (Zendaya) as she screams “come on!” following a match point volley for the ages between competitors Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist). The volley got so intense that it ends with Art leaping over the net and falling into Patrick’s arms. Is Tashi mortified or elated? Zendaya admitted in an outtake from the actors’ recent interview with The New York Times’ Kyle Buchanan that the ending might be “confusing” to some.
“My mom read the ending so different,” Zendaya said. “My mom is like, ‘She’s pissed because they realize that they don’t need her anymore.’ I was like, ‘But I smile a little bit at the end!’ My...
- 4/30/2024
- by Zack Sharf
- Variety Film + TV
Kate Bush has always been a fiercely original art-pop icon. But with “Running Up That Hill,” she achieved a new kind of feat. “Running Up That Hill” was a massive Top Ten, dominating U.S. radio all over the summer of 2022 — even though it was a song she released back in 1985. Her classic synth-goth anthem sounded ahead of its time in the Eighties. But only Kate Bush could make it a song that still sounds ahead of its time nearly 40 years later.
“Running Up That Hill” came out on Bush’s 1985 breakthrough album,...
“Running Up That Hill” came out on Bush’s 1985 breakthrough album,...
- 4/24/2024
- by Rob Sheffield
- Rollingstone.com
Out this week in theaters is Radio Silence’s Abigail, a heist-turned-bloodbath when kidnappers realize the child ballerina they’ve snatched isn’t quite human. That the petite vampire is a ballerina feels apt. After all, the deceptive art form has a reputation for dainty elegance that belies the sheer grueling dedication of its performers, both physically and mentally.
Ballet requires a high level of dedication to practice and performance and frequently spills over into body horror through broken toenails, stress fractures, and overuse injuries. In other words, ballet is often a mix of pain and beauty, which means it pairs well with horror.
This week’s streaming picks are dedicated to ballerinas in horror.
These horror movies feature at least one ballerina tormented by her art form, highlighting the stark, beguiling contrast between beauty and horror. Here’s where you can stream them now.
For more Stay Home, Watch Horror picks,...
Ballet requires a high level of dedication to practice and performance and frequently spills over into body horror through broken toenails, stress fractures, and overuse injuries. In other words, ballet is often a mix of pain and beauty, which means it pairs well with horror.
This week’s streaming picks are dedicated to ballerinas in horror.
These horror movies feature at least one ballerina tormented by her art form, highlighting the stark, beguiling contrast between beauty and horror. Here’s where you can stream them now.
For more Stay Home, Watch Horror picks,...
- 4/15/2024
- by Meagan Navarro
- bloody-disgusting.com
Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest directors of all time, Michael Powell and Emeric Pressburger, the duo responsible for The Red Shoes, Black Narcissus, A Matter of Life and Death, and The Life and Death of Colonel Blimp. Considering Scorsese’s close connection to their work, from being captivated at a young age and much later becoming friends with Michael Powell (who was married to Scorsese’s long-time editor Thelma Schoonmaker), he’s the perfect guide through their filmography.
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
- 4/15/2024
- by Jordan Raup
- The Film Stage
For years, Awesome Art We’ve Found Around The Net has been about two things only – awesome art and the artists that create it. With that in mind, we thought why not take the first week of the month to showcase these awesome artists even more? Welcome to “Awesome Artist We’ve Found Around The Net.” In this column, we are focusing on one artist and the awesome art that they create, whether they be amateur, up and coming, or well established. The goal is to uncover these artists so even more people become familiar with them. We ask these artists a few questions to see their origins, influences, and more. If you are an awesome artist or know someone that should be featured, feel free to contact me at any time at theodorebond@joblo.com.This month we are very pleased to bring you the awesome art of…
Laurent Durieux...
Laurent Durieux...
- 3/2/2024
- by Theodore Bond
- JoBlo.com
Kate Bush has been announced as ambassador for Record Store Day UK 2024.
The annual celebration of independent record stores takes place on April 20th. As part of the festivities, Bush will release a special 10-vinyl of her song “Eat the Music,” from 1983’s The Red Shoes. The limited-edition Rsd UK pressing is described as a beautiful Uv printed on 10-inch with her preferred tracklist of “Eat the Music” and B-sides “Lily” and “Big Stripey Lie.”
“What a huge honour to have been asked to be Ambassador for this year’s Record Store Day. It really is a great privilege,” Bush said in a note accompanying today’s announcement.
“Isn’t it great to see how the resurgence in vinyl has taken the music industry by complete surprise? It had decided to leave vinyl far behind, but it would seem that not everyone agrees! I love that! I know there are many,...
The annual celebration of independent record stores takes place on April 20th. As part of the festivities, Bush will release a special 10-vinyl of her song “Eat the Music,” from 1983’s The Red Shoes. The limited-edition Rsd UK pressing is described as a beautiful Uv printed on 10-inch with her preferred tracklist of “Eat the Music” and B-sides “Lily” and “Big Stripey Lie.”
“What a huge honour to have been asked to be Ambassador for this year’s Record Store Day. It really is a great privilege,” Bush said in a note accompanying today’s announcement.
“Isn’t it great to see how the resurgence in vinyl has taken the music industry by complete surprise? It had decided to leave vinyl far behind, but it would seem that not everyone agrees! I love that! I know there are many,...
- 2/28/2024
- by Scoop Harrison
- Consequence - Music
In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie obsession to his first viewing of the U.K.-based pair’s 1948 tour de force, The Red Shoes, he leads us through a dozen of their features and a few of Powell’s solo efforts, connecting key sequences to memorable scenes in his own work. But beyond its clear explication of the films’ imaginative and technical power, Made in England is also a testament to mentorship and friendship; Scorsese was close to Powell, who died in 1990, for the last decade and a half of the British director’s life, and Powell married Scorsese’s longtime editor, Thelma Schoonmaker, in 1984.
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
- 2/24/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
- 2/23/2024
- by Alex DiVincenzo
- bloody-disgusting.com
The 74th Berlin International Film Festival announced the winners of the fest at the awards ceremony held at the Berlinale Palast on February 24.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
- 2/22/2024
- by Robert Lang
- Deadline Film + TV
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin Scorsese Through American Movies” — or both, as for this writer — “Made in England: The Films of Powell and Pressburger” arrives as an unmitigated treat.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
- 2/21/2024
- by Guy Lodge
- Variety Film + TV
Exclusive: Ahead of its world premiere today at the Berlin Film Festival, Cohen Media Group has secured all North American distribution rights to Made In England: The Films Of Powell And Pressburger.
Martin Scorsese narrates the film, which is directed by Emmy winner David Hinton.
Cmg negotiated exclusive theatrical and ancillary rights in North America with a planned release in 2024 in an exclusive window prior to TCM’s subsequent TV premiere.
The film puts a spotlight on Brit filmmakers Powell and Pressburger who created some of the most revered films of the British golden age, including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
You can check out an exclusive clip of the film here and read our...
Martin Scorsese narrates the film, which is directed by Emmy winner David Hinton.
Cmg negotiated exclusive theatrical and ancillary rights in North America with a planned release in 2024 in an exclusive window prior to TCM’s subsequent TV premiere.
The film puts a spotlight on Brit filmmakers Powell and Pressburger who created some of the most revered films of the British golden age, including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
You can check out an exclusive clip of the film here and read our...
- 2/21/2024
- by Andreas Wiseman
- Deadline Film + TV
It’s not often that a doc about the transformative power of cinema will deliberately use bad clips of the movies it’s talking about, but that’s part of the point of this insightful, sprawling film, corralled by director David Hinton. Though the masterpieces made by Michael Powell and Emeric Pressburger at the height of their big-screen, Technicolor powers were visually impeccable, their subversive emotional power could still pack a punch through a 16-inch TV screen, even from the most scratched, butchered, and washed-out black-and-white prints.
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
- 2/21/2024
- by Damon Wise
- Deadline Film + TV
Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival.
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
- 2/19/2024
- by Zac Ntim
- Deadline Film + TV
‘Made in England: The Films of Powell and Pressburger,’ the documentary executive produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
- 2/19/2024
- by Alex Ritman
- Variety Film + TV
The European Film Market is heating up as it winds to a close, with several major deals coming out of chilly Berlin. On Monday, art house streamer Mubi announced its first big buy of EFM, snatching up David
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
- 2/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Martin Scorsese is returning to the Berlin Film Festival tomorrow for the first time in a decade. The cinema legend, currently on the awards circuit with latest epic Killers Of The Flower Moon, will be feted with the Berlinale’s highest honor, its lifetime achievement Golden Bear.
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
- 2/19/2024
- by Andreas Wiseman
- Deadline Film + TV
Kevin Bacon in FootlooseImage: Paramount Pictures/CBS (Getty Images)
Dancing never goes out of style, but apparently dance movies do. The 40th anniversary of Footloose has us thinking about all the dance movies we’ve loved through the years, and the scarcity of those kinds of films these days. If you look at social media,...
Dancing never goes out of style, but apparently dance movies do. The 40th anniversary of Footloose has us thinking about all the dance movies we’ve loved through the years, and the scarcity of those kinds of films these days. If you look at social media,...
- 2/16/2024
- by Cindy White
- avclub.com
Courtesy of Studiocanal
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
- 2/15/2024
- by James Cameron-Wilson
- Film Review Daily
Martin Scorsese will narrate and present Made In England: The Films Of Powell And Pressburger, a documentary about the legendary filmmaking duo. It’s out in May.
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
- 2/14/2024
- by Ryan Lambie
- Film Stories
What’s faster than a speeding bullet, more powerful than a locomotive and able to leap tall buildings in a single bound? That would be Superman, of course, but you might not know it from the drawings. But it might be worth a look, as storyboards from 1978’s Superman are up for auction this weekend.
Through Peter Harrington Rare Books, 18 storyboards from Richard Donner’s classic Superman will be up for auction at the California International Antiquarian Book Fair. But you’ll need some major coin, as the collection is valued at a little more than $31,500.
Here are some details on the Superman storyboards, as per the Peter Harrington website (where you can also check out the artwork): “Together 18 leaves (approx. 202 x 300 mm), hole-punched left. 17 pencil sketches on transparency (14 with opaque backing paper) and 1 leaf with “Final Shooting Sequence” written in manuscript fibre-tip. Stains from adhesive on backing paper,...
Through Peter Harrington Rare Books, 18 storyboards from Richard Donner’s classic Superman will be up for auction at the California International Antiquarian Book Fair. But you’ll need some major coin, as the collection is valued at a little more than $31,500.
Here are some details on the Superman storyboards, as per the Peter Harrington website (where you can also check out the artwork): “Together 18 leaves (approx. 202 x 300 mm), hole-punched left. 17 pencil sketches on transparency (14 with opaque backing paper) and 1 leaf with “Final Shooting Sequence” written in manuscript fibre-tip. Stains from adhesive on backing paper,...
- 2/10/2024
- by Mathew Plale
- JoBlo.com
Hansel and Gretel, the two German kids who nearly became somebody’s meal, need little introduction. The characters in this Brothers Grimm classic have been used as a lesson about stranger danger and resilience for years. And while Hansel and Gretel’s ordeal has been put on screen multiple times — both faithfully and loosely — Yim Pil-sung’s 2007 movie is one of the more distinct adaptations. This Korean reimagining retains the essence of the influential fairy tale while also adding its own unique twists.
Hansel and Gretel was one of several movies from the golden age of South Korean Horror — often referred to as “K-Horror” in the West — to be based on fairy or folk tales. While Arang and A Tale of Two Sisters dug into local Korean lore, other movies drew from European narrations. However, much like Cinderella and The Red Shoes, Hansel and Gretel’s interpretation of its basis is rather liberal.
Hansel and Gretel was one of several movies from the golden age of South Korean Horror — often referred to as “K-Horror” in the West — to be based on fairy or folk tales. While Arang and A Tale of Two Sisters dug into local Korean lore, other movies drew from European narrations. However, much like Cinderella and The Red Shoes, Hansel and Gretel’s interpretation of its basis is rather liberal.
- 2/7/2024
- by Paul Lê
- bloody-disgusting.com
Del Palmer, the longtime bassist, collaborator, and partner of Kate Bush, has died. He was 71 years old.
News of Palmer’s passing came via a social media post shared by his niece, Debbii Louise Palmer, on behalf of his family. It has since been confirmed by outlets like the fan site Kate Bush News, which also reported that Palmer had “dealt with health issues” during his final years.
Born on November 3rd, 1952, in Southeast London, Palmer began performing at an early age, eventually crossing paths with an ascendant Bush during her late teenage years. In 1977, he joined her KT Bush Band, formally beginning a collaboration that would stretch on for four decades, with Palmer receiving credits on every Bush album released between 1978 and 2011.
When Bush was working on her first studio album, 1978’s The Kick Inside, she requested that Palmer and the KT Bush Band serve as the musicians, but her label,...
News of Palmer’s passing came via a social media post shared by his niece, Debbii Louise Palmer, on behalf of his family. It has since been confirmed by outlets like the fan site Kate Bush News, which also reported that Palmer had “dealt with health issues” during his final years.
Born on November 3rd, 1952, in Southeast London, Palmer began performing at an early age, eventually crossing paths with an ascendant Bush during her late teenage years. In 1977, he joined her KT Bush Band, formally beginning a collaboration that would stretch on for four decades, with Palmer receiving credits on every Bush album released between 1978 and 2011.
When Bush was working on her first studio album, 1978’s The Kick Inside, she requested that Palmer and the KT Bush Band serve as the musicians, but her label,...
- 1/8/2024
- by Jo Vito
- Consequence - Music
With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and those we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
- 1/8/2024
- by The Film Stage
- The Film Stage
Paul King’s origin musical starring Timothee Chalamet opened in over 700 locations
RankFilm (distributor)Three-day grossTotal gross to dateWeek 1. Wonka (Warner Bros) £8.9m £8.9m 1 2. Wish (Disney) £1.1m £5.8m 3 3. The Ballad Of Songbirds And Snakes (Lionsgate) £960,535 £14.8m 4 4. Napoleon (Sony) £950,261 £11.4m 3 5. Saltburn (Amazon/Warner Bros) £417,477 £4.1m 4
Audiences feasted on Warner Bros’ Wonka at the UK and Ireland box office this weekend as the family musical debuted with a sweet £8.9m.
Paul King’s chocolatier origin story opened in 701 venues, making for a solid £12,693 location average. It is one of the stronger openings of the year, narrowly beating out Universal’s Super Mario Bros: The Movie...
RankFilm (distributor)Three-day grossTotal gross to dateWeek 1. Wonka (Warner Bros) £8.9m £8.9m 1 2. Wish (Disney) £1.1m £5.8m 3 3. The Ballad Of Songbirds And Snakes (Lionsgate) £960,535 £14.8m 4 4. Napoleon (Sony) £950,261 £11.4m 3 5. Saltburn (Amazon/Warner Bros) £417,477 £4.1m 4
Audiences feasted on Warner Bros’ Wonka at the UK and Ireland box office this weekend as the family musical debuted with a sweet £8.9m.
Paul King’s chocolatier origin story opened in 701 venues, making for a solid £12,693 location average. It is one of the stronger openings of the year, narrowly beating out Universal’s Super Mario Bros: The Movie...
- 12/11/2023
- by Ellie Calnan
- ScreenDaily
Paul King’s festive musical, starring Timothee Chalamet, is one of the widest openings of the year
Warner Bros’ Wonka is hoping to tantalise UK and Ireland cinemagoers this weekend as Paul King’s festive musical opens in 701 locations.
It is one of the widest openings of the year, just behind Disney’s Guardians Of The Galaxy Vol. 3 which debuted in 705 locations and Warner Bros’ fellow title Barbie in 706. Disney’s Indiana Jones & The Dial Of Destiny is still the 2023 record holder with its 746 venue opening, followed by The Little Mermaid (732), Super Mario Bros: The Movie (720) and Mission: Impossible - Dead Reckoning Part One...
Warner Bros’ Wonka is hoping to tantalise UK and Ireland cinemagoers this weekend as Paul King’s festive musical opens in 701 locations.
It is one of the widest openings of the year, just behind Disney’s Guardians Of The Galaxy Vol. 3 which debuted in 705 locations and Warner Bros’ fellow title Barbie in 706. Disney’s Indiana Jones & The Dial Of Destiny is still the 2023 record holder with its 746 venue opening, followed by The Little Mermaid (732), Super Mario Bros: The Movie (720) and Mission: Impossible - Dead Reckoning Part One...
- 12/8/2023
- by Ellie Calnan
- ScreenDaily
In 2006, CBS began the meticulous process of remastering the original "Star Trek" series for release on Blu-ray and on HD DVD (remember those?). The live-action sequences were to be seen in high-definition for the first time, and the new versions were extrapolated from surviving 35mm masters. The show's special effects were to be recreated using modern CGI techniques, as modern HD TV screens would have made the original effects stand out in an awkward way. The release of the "remastered" Treks caused some debate among Trekkies. Was it exciting to see a TV series from 1966 brushed up to look as modern as possible, or should the shoddiness of the original be maintained for reasons of aesthetic purity? Luckily, unlike the "Special Editions" of "Star Wars," both the old versions and the new versions are readily available on Blu-ray.
The debate, however, will eternally remain if it's better to watch "Star Trek...
The debate, however, will eternally remain if it's better to watch "Star Trek...
- 11/25/2023
- by Witney Seibold
- Slash Film
Jeremy Thomas on Martin Scorsese giving gravitas to Michael Powell and Emeric Pressburger films: “I mean, The Red Shoes, unbelievable! Of course they’re period, Blimp, very period. And Black Narcissus, which I recently saw restored in a square in Bologna with thousands of people.” Photo: Anne-Katrin Titze
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
- 11/10/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Thelma Schoonmaker at the Karlovy Vary International Film Festival, 2010. Photo by Petr Novák.At 83 years old, Thelma Schoonmaker has no intention of slowing down. Best known for her career-long collaboration with Martin Scorsese, the three-time Oscar-winning editor is still juggling multiple projects. As we sat down for our conversation in London, the press juggernaut for her latest film with Scorsese, Killers of the Flower Moon, was in full swing, while back in New York, her editing consoles were whirring away, already at work on the duo’s next feature: a documentary on the films of Michael Powell and Emeric Pressburger. It’s a film close to the legendary editor’s heart. Schoonmaker was married to Powell from 1984 until his death in 1990. She was introduced to the filmmaker—one of the greatest in the history of British cinema—by Scorsese, a lifelong admirer who had set out to rehabilitate Powell’s critical reputation.
- 11/6/2023
- MUBI
Martin Scorsese and his longtime editor Thelma Schoonmaker have seen more movies than you. Both of them have long been champions of independent and international cinema, and they have each done their part to amplify titles and filmmakers that might be lost in the sea of the commercial American film market. When they're not making movies, they're likely overseeing the restorations of lost classics or recommending great movies you've never heard of on Turner Classic Movies. But they're also constantly incorporating nods and tips of the cap to those films in their own work.
Schoonmaker was in a relationship with celebrated British filmmaker Michael Powell, the co-director (with Emeric Pressburger) of such classics as "The Life and Death of Colonel Blimp," "I Know Where I'm Going!," "Black Narcissus," and "The Red Shoes." Their romance spanned a decade, starting in 1980 and sadly ending in 1990 when Powell died. In a recent interview with Little White Lies,...
Schoonmaker was in a relationship with celebrated British filmmaker Michael Powell, the co-director (with Emeric Pressburger) of such classics as "The Life and Death of Colonel Blimp," "I Know Where I'm Going!," "Black Narcissus," and "The Red Shoes." Their romance spanned a decade, starting in 1980 and sadly ending in 1990 when Powell died. In a recent interview with Little White Lies,...
- 10/19/2023
- by Witney Seibold
- Slash Film
In a very real sense, you had us at “Yorgos Lanthimos and Tony McNamara”. 2018’s The Favourite showed how perfectly the former’s eye for the visually abstract blends with the latter’s absurdist take on the period drama. Throw in Emma Stone (so good at delivering McNamara’s one-liners in The Favourite and Cruella) as an oddball and macabre promethean creation, Willem Dafoe as the eccentric surgeon that stitched her together and Mark Ruffalo as a deliciously moustache twirling cad and, well, you’re in, aren’t you?
Stone is on career-best form as Bella in this adaption of Alastair Grey’s 1992 novel. She begins the film with the mind of a bratty child, toddling around, spitting her food out and speaking in broken lines, and ends it as an articulate and sophisticated (if deeply deeply weird) young woman, rattling off idealistic social commentary in a tone familiar to...
Stone is on career-best form as Bella in this adaption of Alastair Grey’s 1992 novel. She begins the film with the mind of a bratty child, toddling around, spitting her food out and speaking in broken lines, and ends it as an articulate and sophisticated (if deeply deeply weird) young woman, rattling off idealistic social commentary in a tone familiar to...
- 10/16/2023
- by Marc Burrows
- HeyUGuys.co.uk
The movie, The Red Shoes: Next Step, revolves around the life of a young girl, Samantha Cavanaugh, who is an extremely gifted ballet dancer. Her world comes crashing down when she loses her role model, her elder sister, Annie, to a road accident in New York. She never wanted to fit into her sister’s shoes within the academy, but she did want to follow her as a role model. The film is full of anticipation of something good coming Sam’s way, even after a huge loss. The movie reeks of passion, enthusiasm, and motivation that would help real-life artists relate to the character.
We might mistake the film for a remake of the movie The Red Shoes (1948), but the two stories are completely different. While the old movie depicts a turmoil between romance and career, The Red Shoes: Next Step is the story of the struggle for fulfillment...
We might mistake the film for a remake of the movie The Red Shoes (1948), but the two stories are completely different. While the old movie depicts a turmoil between romance and career, The Red Shoes: Next Step is the story of the struggle for fulfillment...
- 9/22/2023
- by Debjyoti Dey
- Film Fugitives
A lot of articles exist on the internet listing the movies Martin Scorsese considers to be the best films of all time, but he’s not actually in favor of such rankings. Speaking to Time magazine for a video interview (see below), the “Taxi Driver” and “The Departed” icon said he is generally against top 10 best lists.
“I’ve tried to make lists over the years of films I personally feel are my favorites, whatever that means,” Scorsese said. “And then you find out that the word ‘favorite’ has different levels: Films that have impressed you the most, as opposed to films you just like to keep watching, as opposed to those you keep watching and learning from, or experiencing anew. So, they’re varied. And I’m always sort of against ’10 best’ lists.”
Scorsese gathered his favorite films into a list as recently as last December, when he participated...
“I’ve tried to make lists over the years of films I personally feel are my favorites, whatever that means,” Scorsese said. “And then you find out that the word ‘favorite’ has different levels: Films that have impressed you the most, as opposed to films you just like to keep watching, as opposed to those you keep watching and learning from, or experiencing anew. So, they’re varied. And I’m always sort of against ’10 best’ lists.”
Scorsese gathered his favorite films into a list as recently as last December, when he participated...
- 9/13/2023
- by Zack Sharf
- Variety Film + TV
Kevin Macdonald’s moving 2018 bio-doc, Whitney, did a great job of fortifying Whitney Houston’s legacy while wiping away the smear of the predatory celebrity culture that made a mockery of one of contemporary pop’s most exceptional talents during the worst and most public period of her drug addiction. Another price-of-fame subject, disgraced British fashion designer John Galliano, is a trickier prospect that does the director no favors.
If you come to this film looking for a brisk overview of his achievements in couture, you might find High & Low more than serviceable. Footage of shows, especially from Galliano’s big-budget tenure as creative director at Dior make for fabulous wardrobe porn, highlighting the haute theatricality and ravishing romance that turned him into a fashion rock star. But if you’re expecting the definitive closing leg of the redemption tour, it’s unlikely you’ll find this a persuasive argument...
If you come to this film looking for a brisk overview of his achievements in couture, you might find High & Low more than serviceable. Footage of shows, especially from Galliano’s big-budget tenure as creative director at Dior make for fabulous wardrobe porn, highlighting the haute theatricality and ravishing romance that turned him into a fashion rock star. But if you’re expecting the definitive closing leg of the redemption tour, it’s unlikely you’ll find this a persuasive argument...
- 9/2/2023
- by David Rooney
- The Hollywood Reporter - Movie News
John Galliano loomed large over the world of fashion throughout the 1990s and early aughts. As the creative director of Givenchy and Dior, Galliano was widely admired for his bold, barrier-pushing style and his sensual, elegant designs. But Galliano’s career imploded after videos emerged of him in 2010 and 2011 speaking admiringly of Adolf Hitler and launching into an antisemitic and racist diatribe, shocking the patrons of a Parisian cafe. It was, in retrospect, an early example of “cancel culture,” one that makes Galliano’s rise and fall instructive in light of the similar public reckonings that many Hollywood figures have faced in recent years.
Kevin Macdonald’s fascinating new documentary, “High & Low — John Galliano,” uses the fallen fashion icon to examine the limits of forgiveness, as well as the possibility of redemption. Galliano, who was heavily intoxicated when he made his comments, is sober now and says he’s worked...
Kevin Macdonald’s fascinating new documentary, “High & Low — John Galliano,” uses the fallen fashion icon to examine the limits of forgiveness, as well as the possibility of redemption. Galliano, who was heavily intoxicated when he made his comments, is sober now and says he’s worked...
- 9/2/2023
- by Brent Lang
- Variety Film + TV
Awards, sure — over his 60-odd-year career, Wayne Shorter amassed his share of prizes and honors. But none of that conveys what a singular and visionary talent he was more powerfully than this simple fact: Miles Davis and Art Blakey, two of the greatest bandleaders in the history of jazz, fought over him.
In Wayne Shorter: Zero Gravity, director Dorsay Alavi tells his story over three roughly hourlong episodes called “portals,” a fitting nod to the Buddhism that Shorter embraced and the sci-fi and fantasy he adored. The Prime Video docuseries — which takes its streaming bow Aug. 25, on what would have been Shorter’s 90th birthday — traces the chronology of the New Jersey native’s biography, but, much more than that, it’s a chronicle of emotion, creativity and faith, tuned in to the magnitude of Shorter’s musicianship and, no less, to his playfulness and searching nonconformity.
Alavi, who first...
In Wayne Shorter: Zero Gravity, director Dorsay Alavi tells his story over three roughly hourlong episodes called “portals,” a fitting nod to the Buddhism that Shorter embraced and the sci-fi and fantasy he adored. The Prime Video docuseries — which takes its streaming bow Aug. 25, on what would have been Shorter’s 90th birthday — traces the chronology of the New Jersey native’s biography, but, much more than that, it’s a chronicle of emotion, creativity and faith, tuned in to the magnitude of Shorter’s musicianship and, no less, to his playfulness and searching nonconformity.
Alavi, who first...
- 8/22/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
This drama about an underdog-understudy forced to clean studios has real ballet dancers but the story is less realistic than Angelina Ballerina
This saccharine drama pivots around aspiring ballerina Sam (Juliet Doherty), who we meet as she is about to go on stage to dance in a production of The Red Shoes (presumably a version of the Matthew Bourne ballet-drama). But in one of those dramatic twists of fate that would set even the Brothers Grimm’s eyes rolling, her sister Annie calls to wish her good luck seconds before she takes the stage – and then promptly gets hit and killed by a passing car.
Obviously, this rather ruins Sam’s big night, and she gives up on dancing altogether. She subsequently falls in with a teenage tearaway named Eve (Lauren Esposito) who, like Sam, is a young American living in Australia for reasons left inexplicably vague. A sequence of...
This saccharine drama pivots around aspiring ballerina Sam (Juliet Doherty), who we meet as she is about to go on stage to dance in a production of The Red Shoes (presumably a version of the Matthew Bourne ballet-drama). But in one of those dramatic twists of fate that would set even the Brothers Grimm’s eyes rolling, her sister Annie calls to wish her good luck seconds before she takes the stage – and then promptly gets hit and killed by a passing car.
Obviously, this rather ruins Sam’s big night, and she gives up on dancing altogether. She subsequently falls in with a teenage tearaway named Eve (Lauren Esposito) who, like Sam, is a young American living in Australia for reasons left inexplicably vague. A sequence of...
- 8/21/2023
- by Leslie Felperin
- The Guardian - Film News
Tim Mackenzie-Smith’s feature debut tells the story of the 1970s Black British group.
BFI Distribution has acquired UK-Ireland distribution rights to music documentary Getting It Back: The Story Of Cymande.
It will receive a theatrical release in early 2024. Getting It Back launched at SXSW 2022, before a UK premiere at last year’s BFI London Film Festival, and festival screenings at Doclisboa and Doc ‘n’ Roll Festival.
The feature debut of UK director Tim Mackenzie-Smith, Getting It Back tells the story of Cymande, a group of Black musicians who came to the UK from the Caribbean as children, and formed...
BFI Distribution has acquired UK-Ireland distribution rights to music documentary Getting It Back: The Story Of Cymande.
It will receive a theatrical release in early 2024. Getting It Back launched at SXSW 2022, before a UK premiere at last year’s BFI London Film Festival, and festival screenings at Doclisboa and Doc ‘n’ Roll Festival.
The feature debut of UK director Tim Mackenzie-Smith, Getting It Back tells the story of Cymande, a group of Black musicians who came to the UK from the Caribbean as children, and formed...
- 8/18/2023
- by Ben Dalton
- ScreenDaily
Greta Gerwig’s “Barbie”(starring Margot Robbie as the titular doll) is, justifiably, capturing the cultural zeitgeist.
The movie itself is wonderful – a subversive, silly and surprisingly moving. Whatever you thought a “Barbie” movie would be, this isn’t it. There is no egregious product placements (despite almost every product imaginable in our world having a “Barbie” tie-ins) or feelings of gross consumerism. Instead, it’s a lovely tale about feminism and the differences between an idealized world created, in part, by the dreams of young women, and the cruel reality of the world we actually inhabit.
“Barbie” gives you such a buzz, in fact, that you’re probably looking for more things like it. We’ve compiled five movies that are, at the very least, “Barbie”-ish, and ones that we think you’ll probably enjoy.
Note: These are all movies that were not a part of Greta Gerwig...
The movie itself is wonderful – a subversive, silly and surprisingly moving. Whatever you thought a “Barbie” movie would be, this isn’t it. There is no egregious product placements (despite almost every product imaginable in our world having a “Barbie” tie-ins) or feelings of gross consumerism. Instead, it’s a lovely tale about feminism and the differences between an idealized world created, in part, by the dreams of young women, and the cruel reality of the world we actually inhabit.
“Barbie” gives you such a buzz, in fact, that you’re probably looking for more things like it. We’ve compiled five movies that are, at the very least, “Barbie”-ish, and ones that we think you’ll probably enjoy.
Note: These are all movies that were not a part of Greta Gerwig...
- 7/30/2023
- by Drew Taylor
- The Wrap
Way back in 2011, long before he was cast in the TV adaptation of Good Omens, actor Michael Sheen (Aziraphale) told MTV that his favourite film was Powell and Pressburger’s 1945 masterpiece A Matter of Life and Death. That was still the case in 2019, as confirmed on social media. For someone currently appearing as an angel, it’s an incredibly appropriate favourite film – and the makers of Good Omens must have been listening, because there are several Easter eggs nodding to the film appearing in the fantasy-comedy’s second season.
An Unusual Origin
Michael Powell and Emeric Pressburger were British film-makers who started a production company called The Archers in 1939, just a few years after Pressburger came to Britain having fled the Nazis. As well as producing, they wrote and directed several very well-known and hugely influential films during the 1940s, including The Life and Death of Colonel Blimp, Black Narcissus,...
An Unusual Origin
Michael Powell and Emeric Pressburger were British film-makers who started a production company called The Archers in 1939, just a few years after Pressburger came to Britain having fled the Nazis. As well as producing, they wrote and directed several very well-known and hugely influential films during the 1940s, including The Life and Death of Colonel Blimp, Black Narcissus,...
- 7/30/2023
- by Louisa Mellor
- Den of Geek
This post contains spoilers for "Barbie."
Greta Gerwig's "Barbie" movie is a cinematic marvel. The first film in the newly-minted Mattel cinematic universe, "Barbie" mines corporate history and IP while still managing to be original, subversive, and even laugh-out-loud funny. Frankly, it's shocking the film got made at all, especially considering the fact that Will Ferrell plays a highly satirical version of Mattel's very own CEO. In fact, when she first read the script, star Margot Robbie's first thought was "We'll never make this movie," because of how much it pokes fun at the company behind the (in)famous doll.
Working under both the constraints of a big Hollywood studio and a billion-dollar toy corporation, Gerwig and her co-writer Noah Baumbach came up with a script that is wholesome enough to appeal to the bosses but witty enough to tickle even the most cynical of viewers. Robbie is perfection in the lead role,...
Greta Gerwig's "Barbie" movie is a cinematic marvel. The first film in the newly-minted Mattel cinematic universe, "Barbie" mines corporate history and IP while still managing to be original, subversive, and even laugh-out-loud funny. Frankly, it's shocking the film got made at all, especially considering the fact that Will Ferrell plays a highly satirical version of Mattel's very own CEO. In fact, when she first read the script, star Margot Robbie's first thought was "We'll never make this movie," because of how much it pokes fun at the company behind the (in)famous doll.
Working under both the constraints of a big Hollywood studio and a billion-dollar toy corporation, Gerwig and her co-writer Noah Baumbach came up with a script that is wholesome enough to appeal to the bosses but witty enough to tickle even the most cynical of viewers. Robbie is perfection in the lead role,...
- 7/24/2023
- by Kira Deshler
- Slash Film
Barbie is looking like a box office beauty, racking up the strongest preview night numbers of the year and heading for a weekend gross that could top $100 million — that could buy Warner Bros. a whole lot of dream houses.
But the Mattel icon’s pink Corvette took a very long road to the big screen, and before writer-director Greta Gerwig, writer Noah Baumbach and star Margot Robbie, there were other top creatives attached to the on-again, off-again project.
Below is a brief history of Barbie’s journey from one of the most popular toys in the world to theaters:
1959. The Barbie fashion doll, created by Ruth Handler, is launched.
Literally 50 years pass.
2009: Mattel, the makers of Barbie, sign a deal with Universal Pictures to make a film about the iconic doll. That deal fell through.
2014: Sony acquired the rights to Barbie. The project saw a series of writers...
But the Mattel icon’s pink Corvette took a very long road to the big screen, and before writer-director Greta Gerwig, writer Noah Baumbach and star Margot Robbie, there were other top creatives attached to the on-again, off-again project.
Below is a brief history of Barbie’s journey from one of the most popular toys in the world to theaters:
1959. The Barbie fashion doll, created by Ruth Handler, is launched.
Literally 50 years pass.
2009: Mattel, the makers of Barbie, sign a deal with Universal Pictures to make a film about the iconic doll. That deal fell through.
2014: Sony acquired the rights to Barbie. The project saw a series of writers...
- 7/21/2023
- by James Hibberd
- The Hollywood Reporter - Movie News
“Barbie” will soon be unleashed on an eagerly waiting world, and cowriter/director Greta Gerwig would like to provide you with some context, courtesy of her Letterboxd list of films she watched for inspiration, in a clip you can watch above.
Just looking at the list, you can see where some of the inspiration would come from — the candy-colored musical world of “Barbie,” starring Margot Robbie as the titular doll, does bring to mind several of her selections like “The Umbrellas of Cherbourg,” “The Wizard of Oz,” “The Red Shoes” and “Playtime.” The idea of a character transitioning from one world to another is also pretty apparent in selections like “The Truman Show” and “Heaven Can Wait.”
For “Heaven Can Wait,” Gerwig said that the movie is “extremely high concept, but always human… There’s nothing about it that makes you feel distanced from it. It totally works even though...
Just looking at the list, you can see where some of the inspiration would come from — the candy-colored musical world of “Barbie,” starring Margot Robbie as the titular doll, does bring to mind several of her selections like “The Umbrellas of Cherbourg,” “The Wizard of Oz,” “The Red Shoes” and “Playtime.” The idea of a character transitioning from one world to another is also pretty apparent in selections like “The Truman Show” and “Heaven Can Wait.”
For “Heaven Can Wait,” Gerwig said that the movie is “extremely high concept, but always human… There’s nothing about it that makes you feel distanced from it. It totally works even though...
- 7/18/2023
- by Drew Taylor
- The Wrap
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