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  • A computer nerd makes a deal with a sexy she-devil to become a muscle-bound beach hunk.

    Hunk shares quite a similar idea to the one later used (copied?) in Bedazzled (2000), where we have a hopeless nerd given the chance to become cool by a super-sexy she-devil, with the result that he realises that it is more important to be yourself than superficially good-looking. In that later film we had Elizabeth Hurley turn in a mind-bogglingly seductive performance, in Hunk its Deborah Shelton who is somewhat convincing as a rather hot seductress. The leading ladies certainly are very important to the success of these films but they both also feature other decent performances. In this case it is John Allen Nelson who most impresses in a role that has him play a stereotypical hunky guy while remaining nerdish at heart. It's a good comical performance that works well alongside Shelton's glamorous seductress.

    While I wouldn't describe this as an especially funny film, it is definitely a likable one. It is much less moronic than quite a few of the teen comedies of its day and I think it stands up fairly well. It naturally has oodles of 80's cheese as well but that is pretty much a positive detail as far as I am concerned. All-in-all, a very fun film.
  • dthorsen114626 January 2006
    5/10
    awful
    I have probably watched this movie way too many times too remember don't want too get too embarrassed but 80's poster model Deborah Shelton is in it and that's enough for me. It's actually probably the worst movie I've ever seen least the worst one that ever hit the theaters remember the hunk in trunk advertisements for your back car window oh please! Anyone who thinks this is a classic 80's movie never was in the 80's. If I want this too be submitted I have to write at least three more lines. So I don't know why I think Deborah Shelton turns me on so much in this movie I mean she doesn't even wear a bikini just a blue one piece swimsuit and some knock your socks off dresses that made me go crazy Maybe I actually am crazy for watching this movie so many times
  • Potentially interesting premise (a comic variation, of sorts, on the Faust legend) is given a bland, somewhat rushed treatment, and turned into an ordinary, predictable movie that takes itself too seriously near the end. James Coco doesn't make a particularly entertaining Devil, and his various disguises do almost nothing for the film. (*1/2)
  • Low budget comedy deals with a nerd selling his soul to the devil (James Coco) in order to become a hunk. Charming actors and performances somewhat help buoy uninspired premise and direction. James Coco is just as good as ever in one of his last performances. My rating: 6 out of 10.
  • "Bradley Brinkman" (Steve Levitt) is a computer programmer who daydreams about being somebody other than the nerd he essentially is. Suddenly, a demon by the name of "O'Brien" (Deborah Shelton) appears and makes a deal with him to change everything. He then agrees to a temporary arraignment to sell his soul with a stipulation that if he doesn't like the agreement he can revert to his former self. The next morning, he awakens as a brand-new person named "Hunk Golden" (John Allen Nelson) who all the women simply adore. Anyway, as I recall, the first time I saw this movie was back in the early 90's one evening while watching "USA-Up All Night" hosted by Rhonda Shear. That said, about the only thing I recalled was how great Deborah Shelton looked playing the part of O'Brien. Now, having just seen it again for the first time in over 20 years, I have to concur with my earlier assessment because she definitely adds some nice scenery to this movie. Unfortunately, she was about the only good thing this film had to offer as the rest of it was long, dull and terribly predictable. Not only that, but while it is billed as a comedy, there really wasn't much humor to it. In summation, if you're totally bored or you happen to be a fan of Deborah Shelton then this film might be worth a look. Otherwise, you would probably do best to pass on it. Below average.
  • We all get our start somewhere and if you look sharp you can spot Brad Pitt as an extra in a scene in Hunk on the beach at Sea Spray California where there is a beautiful beach for beautiful people. Fortunately he would go on to better things.

    Hunk is another retelling of the Faust legend a real silly one at that. Nerdy Steve Levitt who is a computer programmer is up against it and says he'll make a deal with old Scratch for a good program. His computer itself writes one for him and as a reward he gets to spend the summer off at Sea Spray beach while he tries to come up with another program winner. Hanging around all these beautiful people and being treated like something stuck to your shoe, Levitt dreams he was one of them.

    Now old Scratch himself sends an emissary in Deborah Shelton and she offers him a chance to try out hunkdom. Sure enough over night he's transformed into the drop dead gorgeous John Allen Nelson. Perfection in the male body. itself.

    The whole thing really gets downright dumb as Nelson becomes a celebrity after saving the life of Robin Leach wannabe Robert Morse. Will he take the offer? I know I would find it hard to refuse.

    James Coco has some good moments as a most epicene devil, but the rest of this is just juvenile and stupid.

    But if you like ogling beautiful bodies, you can't go wrong with Hunk.
  • Bradley works for a computer company as a programmer. His girlfriend ran off with someone else and he has been so despondent, his job is going down the drain. Magically, one night he writes a terrific new program that makes the company big money. Bradley is given many perks, including a summer off and digs at the beach. Nevertheless, Bradley is snubbed by the glamorous folks near his apartment until he makes a "deal" with a beautiful woman who claims to represent the devil, himself. Bradley will get a new body until Labor Day, a body of a hunk. And, wow, on Labor Day he can choose to make his deal with the underworld permanent or he can walk away with his old body. Bradley signs a contract and gets his new bod. Beautiful women suddenly swarm around him and endorsements come his way by the truckload. But, very worried, he goes to see a counselor to help him make sense of the situation. Can she point him in the right direction? This is a stupid movie with little to recommend it. The cast is average, the script is lousy, the costumes are poor, and the production values are very low. What more can one say or need to say? Avoid this film, it is junk. Spend your time looking for a much better romantic comedy, such as Return to Me or Kate and Leopold.
  • This film suffered an early fate echoed in bigger-budget movies made today - that of having a very good idea choked by a mediocre script, bad casting an wretched plot design. Suffice it to say that this film fared better in our childhood memories than it did as a re-run today. One of the travesties in this film was the lack of commitment to the flow of the story demonstrated by the makers of this film. Everything falls short because of this, making the viewer not really care what happens. What we found most offensive were the pathetic special effects. Even B-grade budgets can do better. We recommend bypassing this should you ever actually come across it.
  • I recall seeing the 'Hunk' poster at the theater back in the 80's, and figured it was another run of the mill TnA flick. A few years after the theatrical release, I caught it on USA "Up All Night", and lo and behold - it was just as I thought. To this day, I still cannot believe there was ever a character, albeit fictional, named "Hunk Golden"! Seriously. Hunk. Golden.

    Anyhow, about a year after my private "Up All Night" screening, I happened on this flick again upon returning home from a night of carryin' on. It was 2 am, and my little brother was sitting in the dark with a case of the split sides, while a barrage of Spanish dialogue spewed out of the tube. That's right - it was "Hunk" - en Espanol! The movie took on a new life in Spanish! To this day, I still chuckle at the thought of a crowd of adoring onlookers shouting, "HOUNK PARA PRESIDENTE!"
  • A friend new the director, so I went to the premiere, which was in a prestigious Westwood (L.A.) theatre. We all found it very entertaining.

    The story was this: Lawrence Bassoff went to USC film school, where he made a hilarious twenty-minute comedy about an outer space themed Bar Mitzva. http://www.film-making.com/breaking.html

    From that, he succeeded in getting a low-budget movie deal from Crown International Pictures for his first commercial film, Weekend Pass, which was moderately successful. Then Crown said they wanted to fund him to make another low-budget film, and they wanted it to be called 'Hunk'. No treatment, no script, no plot ideas. Just make a comedy about a hunk, and do what you want.

    A lifelong movie poster collector, he never made another film but has written three books on movie posters.
  • Quite how Lawrence Bassoff got a second writing/directorial gig after his appalling sex comedy Weekend Pass I'll never understand, but here it is—Hunk—yet another take on the tale of Faust, in which a nerdy computer programmer by the name of Bradley Brinkman (Steve Levitt) agrees to a devilish trial offer from sexy Satanic minion O'Brien (Deborah Shelton): his soul in exchange for new persona, that of ripped beefcake Hunk Golden (John Allen Nelson), a fancy car, and loads of cash.

    The whole Faust shtick offers plenty of opportunities for laughs and smutty humour, and yet somehow Bassoff manages to miss them all, instead giving his viewers a succession of laugh-free scenes in which Hunk struggles to come to terms with his situation, mingles with the shallow inhabitants of exclusive beach resort Sea Spray, and falls for his disbelieving shrink Sunny (Rebeccah Bush). Not only is the film desperately unfunny, but for a Crown International film, Hunk is also surprisingly free of female nudity, making it a double disappointment in my book.

    Rather unsurprisingly, this was to be Bassoff's last film, no-one willing to give the guy a third chance to prove what a lousy film-maker he was.

    2.5 out of 10, rounded up to 3 for IMDb.
  • Warning: Spoilers
    Sweet, but lonely computer nerd Bradley Brinkman (the engagingly gawky Steve Levitt) ain't pleased with his lackluster lot in life. So he sells his soul to sexy spirit O'Brien (the astonishingly hot Deborah Shelton) and the gleefully wicked main evil dude Dr. D (a delightfully droll James Coco) so he can become handsome and irresistible beefcake stud muffin on wheels Hunk Golden (winningly played by John Allen Nelson). But will being Hunk enable Bradley to finally find happiness? Writer/director Lawrence Bassoff relates this charming 80's comic fantasy variant on "Faust" in an infectiously frothy, silly and lightweight manner; he maintains a bubbly good-natured tone and pleasant sense of goofy humor throughout. The excellent supporting cast qualifies as a substantial additional plus: Rebeccah Bush as helpful, sympathetic psychologist Sunny, Cynthia Szigeti as chatty, obnoxious Chachka, Avery Schrieber as Bradley's huffy boss Constantine Constapopolis, Melanice Vincz as vapid former cheerleader Laurel Springs, Hilary Shepard as arrogant brunette babe Alexis Cash, and Robert Morse as pompous, drunken TV show host Garrison Gaylord. Bryan England's glossy cinematography and David Kurtz's neatly bouncy'n'catchy score are both up to par. A nice little movie.
  • The only thing good about this film is that it holds up a very good looking man as the object of voyeurism (refreshing, since typically in films, women are the exhibitionists and men are the voyeurs). John Allen Nelson certainly lives up to the title.

    Other than this, the acting is atrocious. Of course, the script probably didn't leave the actors much to work with. The dialogue seems very stilted and uninspired.

    The film is enjoyable in the "it's so bad it's good" vein, though. This is definitely a film for those who like bad movies or just like to see a cute guy in a small swimsuit. Not much else to offer.
  • Libratsie19 September 2003
    1/10
    yuck
    The absolute, hands-down worse movie I have ever seen. It is also the only film I've ever wanted to walk out of, but couldn't as someone was paying me to review it. I saw it the day it was released, and have never forgotten how bad it was. I love a bad movie, but this one was so far down, it wasn't even "bad but entertaining."
  • Warning: Spoilers
    **Contains possible spoilers**

    I saw this movie late last night and was quite impressed. It does seem quite dated now but is quite good for a low budget movie that focuses on yuppie life during the 80s and is a sad testament to the lengths a guy who is a geek and an outcast will go to just to fit in with the rest of the crowd.

    Naturally the story is probably as predictable as they come, but its heart is in the right place with the moral of the story being never be afraid to be the person you are on the inside. Thus, when O'Brien reveals her true self I was a little disappointed to find that she was still beautiful - I imagined the movie might have made its point better had she been a bit plainer and ordinary looking like him. Otherwise it was quite charming, with good performances all round. That is if you can take any movie that features a character calling himself 'Hunk Golden' seriously!
  • Horrible movie. They must have been cranking out films like this every week during the mid to late 80's. A nerd makes a deal with the Devil so he could look all macho and studly. LAME. Nothing in this movie resembles the slightest notion of entertainment. I'm glad this movie has died and went to the great videotape graveyard. Gone and happily forgotten. Life is too short to waste on tripe like this. Rubbish. F.
  • Warning: Spoilers
    1st watched 12/25/2020 - (Dir-Lawrence Bassoff): Lame comedy about a geek who is turned into a hunk by a sorceress working for Satan. I'm sure this was a passion project for writer/director Lawrence Bassoff to try and make money off the perverted movie hungry teens in the late 80's, but I don't even think they would like this tame & lame PG attempt at a sex comedy. It starts with Hunk Golden, played by John Allen Nelson, explaining to a good looking female pychiatrist what has happened. The geek Bradley, played by Steve Levitt, is a computer programmer extraordinaire who is lured by a symbol on the computer to accept a proposal to turn into a hunk for a short time - where at the end he will give his soul away if he wants to stay Hunk. We are than introduced to the sorceress, who is is trying to win him so she can pay back the devil(Dr. D here), and possibly get her life back. We later find out she is embodying the psychiatrist(in a weird twist) to convince him to stay Hunk. There is pretty much non-existent sex and non-existent comedy to meet the criteria for this kind of movie. It tries to redeem itself at the end with a soul-searching ending, but by this time we are just waiting for the movie to be over. A host of older actors are pretty bad as well....aka. Avery Schreiber, Robert Morse and others, and they don't help the movie. Definetly a loser to be passed on for a lot of reasons.
  • Warning: Spoilers
    This is just another "Not very good movie".

    The premise is as old as the hills. Unsucsessful lonely person sells their soul to the devil for short term gain. There are a couple of nice twists given to this idea in this movie: The "demon" recruiting the lost soul has a contract of her own to deal with the devil, the Black Magic Miranda Rights gag ("If you cannot afford an exorcist one will be appointed for you...") was almost funny, and the idea that, since history is doomed to repeat itself, the devil was always busy doing evil that had already happened is not bad. It's just all so flatly written and acted that the movie is just, well, dull.

    And how Labor Day (celebrated on the first Monday in September) can fall on Hitler's birthday (April 20th) is a mystery - but then the Devil said it was Hitler's birthday so maybe he was lying.

    Not as bad as some people have said - but not worth watching.
  • Warning: Spoilers
    Ugh. This miserably inept little caper ostensibly aims to reframe the ancient "be careful what you wish for..." plot device for the 1980's, but every aspect of the film is so obtuse and dully executed that "be careful what you watch" ends up being a better moral for the story.

    The Faustian narrative revolves around an unlucky computer developer named Bradley Brinkman who creates a program that somehow summons a sultry and cunning demoness, with whom he barters his soul in exchange for a reversal of his fortunes. When he awakens the next morning, he discovers that his Stygian swindler has fulfilled her end of the bargain by making his condo look like an '80s Sharper Image catalog, stocking his closet with a fresh stylish wardrobe, parking a shiny sports car in his driveway, and filling his bank account with enough money for him to afford brunch with Gordon Gekko. But shaping Bradley into a new man isn't merely a metaphorical endeavor, she also gifts him with a whole new identity: the ridiculously-dubbed Hunk Golden, a perfectly-chiseled Jockey ad specimen who makes every woman he encounters lust after him at a glance and is also a karate master (who's powerful enough to stop speeding cars with his bare hands, for good measure). Obviously, this updated persona leads Bradley to adopt some radically amended personal habits, such as bedding a succession of beach bunnies & mermaids and walking around in a Speedo for most of the rest of the movie. Equally obviously, Bradley-slash-Hunk quickly discovers that when you make a deal with the devil, there's always a catch, which leaves him scrambling to find a way out of his pact. While still mostly in a Speedo.

    That's a decent set-up, but the failures of Hunk (both the dude and the flick named after him) are so immediate and abundant that watching each phase of the action unfold is an absolute chore. The most obvious and grievous problem is that this movie simply isn't funny, despite its numerous lame attempts to infuse the rote happenings with humor. In addition, since the whole story hinges on the alleged "improvement" of Bradley when he becomes his chiseled revision Hunk, one of the film's other glaring deficiencies is that Bradley is easily way more endearing and likable than his altar ego.

    Brinkman's main flaw is being social awkward, but he's otherwise a pretty decent guy and he certainly doesn't come across as the sort of pitiful sad sack who routinely gets squashed by the world. His driving desire for change seems mostly based on a single cruel encounter he has with a quartet of stereotypically superficial '80s yuppies with names like Alexis and Skeet, who mock his clothes and kick sand in his face like high school bullies. It's not abundantly clear why Bradley so desperately wants to be accepted into this particular clique; all four of them are actually much more pathetic mouth-breathers than he is, and they're also such irredeemable d-bags that most viewers will undoubtedly wish this was a horror flick so we'd at least be treated to the sight of each of them being gruesomely murdered. Yet once Hunk takes Bradley's place, we're then tacitly expected to root for someone who's just as vapid and unlikeable as they are, which is a pretty big leap to ask for in a movie that presents every other character who fits that archetype as a villain. Plus, did I mention his name is literally Hunk? It seems worth citing again, since that's by far the most asinine element in a film that reaches Herculean levels of idiocy even without it.

    Hunk becomes a celebrity and starts behaving like the very thing he once despised, he's jeered by everyone in town in one scene then the guest of honor at a "Man Of The Year" banquet three minutes later, Satan shows up in various guises such as an obese pirate with Baby Jane curls, while a pre-stardom Brad Pitt shows up as an extra and somehow manages to out-act everyone else in the scene despite merely sitting in the background. Oh, and Bradley learns that life is really hard when you're rich and attractive and live in a condo right by the beach (yep, all of that sounds horrible). That about covers it, so if you're still curious to sit through all 102 minutes of this idiotic mess to find out how everything gets resolved, then you deserve what you get.

    It's worth noting that this was reportedly the last film ever launched by Crown International Pictures, a production house with such a storied legacy of low budget B-flick titles that they were practically legendary among fans of movies so awful they're awesome. CID certainly warranted a better send-off than this, but there is at least one appropriate aspect of Hunk serving as their swan song: if any movie has ever been terrible enough to sink an entire company, it's definitely this one. Though Hell is never actually shown on the screen here, slogging through this outing often feels like being there.
  • nogodnomasters16 October 2017
    Warning: Spoilers
    Mild mannered Bradley Brinkman (Steve Levitt) makes a deal with the devil and has a best selling "How To" book on being a yuppie and a new hunk body (John Allen Nelson). He never thought the deal was serious and now he is trying to welsh on a deal all the while living the good life he was locked out of before.

    Great idea and has been done in various ways. This film has poor execution and was even made after being a Yuppie was cool.

    Guide: No swearing, sex, or nudity. John Allen Nelson without his shirt in a shower.
  • Hunk golden name should have been Adonis Dorado, and he should have had the body of a two tonic, beefcake, super-ultimate muscle bound stud/god, that would win Mr Olympia and Mr universe 10 times in a row for the heavyweights. There should have been more sleeping with women scenes. Any comments?
  • Picked this up for a quarter when our local Video Store was selling off all his VHS tapes. Had seen it around and a fan of James Coco, so thought it would be fun. Well, was I wrong. Well to be honest, James Coco is the best thing in it. This lame comedy about a computer nerd who sells his sole to Dr. D to become a hunk is like one long SNL or SCTV comedy sketch. John Allen Nelson is nice to look at, but then so is his nerdy self Steve Levitt. It's the others around him that are hard to take when they're on screen and don't ask me what Robert Morse is doing here.

    I think my twenty-five cent price tag was pretty good for what it turned out to be.
  • I just adore this movie. It is in my category of 'Poundshop Classics' because it was discovered by an ex in a poundshop about 10 years ago. It is my second favourite movie in that category (after 'The Independent').

    I've never really understood why this film is not more of a well known 80's cult classic as it has everything a good 80's film should have: the costumes, the music, the effects and the self-referencing humour. The characters and casting are all ace - Hunk Golden surely has to be one of the best character names of all time!

    It is a silly, silly film and there's always time in my life for silly films.
  • HUNK is another low-rent piece of junk from Crown International Pictures, an uneasy comedy that offers a '80s style twist on the old Faust legend. It involves a geeky youth who doesn't have much luck with the ladies, so he turns to the Devil who transforms him into an irresistible hunk.

    The usual morality story plays out and even from the opening scene you can guess where this is going to end up by the climax. Up until that time we have a tale of '80s greed and excess, where physical perfection is everything and nobody seems to work or be in education. The camera lingers upon perfect flesh and a few unfunny jokes are thrown into the mix, but for the most part this is badly acted and poorly shot.

    James CoCo is nobody's idea of the Devil and his hammy acting really drags down his scenes. Watch it, if you must, for the sunny California beach locations; watch it for the brief Brad Pitt cameo. But don't go in expecting anything even halfway approaching a decent movie. Instead this feels like one of those lame-o NEW TWILIGHT ZONE episodes from the '80s, a one note idea padded out to feature length.
  • BandSAboutMovies3 February 2021
    4/10
    Hunk!
    Warning: Spoilers
    In the Mill Creek B-Movie Blast box set, you will encounter the only two movies that writer director Lawrence Bassoff made, Weekend Pass and this film. It's not often that you can say that you've seen every movie a director has made, so this is a real opportunity. Or perhaps I tell myself that to get through these films.

    Where Bedazzled had the devil as Peter Cooke ready to give Dudley Moore seven wishes for his soul - or Elizabeth Hurley and Brendan Fraser in the 2000 remake - in Hunk we have James Coco - he died days before this was released - as Dr. D, the man who tempts this film's hero with just one wish.

    That wish? Well, to be a hunk. What else did you expect?

    Bradley Brinkman (Steve Levitt, Last Resort) is a computer programmer who doesn't yet know that all of the geeks will get rich and he'll never have to worry about his fiancee who ran off with an aerobics instructor. But hey, it's 1987 and those years are far away.

    Bradley says something about selling his soul to finish a computer program, which means that his next creation, The Yuppie Program, is a huge success. He moves in next door to Chachka (Cynthia Szigeti, who may have appeared in a few films but is best known for her work running The Groundlings and starting the ACME Comedy Theater; she taught plenty of folks, with a short list being Will Forte, Joel McHale, Conan O'Brien, Cheri Oteri, Julia Sweeney and Lisa Kudrow) and immediately all of the yuppies hate him because he doesn't fit in.

    By the way, if you're reading this and wondering what a yuppie is in the year of 2021, it stood for young urban professional. It went from a demographic term to a pejorative pretty quickly, to the point that my father-in-law uses the term interchangably with socialists and liberals, which isn't what yuppie means, but I'd need an entire second website to discuss some of these conversations.

    The truth is that the program that made Bradley rich was really made by the devil's agent O'Rourke (Deborah Shelton, who was Miss USA 1970 and runner-up to Miss Universe that year; she was on Dallas and in Bloodtide, as well as DePalma's Body Double, where he disliked her voice enough to have her redubbed; her second husband was Shuki Levy who wrote the theme songs for Mighty Morphin Power Rangers, the Mister T cartoon, M.A.S.K. and many, many others, in addition to directing several episodes of the series he helped produce with Saban Entertainment). She makes him a deal that if he wants a new body, he can have it for the summer and he agrees (or else this movie would end about seven minutes or so in to its running time).

    He becomes Hunk Golden (John Allen Nelson, Deathstalker from Deathstalker and the Warriors from Hell and Dave from Killer Klowns from Outer Space), the ultimate man, a person whose teeth never break, who can eat all the junk food he wants and who is also a martial arts master. I mean, sure, he's going to burn for all eternity, but the next few years will look pretty great what with all the women he's sleeping with and fashion trends he's setting.

    The whole reason for this demonic soul bargain is that there's a shortage of demons, so Dr. D plans on Hunk and O'Brien going through time along with Ivan the Terrible, Jack the Ripper and Benito Mussolini. That's pretty imaginative, as is the idea that the therapist who has been working with Hunk - Dr. Sunny Graves (Rebecca Bush, who played Florence Henderson in Growing Up Brady) - is really O'Reilly too.

    Somewhere in the midst of all of this, a drunk television host named Garrison Gaylord (Robert Morse, who was in How to Succeed in Business Without Really Trying as well as playing Bertram Cooper on Mad Men; here he is in an 80's sex comedy which seems like a step down but work is work) nearluy hits them on the beach and Hunk stops the car with just his strenngth. He becomes an instant celebrity while Dr. D worries that Sunny/O'Brien has fallen in love with another client. If she fails again, he promises to return her to her original form.

    Instead of helping Dr. D start World War III, Bradley and O'Brien end up cancelling their contracts, with her going back to being a 10th Century princess who sold her soul to avoid an arranged marriage. I mean, now she has centuries of experience and is a great programmer, so I think she'll be fine.

    You'll also see some familiar faces here. And by familiar faces, I mean the kind of people that maniacs like me shout out loud when they see them, like Avery Schreiber, who was in the Doritos commercials when I was a kid and shows up in Airport '79 and Silent Scream. He also taught the master improvisation classes at Chicago's Second City, so the fact that both he and Szigeti are in this is kind of a big deal for comedy nerds. If only Del Close had been in town that day!

    Hilary Shepherd, who was in the band American Girls and played Divatox in Power Rangers: Turbo - maybe she met the Saban guys through Shelton? - is in this too. She's also in Weekend Pass, Scanner Cop, Radioactive Dreams and Theodore Rex, all movies again that none out of a hundred people have seen, but all ones that get obsessed over here.

    You'll also find Melanie Vincz (The Lost Empire), Page Mosely (Edge of the Axe), John Barrett (who did the stunts for Gymkata and Steel Dawn) and Andrea Patrick, who plays a mermaid and was a beauty queen from the town of Uniontown, Pennsylvania, just a half an hour from my home. Her name may not mean much to you, but she's married to Fabian Forte and we all know just how much Fabian and his films get coverage here.

    Yet perhaps the biggest name in this movie barely is in it. Brad Pitt was an extra in this film, making it his very first screen appearance.

    Can you write over a thousand words on a forgotten 1980's sex comedy? Yes. You sure can.
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