"Left in Darkness" is a potentially good film with a few large, nearly unforgivable flaws.
**SPOILERS**
Depressed over her mother's day during childbirth with her, Celia, (Monica Keena) agrees to go to a frat party with her friend Rachel, (Tarah Paige) when she turns 21. Given a spiked drink, she is drugged, raped and dies of an accidental overdose and left for dead at the party. Awakening with her guardian angel, Donovan, (David Anders) by her side, she realizes that she has died during the night. Trapped in a netherworld between sanctuary and damnation, her recently deceased grandfather, Grandpa Joe, (Tim Thomerson) appears to her, but changes into a demon, leading her to the realization that all people who die are trapped in the limbo waiting to be picked off by soul-eating demons unless they are able to find a doorway to Heaven. With the opportunity closing, she races to find the entrance to Heaven before the demons can get to her and take her soul.
The Good News: This had some nice moments inside it. The film's best moments easily come from the "Soul-Eaters"-like zombies that are thrown into the proceedings and they are pretty cool. They look like zombies, as they have pointed fingernails, very weird and distorted faces that are appropriately demonic and eat human flesh like zombies. As they derive a large amount of menace from their looks, and with a really rational motive for being there that mixes the action up a bit, they get most of the film's best scenes and look incredibly. Some of the chases aren't that terrible and do have a certain flair to them, including one where they chase a victim around a floor and into a room filled with glass, which is promptly broken and leaves huge glass shards on the floor, which in close-up is soon trampled through by large boots. It's a pretty creepy scene and the best chase in the film. Also found within the film is a clear mastery of darkness and shadow, creating an ambiance of dread with little more than some incredibly effective mood lighting. As the lights go out, the suspense is amped up through what is happening and the race to get moving generates some good moments. The originality of the plot, though, is the film's strongest positive. It's really new and clever, and takes an established scenario that is incredibly common, and wraps a new twist around it that is logical in the context and done with a lot of cleverness. Otherwise, this wasn't all that great.
The Bad News: This does have a couple of serious flaws. The editing is a mess, as it's hard to be sure how much jump cuts, unnecessary flashes, and slowing down and speeding up of the frame rate are thrown into this. At times, it's nearly impossible to see what's going on in the scene. Such editing techniques tend to ruin the sustained tension that a scene can convey, and as most find them annoying and unnecessary, this is a very noticeable and serious flaw of the film. Also a problem is the film's back-story. As good as it's cleverness is, it's just way to talky. Therein lies the biggest problem of the movie, as it's essentially ninety minutes of exposition spruced up with a few chases. There just isn't anything remotely scary about people standing around explaining the rules of the afterlife. The heroine has to take in all this afterlife nonsense, without even a way of speeding up the introductions while fighting to keep her soul. Her helper is not helping matters either, as he explains so much of what goes on that it becomes hard to keep track of everything. This creates a large number of plot-holes and confusing scenes. He explains that the frat house, in the netherworld she now finds herself, is her sanctuary, which is almost over. After that, the soul-eating demons can enter. How the first demon got in is not explained. Why she only has a short time to find the physical doorway to Heaven is also not explained. And why does she need to find the entrance to heaven anyway? Isn't dying bad enough? Why would God want her to play detective? It is theological plot devices like these that drive me crazy. All of this would be fine, though, if a grave error isn't committed along the way. If they let her act intelligently, she'll stay in the light and keep things safe until she can find her stairway to heaven. As that would lead to an uneventful movie, great effort is made to get her thrown into the pit of Hell with every chance she gets. She runs out of the light like an idiot many times. Her guardian angel comes down to help her but even then, it doesn't matter much, as that only leads her into more encounters. It starts to get annoyed watching her act like a suicidal, unintelligent person. It destroys a lot of what happens when all the problems could've been easily avoided with common sense. These all bring the film down a lot.
The Final Verdict: Despite a marvelously original premise and some good scenes, this here isn't that spectacular overall. It's too loose with it's own rules and too dull to really be of much interest beyond those who enjoy the direct-to-video market or think the premise is original enough to give it a look.
Rated R: Graphic Language, Nudity, Rape and Violence