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  • Before the hair transplant, before he ate all the pies, before he went mad, and before everything was uttered in an inaudible whisper Seagal made his debut with this confusing, over-plotted thriller directed by Andrew Davis. Seagal plays Nicola Toscani, a ludicrously-named ex-CIA cop (as are virtually all Seagal characters) with family in the Mafia. Seagal conjured up the story (which was then expanded, of all people, by Steven Pressfield and Ronald Shusett) and it's probably his first effort at ego-massage. The opening narration is semi-biographical and the beginning of Seagal confusing fantasy and reality.

    The plot, despite being from 1988, still comes across as contemporary and relevant. Nico quits the CIA in the 'Nam after witnessing a crooked superior taking advantage of the war to become a drug baron. Many years later he encounters that same villain who is abusing his status of being 'above the law' to seize more drug territory and pump more drug money into the CIA. War is always profitable.

    It would be an intriguing plot for a 135-minute movie. But Above the Law tries to cram it all into 99 minutes and in the style of early 80s Charles Bronson. Don't get me wrong, Andrew Davis has always had muscular direction and takes the material seriously, but the heavy story and ambitious commentary are mostly squandered for the sake of making sure the credits roll after an hour and a half. The ending seems rushed, leaving just a little to much confusion and too many dots unconnected.

    Still, it's interesting to see Seagal young, thin, and talking clearly.
  • In Japan, the Sicilian martial arts expert Nicolo "Nico" Toscani (Steven Seagal) is recruited by the CIA Special Agent Nelson Fox (Chelcie Ross) to join the Special Operations Forces in the border of the Vietnam and Cambodia. In 1973, Nico witnesses the torturer Kurt Zagon (Henry Silva) interrogating prisoners of war and he is disgusted and quits the CIA, returning.

    Fifteen years later, Nico is married with a baby with his wife Sarah (Sharon Stone) and they live in the same house of his mother. Nico is a tough and incorruptible narcotics detective of the Chicago Police Department very close to his partner and friend Delores 'Jacks' Jackson (Pam Grier) and his friend Detective Lukich (Ron Dean). When Nico and Jacks investigate a drug traffic operation, they arrest the gang of the drug dealer Tony Salvano (Daniel Faraldo) but they find that they are smuggling the plastic explosive C4 instead. However there is an interference of the FBI and Salvano and his partner are released by FBI Agent Neeley (Nicholas Kusenko) and the detectives are forbidden of proceed with the investigation. But Nico does not stop and is suspended from the police force. But when there is an explosion in the church of his neighborhood and his friend and parish priest Joseph Gennaro (Joe V. Greco) is murdered, Nico chases Salvano and discovers a corruption ring that is planning to kill the American Senator Ernest Harrison (Joe D. Lauck) that is investigating the involvement of the CIA with drug traffic.

    "Above the Law" is the excellent debut of Steven Seagal in the cinema industry. When I saw this movie for the first time twenty-five years ago, I immediately became fan of this actor that used the style of Charles Bronson and Clint Eastwood associated to great fight choreography and violence. Today I have seen it again on DVD and the story is still full of action and has not aged after all these years. My vote is seven.

    Title (Brazil): "Nico Acima da Lei" ("Nico Above the Law")
  • Warning: Spoilers
    Born in Palermo, Sicily and raised in Chicago, Nico Toscani (Steven Seagal) is a martial arts hero in serious trouble...

    When his eyes are about to be opened, he is recruited into the CIA by a crazy drunk guy named Nelson Fox...

    Toscani holds the record for having more relatives under federal indictment than any other cop in the city... He hates the cocaine lawyers and the bad weather, but he is a loving husband and a caring father with no sins to confess...

    Nico is a narcotics cop who can't swallow his pride... He smashes crack dealers' faces into their cocaine mirrors, and wiretaps bad guys' phones without asking for permission... He assaults his opponents in bars and starts putting them in orbit... Nico wants to be number one on the most wanted list...

    Toscani makes a big drug bust, and discovers some plans to kill a senator who can't be bought out... He stands against a psychopathic leader who have used his 'little beauties' many times to extract information...

    'Above the Law' is the first Steven Seagal movie which reveals the chilling truth about a powerful institution always political, largely ineffective and frequently corrupt...
  • bowen-s30 September 1999
    This movie obviously isn't deep, but it is fun. The plot moves along quite nicely, there's plenty of humor, and the martial arts scenes are very well done. Seagal actually does have a presence on screen (as opposed to say, Chuck Norris or Claude Van Damme). The movie is low budget, but it has the virtue of recognizing the fact and not attempting effects shots that don't work (as opposed to "Under Siege 2").

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  • Invictus12 November 2001
    I was watching television the other day, just flipping through the channels when I came upon 'Above the Law'. I hadn't seen this movie in years, and was anxious to watch it again. I must say that I was impressed. I believe it deserves no less than a 9/10. Why? The martial arts in superb as well as the action in general. Moreover, this movie operates on many different levels of meaning.

    M.A. Rogers, in his commentary believes that Seagal's behavior contradicts his affirmation that nobody is above the law. This is not so. I believe that his actions are morally justified, inasmuch as there exists in the plot-line no other way for justice to be done. If the police force is corrupt and the C.I.A. are up to no good (not to mention the usually scum), what is one to do? It is therefore up to Toscani (Seagal) to take on a 'poetic license' of sorts and bring the transgressors back to justice.

    M.A. Rogers, however, cogently points out in his commentary, that Seagal portrays a double-edged character. On the one hand he is easily angered, while on the other he puts out this "Mr. Cool" who is rife with obnoxious comments. This is why the film does so well. Important also is the scene in which his wife (Sharon Stone) pleads with him. She asks him to put down his 'pride'. She loves him because he is not like other men, but begs him to think of his family and back down. One cannot help, upon viewing this scene, to think of book six of "The Iliad" by Homer, where Andromache pleads with Hektor to stay in Troy for her sake and for the sake of his new-born son Astyanax. The emotion of the scene in Above the Law is heightened because of Seagal's show of restrained emotion: one isn't convinced that he is a 'family man'. He is. His stern face shows that he is a hard man, with a burden on his shoulders and an obligation to save his society as well as his family from an ailment that abounds everywhere. There is lots more to say on the matter, but I will leave that to another commentary. If you are at all a fan of the genre, than you must see it, even if you care only for the action. But I must make it clear that this movie is just as deep and sophisticated as any current drama. One just has to look beyond the surface.

    Michael W. Helfield
  • This was Steven Seagal's first movie and pretty much summed up the way his films were going to go: marital arts-crime stories with overly despicable villains and our hero saving the women by out-fighting everyone. Jean Van Damme and others followed with the same recipe which, by and large, has been pretty successful.

    Before I saw this, I had read national critics blasting Seagal's acting talents but that was unfair; he's not a bad actor. It was also a surprise to see Sharon Stone playing a nice role and without makeup! That certainly changed quickly with her Basic Instinct-type persona.

    It was fun to see Henry Silva again. As a kid growing up in the '50s and '60s, I used to see Silva on television a lot. He always played a bad guy, and played the part well....as he still does.

    Overall, a decent action flick but not one of Segal's more memorable films. He make a big upgrade with his next film, "Hard To Kill."
  • When it comes to action stars, they are at first, calm and collected in some scenes in an action movie. Some of those action stars tend to show off their skills like martial arts. But even though they may have that gift of turning the audience with their screen presence, we can sometimes forget that they are playing an character. A character who is essential and important to the movie.

    In Above the Law, Steven Seagal is the star of the movie. However, this is his first one. Seagal plays a Chicago cop who was recruited by the CIA in 1969 in Japan. In 1973, he was sent to Vietnam and while there, he witnesses a brutal torture of a Cambodian resident under the spell of a vicious man, (Henry Silva). Seagal's friend advises him to leave Vietnam and go home. 15 years later, Seagal is a Chicago policeman, working with a partner, (Pam Grier), who is retiring in a couple of months. When he learns that a major shipment is going down in Chicago, Seagal's character, Nico Toscani, finds out a cache of explosives. Things get worse after that. Toscani father's church is blown up and it's up to him to find out who is responsible for the bombing. This leads Seagal through a change of pace as he breaks the rule and risks his entire police career by trying to rights the wrongs.

    Seagal does an impressive job of playing an main character who is believable. In some scenes, he knows how to act calm and play it straight. When it comes tot he action scenes, Seagal knows how to show off his martial arts skills. Most action actors tend to lost their character by putting too much emphasis on their skills. But not Seagal. He may be different than Charles Bronson or Clint Eastwood, but you got to give him credit for what does best. It's a shame that he wouldn't repeat the same thing twice because after he starred in Above the Law, Seagal starred in another film called Hard to Kill and Under Siege. His career then started to take a turn for the worse when he decided to drop out of Hollywood and starred in a number of bad action movies. Those ween't really worthy of his career, but Above the Law certainly shows what Seagal is meant on the big screen.

    The supporting cast is also very good. Pam Grier, who was also a major star in the 1970's is very good and sort of surprising to see her starred along aside Seagal. Grier is very convincing as Seagal's partner. She is noticing just how his behavior is getting in the way of his police appearance.

    The movie was directed by Andrew Davis, who also directed Code of Silence, which is, perhaps, the best Chuck Norris movie ever made. Davis certainly knows how to make a city story interesting. He photographed Chicago very clearly and very skillfully. When it comes the action scenes in this movie, Davis knows how to step back and let Seagal perform his fighting skills, which is pretty impressive. After he made Above the Law, Andrew Davis directed Seagal again in the 1992 action thriller, Under Siege. According to my perspective, I believe that with the teaming of Seagal and Davis being strong, I think that with the tools they have to make a decent action picture, they certainly do know how to make them exciting, not nauseating. It's rare to find a bonding between actor and director, especially in the action genre. Most action directors now don't really work together to make scenes seem exciting.

    With the exception of Seagal's performance, Above the Law has a plot that is sort of complicated if you follow everything very carefully. But as an action movie, it is effective even when Seagal is on the big screen. This movie proves that he can act in character and even, if I dare to say so, out of character. He is that good. ★★★ 3 stars.
  • Moses-726 March 2000
    Although I have never been a big Steven Seagal fan, I instantly liked this film when my uncle gave it to me for Christmas one year. It is one wild ride. I enjoyed the awesome stunts and action scenes in the film, and I had to laugh out loud at some of the scenes because it was fun to watch. Although I didn't care for Sharon Stone's acting in the film (she seemed to be too much of a weakwilled whiner, as opposed to her later films), Steven Seagal and Pam Grier were excellent as the main heroes. The film reminded me of the fun I had watching cop movies like Dirty Harry mixed with martial arts movies, so I recommend it to fans of those kinds of films.
  • Andrew Davis directed Steven Seagal as Chicago cop Nico Toscani, a Vietnam veteran who was recruited by the CIA in Japan, who was then sent to Vietnam, where he objected to the harsh interrogation techniques of Zagon(played by Henry Silva) but could do nothing. 15 years later, Nico has busted a drug gang and discovered plastic explosives. He is later shocked to learn that those he arrested were released, and is stonewalled about the reasons why. After he is suspended, Nico discovers that his old Nemesis Zagon is behind it all, and must be stopped... Seagal certainly can perform well in the action scenes, though despite the good direction, this film is just too routine and predictable to work. Sharon Stone costars as his wife.
  • Warning: Spoilers
    Nico Toscani (Seagal) is a Martial Arts expert who travels to Japan from his native Chicago to further hone his skills. While there, he's recruited by the CIA and sent to Vietnam to work Special Ops. While in 'Nam, he crosses paths with a sadistic torturer named Kurt Zagon (Silva). Nico becomes disillusioned with CIA life and returns to Chicago and becomes a cop. Back on his home turf, he has some very important women in his life - his wife Sara (Stone), his partner Delores "Jacks" Jackson (Grier), and also his mother and young daughter. Nico and Jacks get embroiled in a conspiracy that goes all the way to the top when a simple drug investigation becomes a high-level FBI and CIA cover-up...and that necessitates the sinister return of Zagon. When Nico is forced to turn in his badge and gun, in order to get to the truth he's forced to go ABOVE THE LAW.

    Above the Law is the one and only 80's Seagal, so we might as well bask in the glory of that moment. The sax on the soundtrack, classic computers, giant cars, and general lack of political correctness all help to add 80's flair to this fine cop drama. Seagal made an impressive debut as Nico - he had serious fighting moves, he was in great shape, and he even was an actor back then. Having co-written the story and co-produced the film with director Andrew Davis, with whom he'd later re-team for Under Siege (1992), the whole outing is serious-minded, professional, and delivers the Martial Arts/action goods. It was the 80's, after all, and things were just better. This includes Seagal movies.



    Another Andrew Davis regular also appeared here and is worth noting - Joseph Kosala as Lt. Fred Strozah. He was a Chicago cop in real life, and you can absolutely tell. His authenticity stands out, as does his thick Chicago accent (you think at any moment George Wendt is going to show up and they're going to have an in-depth discussion about "Da Bears"). He worked as a technical advisor as well, and we wanted to shine a spotlight on him. Sadly, he passed away in 2015, but his work on screen preserves his legacy. In other cast news, we have fan favorite Pam Grier as Nico's parter, which was an inspired casting choice. Thalmus Rasulala - Blacula himself - plays a small role as well, bringing back memories of 70's Blaxploitation actioners such as Truck Turner (1974). Sharon Stone's role is small, and fan favorite Michael Rooker has a blink-and-you'll-miss-him role as "Man in Bar", but it all adds to the fun.



    Of course, the great Henry Silva is the main baddie, just as he was in previous Davis film Code of Silence (1985) - both Above the Law and Code of Silence have other things in common as well, plotwise - though it must be said his final exit in the film The Hard Way (1989) might be impossible to top. In all, Above the Law takes us back to a time when Seagal had a bright future ahead of him, action movies were beloved by all and went to the movie theater, cop dramas were tough, and movies weren't wussy and/or tinted blue or green like they are today. You'll surely be entertained by this classic of Seagal Cinema.
  • rmax30482319 June 2004
    I think I've got it figured out, why we like action movie heroes so much. It's the sudden escalation of violence that they unepectedly initiate. There may be a verbal encounter between the hero and a heavy. The hero asks a simple question. (Here, the question is, "Did you ever see this girl?") The heavy makes some rude reply. "Why doan you get your greazeball face outta here?" The hero smiles silently, half turns away, then quick as lightning swings back and cracks the guy's face open like a cantelope. This generates the sort of adrenalin rush in the viewer that is missing from the viewer's own life. The psychologist Daniel Berlyne called it an "arousal jag."

    The action sequences themselves have reached the zenith of gore, so blood is no longer very exciting. Their success depends on choreography, turning the fights and shootouts into a kind of "Singin' in the Blood." Of course, let's face facts, there are only so many bridges to fall off, so many tall buildings to dangle from, so many ways a car can spiral through the air after hitting a dumpster -- so you have to borrow things. Remember how Clint clung to the roof of the heavy's car as it plowed through the alley in "Magnum Force"? Ditto here.

    Let's give the hero a partner who belongs to a minority group too, just to show that he can banter with the guy (or, in this case, the woman) and isn't prejudiced. Come to think of it, a partner who is a member of a minority group AND a woman kills two birds with one stone. Come to think of it, I imagine it's pretty easy to banter with Pam Grier. We ought also to give the hero an odd-looking gun but they forgot to do that here. We should have a romance between the hero and his female partner, but not in this case because she's black. I don't believe white folks would object to such a liason but African-Americans might and I wouldn't blame them. But we can have the hero be either a tragic widower (his wife offed by bad guys preferably) or a happily married man and a father.

    Seagal cannot be described as a good actor or a bad one because he doesn't seem to enact any role other than Steven Seagal. That's not a put down. The heroes in these action flicks are interchangeable. Willis, Schwarzenegger, Bronson, Norris -- it doesn't matter. They may look and speak a bit differently from one another, but those are accidents, not essences. The essence of their similarity is this: they escalate the violent encounter suddenly and unexpectedly. They don't use much in the way of strategy, it's all physical skill. What I mean is, they're not Philip Marlowe or Sam Spade. They're Superman.

    I recommend seeing this only if you're REALLY mad at somebody that you can't punch out or hit over the head with a number nine iron. This should do a good job of displacing your anger and may even stop you from kicking your dog.
  • Before he was "out for justice" on the mean Brooklyn streets and "under siege" by terrorists on a U.S. Navy battleship, he was above the law. Yes, I'm talking about that quick-fisted, pony-tailed martial arts hero Steven Seagal and his 1988 starring debut "Above the Law."

    Though his career hasn't panned out the way this debut promised, it is nonetheless a dynamic introduction to the mysterious world of Seagal, who plays Nico Toscani, a Chicago cop who as a child took up the Japanese martial art of Aikido and was some time later recruited by the CIA for covert operations in Vietnam.

    After witnessing the cruel torture and executions of some Vietnamese hostages by ruthless CIA chemical interrogator Zagon (Henry Silva) and his cohorts, who also seem in on a secret drug running operation, he walks away from his career and retires to life as a cop on the streets of Chicago with wife Sara (Sharon Stone) and partner Jacks (Pam Grier). Things get dicey when two suspects collared in a recent drug bust are allowed to go free. The department silences concerns by announcing that the two men are part of a huge undercover investigation. But Nico doesn't buy it.

    He suspects that something bigger is underway, and he's right. It isn't long before he stumbles onto a covert drug running operation right under his nose that involves his old CIA buddies, a local drug kingpin, some corrupt FBI officials and old nemesis Zagon, who is also involved in a political assassination plot. So Toscani, Jacks, and his Aikido fists of fury go to work on some really bad guys.

    Directed by Andrew Davis and co-produced by Seagal (who also shares a story credit), "Above the Law" promises a mean and gritty portrait of law enforcement with the magnetic screen presence of the charismatic (if not necessarily wooden) Seagal in the lead. The picture opens with some black & white home movie footage of Toscani and accompanying narration, showing us this mysterious man's history. Seagal, who became the first American to open an Aikido dojo in Japan and at the time held a sixth-degree black belt in the art, was a world-renowned security expert before he started appearing in the movies and snapping necks, bending limbs, and using his opponents' own momentum and strength against them.

    "Above the Law" does has some script problems, but it's balanced out by some rough & tumble action shoot-outs and nasty fights where Seagal throws his opponents into things and breaks and twists limbs 180 degrees in the opposite direction. But that is what his chosen sport Aikido does, as it employs joint locks, pins, and other methods meant to redirect and utilize an attacker's own strength and power against him. And Seagal does it perfectly.

    Is "Above the Law" a sensational debut for Steven Seagal? Certainly, at least for his loyalists. As a casual fan, he has certainly made better movies since then and improved his "acting" skills but what will always dazzle us are the nifty arm-twists and breaks that prove he is a master of his Aikido craft.

    8/10
  • Warning: Spoilers
    Seagal really started with a burst, compared to other action heroes of those days he really had a different style. To me, only Jeff Speakman had a stunning style like that in his film ¨The Perfect Weapon¨ (if you leave the Chinese films out of the equation). Seagal's style is fast, fluent, and without compromise. You can see that he is learned in Aikido and Jujutsu. He's a joy to watch. The story, however, is a much used formula in the action movie business. In this film Seagal plays the narcotics police officer Nicola Toscani, who had a martial arts training in Japan, gets recruited into the CIA, fights in Cambodia or Vietnam (I'm not sure), gets involved in CIA drugs business and therefore, quits the CIA and joins the police force in New York. Here he gets into a lot of trouble because of his unorthodox police-work. Then he gets into even more trouble when he gets into CIA territory with one of his investigations. The film is not for mainstream movie-buffs, because the storyline is simple. You don't have to think a lot, just follow Toscani's experiences along his life as a police officer. Seagal's acting hasn't changed along the years that we have seen him in all the movies that he has made. But that isn't a thing to complain about, we have a lot of actors who do act good, but they aren't as good in martial arts as Seagal. For these reasons, I give this movie a 6 out of 10, but as for watching it, I have watched it over ten times.
  • Warning: Spoilers
    I really liked Steven Seagal role in this movie. The cold and deffiant personality of Tony was excelent, and he was the kind of rough protagonist you like to see in an action movie. That and the action scenes were the only things that kept me watching until the end. The plot was really complicated to understand. In fact, there was a part in the movie that Tony summarizes it, in order for the expectator to get it. I think the problem is that there were many factions or groups in the film, and you can't understand until the end the conection between them (And honestly the movie is not interesting enough for you to really care).
  • I have decided to work my way through Steven Seagal's filmography having not watched him in anything since 1996.

    Nico: Above The Law (1988)

    Nicolo 'Nico' Toscani is a bad ass Chicago cop who "should be wearing a number not a badge" His partner is Jacks a strong, well written woman played by the excellent Pam GrierHis wife is played by Sharon Stone, but she isn't really given much to dI.

    Segeal makes a decent acting debut. He is certainly effective. I forgot how receeding his hair was back then. He was really lean back then too. He does have a strong screen presence. It is obvious he is doing a lot of his own stunts too, Annoyingly some of the fight sequences are full of quick cuts and close ups. There is a shockingly bad use of a dummy (you can see it in the trailer)

    It's more layered than your usual action flick, but it's not very original (it is really similar to Code Of Silence which is also directed by Andrew Davis) and there is some ropey acting at times

    I do not know if my Blu-ray is cut, but the ending seems to be cut. Segeal has a lot of blood on his face for someone who was only punched twice.

    Nico: Above The Law grossed $18 million at the domestic box office (on a $7 million budget) to end 1988 as the 56th highest grossing movie of the year.
  • Above The Law is Steven Seagal's debut acting role and despite what a lot of people may think of him and his movies nowadays his first 5 or so movies are very decent action crime thrillers and are well liked amongst fans of old school action and genre movies. Seagal is a hard as nails cop who doesn't play by the rules who makes a living busting low level street thugs and drug runners before he stumbles upon a conspiracy involving crooked CIA agents who are planning to assassinate a US senator. The plot and characters are cliche by today's standards because we've all seen a hundred very similar movies by now but it's honestly really refreshing to go back and revisit this kind of movie. The action scenes are well choreographed and violent in a cool 80's/90's style, the acting is well done by pretty much everyone involved and there's absolutely zero shakey cam so you can actually tell what is happening during the fight scenes! Seagal is believable in the role and the supporting cast features some great character actors you will recognise such as Pam Grier as Seagal's sassy partner and Henry Silva as the slimey bad guy who is evil pretty much for the sake of being evil. Recommended if you are a fan of the good old days of action movies where the hero's were unapologetically masculine and tough and the action wasn't toned down to get a PG/13 rating.

    Also check out Seagal's other early movies Hard to kill, Marked for death and Out for justice.
  • Warning: Spoilers
    Better than Hard To Kill but not Steve's best! Another tough cop character with a bad memories of his bad past military experience. I never believe in corrupt government, agency's and black flag operations. But I get older the unbelievable becomes more believable. The story is easy to follow. There is a few martial art fights. Not the best, but good! The acting was mmm adequate! Sharon Stone was okay. The old Miami Vice style problems with F B I and C I A is more believable now of days. Is there people involved with criminals like in the movie Black Mass or American Made well Above the Law asks these questions? The second part of Above the Law is the redemption of the Steagall's character for past injustices and faces yhe man from the past DR Feelgood. Great character. 7 stars.
  • allmoviesfan29 December 2022
    Notable for being Steven Seagal's film debut and one of his better Warner Bros era movies. Seagal, the quintessentially indestructible 90's action hero, and producer/director Andrew Davis would of course go in to develop Under Siege in a few years time.

    In Above the Law, Seagal plays Nico Toscani, a tough Chicago cop who has some pretty cool martial arts moves and, consequently, lots of opportunities to deploy them. After a prelude taking place in during the latter stages of the Vietnam War, the action - gun fights, car chases and plenty of fight scenes - shifts to the Windy City, where Nico and partner Delores 'Jax' Jackson (Pam Grier) are on the hunt for some bad guys who happen to have access to military explosives, which ties neatly back into the Vietnam prelude. There are plenty of cheesy action movie lines, the usual few minutes of adversity for Nico, and a very satisfying ending.
  • ABOVE THE LAW is still Steven Seagal's best. He's done many entertaining films since, but this ones remains his best. It's a great urban crime drama with Seagal in peak form as a cop with lightning-fast moves and a knack for delivering justice. Okay, the story of a cop being suspended and ignoring orders to finish the case on his own has been done a gazillion times, but I've never cared about repetition. I just care about the overall outcome of the film. The story isn't great, but keeps you interested and moves at a good pace, with Seagal dispensing bad guys left and right. I love the gritty urban feel of the movie. Director Andrew Davis makes good use of his hometown Chicago's locations. Pam Grier is good, and (avoiding convention) isn't killed off for being the star's partner, and Sharon Stone, as Seagal's wife, has learned to act in the three years since KING SOLOMON'S MINES. Henry Silva is creepy as the bad guy, surrounded by a group of weasel henchmen who eventually all get their ticket punched by Seagal. David Michael Frank also composes a great contemporary-styled soundtrack that deserves a full soundtrack release; it's great music, and a great theme. The action is fun, the pace is good, and Seagal does a good job as always with his slick moves. It may not be great, but it sure is fun.
  • An American police drama; A story about a martial-arts expert and former CIA agent working as a Chicago cop who becomes the target of some mysterious and powerful criminals, and corruption in his own back yard. Seagal's strength is his screen presence and the credibility that goes with him doing his own stunts; fight sequences are choreographed impressively to show the simplicity of combat technique. The story covers a lot of ground - not just individual crimes, but a theme about authority acting above the law. Some of the early scenes in the film suffer from lack of projection, and there are leaps in the timeline which can be confusing, and there is little explanation of the extreme violence meted out by the villains, which becomes a stretch in believability.
  • This is the one that excited the world about this new action star with the unconventional martial arts style. So many rumors surrounding the project and the man. Was it, or wasn't it, somewhat autobiographical? Regardless, it is a fun martial arts action thriller. Plenty of action and fighting. Seagal's Aikido is not a conventional movie fighting style but he makes it work in a big way. Middle aged men everywhere began to wear their hair in a ponytail to emulate Seagal's ultra-cool style in this movie about corruption and revenge. If you can only watch one in Seagal's long list of films this is still the one.
  • This is one bad movie! I first saw it on video and laughed so much because I could not believe how bad it was! Steven Segal is such a dreadful actor-he is so wooden. He may be able to fight but he certainly can't act!It was a typical 80's action movie with awful dialogue to match the awful acting and storyline. If you want a laugh then rent this on video and sit down and crack open a few beers and witness a truly bad piece of moviemaking!
  • action-619 December 1999
    Above The Law(called Nico in Norway)is Steven Seagal`s first film, and it`s still a good film. Steven Seagal plays Nico Toscani, a hard-boiled cop, who`ll do anything to get the bad guys. On a bust, Nico discovers C-4, with which he is familiar with from his own past as a CIA-agent in Kambodja. The FBI drop the case against the man, who had C-4 in his car, but Nico continues to investigate on his own. Above The Law is good, violent and oldfashioned fun, and is definetely worth a look for the hardcore actionfan or Seagal-fan. 8/10
  • This is an action flick starring Steven Seagal, in his first motion picture appearance, as former Special Operations Vietnam vet Nico Toscani, who works as a Chicago cop who tries to expose those broiled in a CIA-involved illegal weapons trade.

    This movie only has a handful of action scenes, but the plot is still pretty suspenseful and fast-paced, from the cover-up angle involving the CIA to the assassination plot of a U.S. senator. The acting was fine for the most part, with villains you would love to hate. But, I thought Seagal's performance was a little emotionless and stoic, but his awesome martial arts skills and quick wit are entertaining to watch. I also enjoyed Pam Grier's character - Seagal's partner-in-crime Delores Jackson.

    Overall, it's not a bad action-flick - somewhat entertaining.

    Grade B-
  • Warning: Spoilers
    This film above the law 1988 is the debut of action legend Steven Seagal and wow what a start first film with Warner brothers what can i say its not usual fast paced action film but with slow and combined with story hey its no masterpiece but you have to see Seagal here i am someone who followed every Seagal film ever seen his every film even now that he does bad ones that no one watches but i do and some hardcore fans like me and oh its got Sharon Stone in here what a surprise, some people really hate Steven Seagal i mean what has this man done to you this guy is sure entertaining then any comic book crap movies or recent mission impossible garbage that comes out like mi: fallout 2018 or the dark knight or endgame,sure Steven Seagal and his films are not every ones cup of tea but his prime era films are his best sure he went downhill in early 2000's and sine doing horrible direct to DVD films with his cinema theatrical releases got cut and no one casts him in big budget Actioners but this does not mean that this guy deserves hate, with the same director after few years in 90's Seagal made under siege which later spawned a sequel under siege 2 dark territory ,if you like Stallone,Arnold,Van Damme,Jet Li,Jackie Chan or Bruce Willis then add Steven Seagal to your list he was one ultra cool guy when he was young and it shows here why specially the climax remember this film is slow so it requires patience the action is very grounded here its not over the top its very realistic i don't mean to tell you this film requires repeated viewings or its got great repeat value no it don't but for once at least see this to get a different look at cinema through a different perspective my rating is 5/10.
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