Gripping storylines, complex characters, questionable decisions, and so many enemies you can't stop thinking about. All this is just a small part of what makes watching Peaky Blinders an unforgettable experience.
From the show's premiere in 2011 to the end of Season 6 in 2022, fans have been obsessed with the series, and we understand why. The amazingly crafted characters of the mob crime drama are unlike any other, and the performances of the cast are out of this world.
Cillian Murphy alone deserves all the praise he can get after playing the most enigmatic protagonist on television, Thomas Shelby. But while we wait for the Peaky Blinders movie to finally be released sometime next year, it's time to give some other movies that have similar vibes a chance.
1. The Godfather (1972)
Was there a chance we would start with something less significant than this legendary Francis Ford Coppola movie? Often named the best gangster movie of all time,...
From the show's premiere in 2011 to the end of Season 6 in 2022, fans have been obsessed with the series, and we understand why. The amazingly crafted characters of the mob crime drama are unlike any other, and the performances of the cast are out of this world.
Cillian Murphy alone deserves all the praise he can get after playing the most enigmatic protagonist on television, Thomas Shelby. But while we wait for the Peaky Blinders movie to finally be released sometime next year, it's time to give some other movies that have similar vibes a chance.
1. The Godfather (1972)
Was there a chance we would start with something less significant than this legendary Francis Ford Coppola movie? Often named the best gangster movie of all time,...
- 6/16/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
This article contains spoilers for Hit Man.
“People are disappointed when they learn that hit men don’t really exist,” explains Gary Johnson. That might be a surprising statement given that it occurs early on in a movie called Hit Man. Throughout the film, Gary (Glen Powell) dons different disguises to meet with people who want to pay him money (or video games or boats) to kill people. But then again, it’s all a ruse, a police sting operation that mild-mannered teacher Gary does as a side gig.
As Gary explains, his job is to become the type of hitman that potential criminals imagine exists, so that he can embody that look and lure them into a state of safety. As smart as Gary certainly is, he doesn’t create these identities out of nothing. Rather he’s riffing on hired killers from pop culture history, which gives Powell...
“People are disappointed when they learn that hit men don’t really exist,” explains Gary Johnson. That might be a surprising statement given that it occurs early on in a movie called Hit Man. Throughout the film, Gary (Glen Powell) dons different disguises to meet with people who want to pay him money (or video games or boats) to kill people. But then again, it’s all a ruse, a police sting operation that mild-mannered teacher Gary does as a side gig.
As Gary explains, his job is to become the type of hitman that potential criminals imagine exists, so that he can embody that look and lure them into a state of safety. As smart as Gary certainly is, he doesn’t create these identities out of nothing. Rather he’s riffing on hired killers from pop culture history, which gives Powell...
- 6/8/2024
- by Joe George
- Den of Geek
As the format continues to slowly gain traction – here’s our regularly-updated list of upcoming 4K UK disc releases.
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
6th May: Night Swim
10th May: Queen Rock Montreal + Live Aid
13th May: Once Upon A Time In The West...
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
6th May: Night Swim
10th May: Queen Rock Montreal + Live Aid
13th May: Once Upon A Time In The West...
- 6/8/2024
- by Simon Brew
- Film Stories
Art print by Aleksander Walijewski for Poor Things.In the last roundup, from October, three out of the four most popular posters on my Movie Poster of the Day Instagram over the previous six months were posters for Yorgos Lanthimos’s Poor Things (2023)—two teasers and an official-release poster, all by the great Vasilis Marmatakis—which at that time was still almost two months away from its US theatrical run. So it's no surprise that the most "liked" poster since then is also a poster for Poor Things, an art print by the young, prodigiously talented Polish artist-designer Aleksander Walijewski. What was a surprise, however, is that this poster has racked up more than 10,000 likes since early February, making it by far the most popular poster ever on my Instagram, doubling its nearest competitor (Marmatakis’s original Poor Things teaser). And, making it feel as if Movie Poster of the...
- 6/7/2024
- MUBI
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
- 5/31/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
- 5/24/2024
- by Nick Newman
- The Film Stage
Midway through Bob Clark’s Deathdream (originally titled Dead of Night), Andy Brooks (Richard Backus) dons a pair of black leather gloves and sunglasses for an upcoming date. Andy displays a suave and calm demeanor that should be familiar to fans of Jean-Pierre Melville’s 1967 film Le Samouraï, which features Alain Delon as the ne plus ultra of psychotic cool; his haircut even recalls that of Steve McQueen in 1968’s Bullitt. However, Andy’s garb has a tactile purpose, concealing as it does his deteriorating skin, which will turn to dust without a replenishing supply of blood. Because of this, Clark’s genre film goes in the opposite direction of peddling cool, as Deathdream shows how a pair of designer shades can only momentarily shield the irreparable physical and psychological scars of war.
That Deathdream is a vehement anti-war statement can only be ascertained gradually, as Andy’s parents, Charles...
That Deathdream is a vehement anti-war statement can only be ascertained gradually, as Andy’s parents, Charles...
- 5/18/2024
- by Clayton Dillard
- Slant Magazine
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Stanley Donen’s Funny Face plays on Friday and Sunday, the latter day bringing a program of work by Nicola Tyson and Son of Kong on 35mm.
Paris Theater
Prints of Prizzi’s Honor, The Mechanic, Grosse Pointe Blank, and Killer Joe play in a hitman retrospective; Yi Yi shows on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Fassbinder, Rivette, and more.
IFC Center
Man Ray: Return to Reason begins; After Hours and the Bob Fosse retrospective begin; Labyrinth, Flashdance, and Tank Girl play late.
Japan Society
America’s largest-ever Hiroshi Shimizu retrospective migrates to Japan Society (watch our exclusive trailer debut).
Museum of the Moving Image
Two more Shimizu films play; House on Haunted Hill screens Friday and Sunday, while The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Stanley Donen’s Funny Face plays on Friday and Sunday, the latter day bringing a program of work by Nicola Tyson and Son of Kong on 35mm.
Paris Theater
Prints of Prizzi’s Honor, The Mechanic, Grosse Pointe Blank, and Killer Joe play in a hitman retrospective; Yi Yi shows on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Fassbinder, Rivette, and more.
IFC Center
Man Ray: Return to Reason begins; After Hours and the Bob Fosse retrospective begin; Labyrinth, Flashdance, and Tank Girl play late.
Japan Society
America’s largest-ever Hiroshi Shimizu retrospective migrates to Japan Society (watch our exclusive trailer debut).
Museum of the Moving Image
Two more Shimizu films play; House on Haunted Hill screens Friday and Sunday, while The Right Stuff shows on 35mm this Saturday.
- 5/17/2024
- by Nick Newman
- The Film Stage
French crime films of the 1950s and ’60s often centered on professional criminals who followed codes of honor that put them on a more-or-less level moral playing field with the detectives tracking them down. Whether it was Jean Gabin’s aging gangster Max in Jacques Becker’s Touchez Pas au Grisbi or Alain Delon’s steely eyed assassin Jef in Jean-Pierre Melville’s Le Samouraï, these men had a sophistication and moral grounding that minimized the violence and chaos they caused. They were dangerous, even deadly, but only when they needed to be and in a way the cops could wrap their heads’ around.
Fun City Editions’s new Blu-ray set, Seeing Red: 3 French Vigilante Thrillers, consists of a trio of films that play like French twists on the hyper-violent Italian poliziotteschi crime films that reached the height of their popularity in the ’70s. In Jean-Claude Missiaen’s Shot Pattern,...
Fun City Editions’s new Blu-ray set, Seeing Red: 3 French Vigilante Thrillers, consists of a trio of films that play like French twists on the hyper-violent Italian poliziotteschi crime films that reached the height of their popularity in the ’70s. In Jean-Claude Missiaen’s Shot Pattern,...
- 5/14/2024
- by Derek Smith
- Slant Magazine
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut) while ’90s Noir, Euro-Heists, Dream with Your Eyes Open, Ethics of Care, and Animal Farm continue.
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum...
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut) while ’90s Noir, Euro-Heists, Dream with Your Eyes Open, Ethics of Care, and Animal Farm continue.
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum...
- 5/10/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Our House of Tolerance 35mm presentation returns Friday; prints of Night Tide and Eddie Murphy: Raw show Saturday; The Last of the Mohicans and Thief play on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has begun, this weekend bringing Fassbinder, Rivette, Buñuel, Duras, and more.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective begins (watch our exclusive trailer debut); The Abyss screens on Sunday.
Anthology Film Archives
A new Marguerite Duras retrospective begins, while “Cinema of Palestinian Return” continues.
Bam
“Uncharted Territories” highlights Black British cinema from 1963 to 1986.
Film at Lincoln Center
“Seeing the City” presents an avant-garde vision of New York.
Metrograph
“’90s Noir” brings Bound and Deep Cover, while Euro-Heists, a Jane Schoenbrun curation, Dream with Your Eyes Open, Ethics of Care, and Animal Farm all start; meanwhile,...
Roxy Cinema
Our House of Tolerance 35mm presentation returns Friday; prints of Night Tide and Eddie Murphy: Raw show Saturday; The Last of the Mohicans and Thief play on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has begun, this weekend bringing Fassbinder, Rivette, Buñuel, Duras, and more.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective begins (watch our exclusive trailer debut); The Abyss screens on Sunday.
Anthology Film Archives
A new Marguerite Duras retrospective begins, while “Cinema of Palestinian Return” continues.
Bam
“Uncharted Territories” highlights Black British cinema from 1963 to 1986.
Film at Lincoln Center
“Seeing the City” presents an avant-garde vision of New York.
Metrograph
“’90s Noir” brings Bound and Deep Cover, while Euro-Heists, a Jane Schoenbrun curation, Dream with Your Eyes Open, Ethics of Care, and Animal Farm all start; meanwhile,...
- 5/3/2024
- by Nick Newman
- The Film Stage
Two years after he leapt to the forefront of the New Hollywood with The Godfather, and just months before he picked up the threads of that operatic crime saga with the magnificent sequel/prequel The Godfather Part II, Francis Ford Coppola released a quiet movie, one in which sound itself — and, more specifically, its surreptitious recording — is the narrative engine. Arriving during a particularly fertile era for American film, The Conversation was not a hit, but it is one of the period’s most subtle and shattering features. Half a century later, it resounds as hauntingly as ever, not merely as a cautionary tale but as a searing portrait of where we are now.
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
- 4/17/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
Cruise. Criterion. Just a matter of time, really, until the world’s premier movie star made his way into the collection. Smart money might not have been on Paul Brickman’s Risky Business, a great film mostly known for one or two sequences but which will now be seen in 4K when released this July, a month that brings 2,160-pixel releases for Pat Garrett and Billy the Kid (featuring an essay from the great novelist Steve Erickson), Perfect Days, Farewell My Concubine, and the stunning-looking Le Samouraï restoration.
Don’t sleep, however, on maybe the best film to get a release in July: Glauber Rocha’s Cinema Novo masterpiece Black God, White Devil, which recently received a 4K restoration that looks so good I envy anybody who saw it for the first time like so.
Find artwork below and more details at Criterion:
The post The Criterion Collection’s July...
Don’t sleep, however, on maybe the best film to get a release in July: Glauber Rocha’s Cinema Novo masterpiece Black God, White Devil, which recently received a 4K restoration that looks so good I envy anybody who saw it for the first time like so.
Find artwork below and more details at Criterion:
The post The Criterion Collection’s July...
- 4/15/2024
- by Nick Newman
- The Film Stage
Spoiler Alert: The following essay discusses key plot points, including the ending.
Last weekend, I took in “Le Samouraï” for what must have been the sixth or seventh time, relishing the new 4K restoration of Jean-Pierre Melville’s masterpiece (now playing at Laemmle theaters in Los Angeles). As I exited the screening, I discreetly eavesdropped on my fellow audience members. Most seemed impressed. A few were still processing what they’d seen: an existential study of a lone killer, told with radically little dialogue. “That wasn’t at all what I expected,” one woman told her friend. “I thought we were going to see some kind of samurai movie.”
It’s a reasonable assumption, given the film’s title, although the 1967 crime classic takes place half a world away, in Paris, almost exactly a century after Japan’s samurai era came to an end. I first saw “Le Samouraï” in the late ’90s,...
Last weekend, I took in “Le Samouraï” for what must have been the sixth or seventh time, relishing the new 4K restoration of Jean-Pierre Melville’s masterpiece (now playing at Laemmle theaters in Los Angeles). As I exited the screening, I discreetly eavesdropped on my fellow audience members. Most seemed impressed. A few were still processing what they’d seen: an existential study of a lone killer, told with radically little dialogue. “That wasn’t at all what I expected,” one woman told her friend. “I thought we were going to see some kind of samurai movie.”
It’s a reasonable assumption, given the film’s title, although the 1967 crime classic takes place half a world away, in Paris, almost exactly a century after Japan’s samurai era came to an end. I first saw “Le Samouraï” in the late ’90s,...
- 4/9/2024
- by Peter Debruge
- Variety Film + TV
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
“Essential Cinema” brings films by Mekas’ Walden and Journey to Lithuania, Man Ray, Duchamp, René Clair and more; a Quebec cinema retrospective is underway.
Museum of the Moving Image
Hal Hartley’s masterpiece Henry Fool plays on 35mm this Sunday; a Jim Henson program shows on Saturday and Sunday; a Warner Bros. cartoon collection screens Friday and Sunday.
Metrograph
A complete retrospective of Lee Chang-dong has begun.
Film Forum
Le Samouraï and the Belmondo-led Classe tous risques continue playing in new 4K restorations; It Came from Outer Space plays in 3D this Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
IFC Center
The End of Evangelion continues its run, while Paprika, Female Trouble, Desperate Living, and Repo! The Genetic Opera show late.
The...
Anthology Film Archives
“Essential Cinema” brings films by Mekas’ Walden and Journey to Lithuania, Man Ray, Duchamp, René Clair and more; a Quebec cinema retrospective is underway.
Museum of the Moving Image
Hal Hartley’s masterpiece Henry Fool plays on 35mm this Sunday; a Jim Henson program shows on Saturday and Sunday; a Warner Bros. cartoon collection screens Friday and Sunday.
Metrograph
A complete retrospective of Lee Chang-dong has begun.
Film Forum
Le Samouraï and the Belmondo-led Classe tous risques continue playing in new 4K restorations; It Came from Outer Space plays in 3D this Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
IFC Center
The End of Evangelion continues its run, while Paprika, Female Trouble, Desperate Living, and Repo! The Genetic Opera show late.
The...
- 4/5/2024
- by Nick Newman
- The Film Stage
With “Dune: Part Two” (Warner Bros.), March came in like a lion. With “Godzilla x Kong: The New Empire” (also Warner Bros.), March is going out, well, as a lion. Leave the lamb for Easter dinner.
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
- 3/31/2024
- by Tom Brueggemann
- Indiewire
Each new episode of Shōgun raises the stakes, deepens the political intrigue, and brings us closer to the brink of war. It’s a description that, years ago, would have applied to Game of Thrones, a show to which Shōgun has been compared ad nauseam. It’s not an inappropriate comparison. Both tout sprawling casts, sweeping locations, political intrigue, backstabbing, and characters residing in moral gray areas, ready to surprise and disappoint. Though, it may be more apt to compare the show to Japan’s Chanbara or samurai films.
Given Shōgun’s intensity and cliffhangers, waiting a week between episodes is excruciating. Digging back into Game of Thrones or even House of the Dragon might not scratch that Shōgun itch in the long days between installments.
Instead, let’s dive into samurai epics in and around the Edo period when Ieyasu Tokugawa unified Japan and built a shogunate that ruled for more than two centuries,...
Given Shōgun’s intensity and cliffhangers, waiting a week between episodes is excruciating. Digging back into Game of Thrones or even House of the Dragon might not scratch that Shōgun itch in the long days between installments.
Instead, let’s dive into samurai epics in and around the Edo period when Ieyasu Tokugawa unified Japan and built a shogunate that ruled for more than two centuries,...
- 3/26/2024
- by Alec Bojalad
- Den of Geek
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook.NEWSNostalgia.Industry experts warn that digital cinema files are not being properly maintained (“You have an entire era of cinema that’s in severe danger of being lost”), emphasizing the importance of amateur preservation efforts like Rarefilmm, recently profiled on Notebook.After a caucus week of intra-union meetings, negotiations between IATSE and the Alliance of Motion Picture and Television Producers continued, with their current contract set to expire on July 31. This week’s discussions focused on specific proposals from each of the 13 West Coast locals, starting with the International Cinematographers Guild, Local 600.Vision du Réel has announced the full program for its 55th edition, running April 12 to 21 in Nyon, Switzerland. The competition slate includes mostly first features.In PRODUCTIONLittle Shop of Horrors.
- 3/20/2024
- MUBI
Alain Delon Has a Job to Execute in Trailer for 4K Restoration of Jean-Pierre Melville’s Le Samouraï
Whatever the idea of “canonized” suggests, few films of such order are quite so well-liked and perpetually referenced (or just ripped-off) as Le Samouraï, leaving me somewhat surprised we haven’t yet had a 4K treatment in the United States. But it was just a matter of time, and Jean-Pierre Melville’s ice-cold thriller now receives its due: Criterion and Pathé returned to the original 35mm negative for a restoration Film Forum debuts in a two-week run starting March 29.
Ahead of this comes a trailer that, even accounting for streaming compression, suggests the spectacular––Melville’s cool palette luminous as ever, the mono sound punchier than Criterion’s old DVD.
Find the new preview and poster below:
Professional hitman Delon lies fully-clothed in his threadbare monochrome apartment, then goes off to a day at the office: stealing a car, killing a man in a nightclub, setting up an ironclad alibi,...
Ahead of this comes a trailer that, even accounting for streaming compression, suggests the spectacular––Melville’s cool palette luminous as ever, the mono sound punchier than Criterion’s old DVD.
Find the new preview and poster below:
Professional hitman Delon lies fully-clothed in his threadbare monochrome apartment, then goes off to a day at the office: stealing a car, killing a man in a nightclub, setting up an ironclad alibi,...
- 3/13/2024
- by Nick Newman
- The Film Stage
"What kind of man is he?" Janus Films has revealed a brand new trailer for the 4K restoration re-release of an all-timer hitman classic called Le Samouraï. This French noir thriller first opened in France in 1967, only showing up in the US in 1972. It is widely considered one of the best assassin films ever made, and is often referenced by many great filmmakers in terms of style and minimalism. After professional hitman Jef Costello is seen by witnesses, his efforts to provide himself an alibi drive him further into a corner. Jean-Pierre Melville's Le Samouraï stars French legend Alain Delon as Costello, a contract killer with samurai instincts. The cast also includes François Périer, Nathalie Delon, and Caty Rosier. Roger Ebert wrote a 4 star review in 1997, stating: "The movie teaches us how action is the enemy of suspense--how action releases tension, instead of building it. Better to wait for...
- 3/13/2024
- by Alex Billington
- firstshowing.net
The hitman has proven a consistent source of inspiration for movies, from 1942’s “This Gun For Hire” to 1967’s “Le Samourai” to the recent “Hitman.” With so many movies centered around a hitman, it’s hard not to feel derivative. One of the ways that filmmakers make their take on the hitman feels fresh and unique is to give the contract killer a quirk, an easily distinguishable characteristic. Some examples include Alain Delon’s love of birds in “Le Samourai,” Michael Fassbender’s The Smith’s playlist in “The Killer,” or Tom Cruise’s use of taxis in his murder method in “Collateral.” “Knox Goes Away,” directed by and starring Michael Keaton (“Batman” “Birdman”), tells the story of John Knox, a hitman dealing with a degenerative brain disorder, Cretuszfeldt-Jakob Disease, similar to Alzheimer’s.
Continue reading ‘Knox Goes Away’ Trailer: Michael Keaton Directs & Stars In A Crime Noir About Dementia- Afflicted Hitman at The Playlist.
Continue reading ‘Knox Goes Away’ Trailer: Michael Keaton Directs & Stars In A Crime Noir About Dementia- Afflicted Hitman at The Playlist.
- 2/14/2024
- by Megan Fisher
- The Playlist
Absorbing the breakthroughs of the French New Wave and the burgeoning New Hollywood era and applying them to the artier ends of Bernardo Bertolucci’s native Italian cinema, The Conformist presents a façade of overwhelming cinematic beauty only to reveal the rotten soul beneath its surface. Vittorio Storaro’s cinematography captures Rome and Paris with an Antonioniesque eye for architectural detail, swooning camera movements, and even instances of color timing so extreme that certain shots recall the hand-tinted process of early silent film.
The precision of The Conformist’s images, though, only exacerbates the detached, inhuman alienation of the film’s protagonist, Marcello (Jean-Louis Trintignant). He’s the last scion of a diminished aristocratic line whose exhausted wealth and status are symbolized by an expansive but dilapidated and mildewing family villa occupied by a mother (Milly) who copes with a loss of status with copious amounts of opiates (his father...
The precision of The Conformist’s images, though, only exacerbates the detached, inhuman alienation of the film’s protagonist, Marcello (Jean-Louis Trintignant). He’s the last scion of a diminished aristocratic line whose exhausted wealth and status are symbolized by an expansive but dilapidated and mildewing family villa occupied by a mother (Milly) who copes with a loss of status with copious amounts of opiates (his father...
- 12/11/2023
- by Jake Cole
- Slant Magazine
If John Woo had permitted the characters in “Silent Night” to speak, chances are that audiences would laugh them off the screen. Instead, the director gets right down to business, opening with a wordless chase sequence in which a sad dad (Joel Kinnaman) in a corny Christmas sweater sprints after a pair of speeding cars. Inside the vehicles, bad men blast machine guns, while our nameless hero is armed with … just his wits and the jingle bell around his neck.
By the time this guy — identified as Brian Godlock in the end credits — catches up to the gang members who murdered his son, “Silent Night” has already demonstrated that Woo has no intention of letting logic get in his way. And why should we expect any different from the director of “Face/Off,” whose title-says-it-all gimmick had two rivals swapping identities via plastic surgery? The movie dedicates a lot of time...
By the time this guy — identified as Brian Godlock in the end credits — catches up to the gang members who murdered his son, “Silent Night” has already demonstrated that Woo has no intention of letting logic get in his way. And why should we expect any different from the director of “Face/Off,” whose title-says-it-all gimmick had two rivals swapping identities via plastic surgery? The movie dedicates a lot of time...
- 11/27/2023
- by Peter Debruge
- Variety Film + TV
Thanksgiving is a great time to spend with family and eat way too much, but it’s also an opportune time to gather around and watch a great movie together. To that end, we’ve put together a curated list of some of the best new movies streaming on Netflix this month, singling out new releases and new library titles that are sure to keep the whole family engaged. Whether you’re in the mood for an assassin thriller, inspirational drama, animated family film or a cult classic, we’ve got something for everyone.
Check out our picks for the best new movies on Netflix in November below.
“Scott Pilgrim vs. the World” Universal Pictures
There’s no better time to revisit filmmaker Edgar Wright’s cult classic “Scott Pilgrim vs. The World” – but make sure you watch the live-action adaptation of Bryan Lee O’Malley’s graphic novels before you...
Check out our picks for the best new movies on Netflix in November below.
“Scott Pilgrim vs. the World” Universal Pictures
There’s no better time to revisit filmmaker Edgar Wright’s cult classic “Scott Pilgrim vs. The World” – but make sure you watch the live-action adaptation of Bryan Lee O’Malley’s graphic novels before you...
- 11/19/2023
- by Adam Chitwood
- The Wrap
Paul Vecchiali’s moody, labyrinthine The Strangler suggests the visual style of Jacques Demy’s Model Shop coupled with the psychosexual fervor of Michael Powell’s Peeping Tom. Or maybe it’s more accurate to say that it’s a queer version of Jean-Pierre Melville’s Le Samouraï by way of the story machinations of Claude Chabrol’s The Champagne Murders. Either way, it’s clear that Vecchiali’s interests are cinephilic in nature, and that this 1970 psychological thriller was his self-conscious attempt during the waning years of the Nouvelle Vague to take the movement’s genre-defying sensibilities in a new direction.
Throughout, Vecchiali is concerned less with plot than with mood and setting, which he largely establishes by showing people moving around colorful apartments and through the bustling streets of Paris. Take Anna (Eva Simonet), who rushes to a television station fearing for her safety after Simon (Julien Guiomar...
Throughout, Vecchiali is concerned less with plot than with mood and setting, which he largely establishes by showing people moving around colorful apartments and through the bustling streets of Paris. Take Anna (Eva Simonet), who rushes to a television station fearing for her safety after Simon (Julien Guiomar...
- 11/13/2023
- by Clayton Dillard
- Slant Magazine
The stylish killer has long been a staple in crime films, and not just in Hollywood movies like “Collateral” and “Pulp Fiction.” The tradition spans the globe, from England (“Get Carter”) to Hong Kong (John Woo’s “The Killer“) and France (the revisionist noir films of Jean-Pierre Melville and Jean-Luc Godard). Yet for the new Netflix movie “The Killer” (no relation to the Woo film), director David Fincher wanted something different: a killer (Michael Fassbender) whose style was so nonexistent that he could just blend into the background of any city.
“In our initial conversations, David said that he didn’t want Fassbender to look cool, he wanted him to look dorky,” costume designer Cate Adams told IndieWire. “When he’s in Paris, we wanted him to look like a German tourist no one would want to go near.” That idea came from the guiding principle for the killer: Every...
“In our initial conversations, David said that he didn’t want Fassbender to look cool, he wanted him to look dorky,” costume designer Cate Adams told IndieWire. “When he’s in Paris, we wanted him to look like a German tourist no one would want to go near.” That idea came from the guiding principle for the killer: Every...
- 11/10/2023
- by Jim Hemphill
- Indiewire
This article contains major spoilers for "The Killer."How often do you think about your job? In terms of your daily duties, upcoming deadlines on your calendar, and other day-to-day issues, probably a fair amount. Yet how often do you consider your job — not just as a checklist but as a vocation — as something you're putting out into the world, as something that defines who you are as a person?
As the imaginary demon of toxic masculinity, Tyler Durden, famously says in David Fincher's "Fight Club," "You are not your job." Of course, Tyler is not to be trusted, and "Fight Club," like a majority of Fincher's filmography, is a pitch-black satire. What if you are your job, and what if your contribution to the world is both minimal and actively negative? What if your job, and all jobs, were this destructively banal, and everyone from sanitation staff...
As the imaginary demon of toxic masculinity, Tyler Durden, famously says in David Fincher's "Fight Club," "You are not your job." Of course, Tyler is not to be trusted, and "Fight Club," like a majority of Fincher's filmography, is a pitch-black satire. What if you are your job, and what if your contribution to the world is both minimal and actively negative? What if your job, and all jobs, were this destructively banal, and everyone from sanitation staff...
- 11/10/2023
- by Bill Bria
- Slash Film
- 10/3/2023
- by Matt Schimkowitz
- avclub.com
This is the story of an assassin. This is the story of what happens when an assassin makes a mistake on his mission. This is an assassin story we've seen 100 times before. This is a film about an assassin who is very good at what he does and sticks to his plan and doesn't make mistakes. Until he does. And this is about what happens next. We all know this story. Sometimes I wonder if every assassin or hitman film is the same. They all repeat the same tropes, same story beats, rarely ever adding anything new or changing things up. There's only so much one can really say with an assassin story anyway. David Fincher's latest feature film The Killer is once again the same assassin story we've seen in so many other films, including Melville's iconic classic Le Samouraï. It even reminded me of Tarantino's Kill Bill: Vol. 2,...
- 9/3/2023
- by Alex Billington
- firstshowing.net
Editor’s note: This review was originally published at the 2023 Venice Film Festival. Netflix releases the film in limited theaters on Friday, October 27, with a streaming release to follow on Friday, November 10.
Like the “Jeanne Dielman” of assassin movies, “The Killer” centers on how the self-started glitches in one character’s routine cause their carefully ordered world to fall slowly off its axis. David Fincher’s sleek if small genre exercise plants us into the orbital sockets of an unnamed killer-for-hire, played by Michael Fassbender, whose self-deceptions catch up to him amid a contract job gone just about an inch wrong in Paris.
There are few surprises in this straight-line thriller, well-executed within a millimeter of its life as ever by the “Gone Girl” and “Social Network” director. Here, the perfectionist, you-might-say-control-freak director punches up a nimbly sketched screenplay by “Seven” scribe Andrew Kevin Walker that evokes no sympathy for its protagonist,...
Like the “Jeanne Dielman” of assassin movies, “The Killer” centers on how the self-started glitches in one character’s routine cause their carefully ordered world to fall slowly off its axis. David Fincher’s sleek if small genre exercise plants us into the orbital sockets of an unnamed killer-for-hire, played by Michael Fassbender, whose self-deceptions catch up to him amid a contract job gone just about an inch wrong in Paris.
There are few surprises in this straight-line thriller, well-executed within a millimeter of its life as ever by the “Gone Girl” and “Social Network” director. Here, the perfectionist, you-might-say-control-freak director punches up a nimbly sketched screenplay by “Seven” scribe Andrew Kevin Walker that evokes no sympathy for its protagonist,...
- 9/3/2023
- by Ryan Lattanzio
- Indiewire
The first film in Fernando Di Leo’s so-called Milieu trilogy, Caliber 9 explores the criminal underbelly of Milan, a city more typically associated with the modish institutions of high finance and haute couture. The film’s full Italian title, Milan Caliber 9, emphasizes the centrality of location, while also referring to a collection of stories by crime writer Giorgio Scerbanenco, several of which Di Leo loosely adapted for the film. Generically, Caliber 9 is a fascinating mashup of the gritty poliziotteschi genre and stylish neo-noirs in the vein of Jean-Pierre Melville. Its tight-lipped protagonist certainly seems patterned after Alain Delon’s buttoned-down hitman in Le Samouraï, right down to the brown trench coat.
Di Leo’s film opens with a brilliantly executed pre-credits sequence that details a laundered currency handoff gone wrong, as well as the mob’s violent reprisals, along the way providing a handy cross-section of Milan’s criminal demimonde,...
Di Leo’s film opens with a brilliantly executed pre-credits sequence that details a laundered currency handoff gone wrong, as well as the mob’s violent reprisals, along the way providing a handy cross-section of Milan’s criminal demimonde,...
- 6/14/2023
- by Budd Wilkins
- Slant Magazine
French actor Alain Delon has been a revolutionary presence in the film industry for decades.
From his early work in the ‘60s to more recent films like The Professional, Alain Delon has challenged ideas about acting and storytelling. He has created a unique style of performance that is both powerful and subtle. He is also credited with popularizing the ‘anti-hero’ type of character – a morally ambiguous figure who often exists outside traditional violence or justice systems.
Delon’s influence on filmmaking has been immense, but it’s not just about his individual performances: his work was also driven by philosophy and activism. Throughout his career, he became an outspoken advocate for gay rights and gender equality – two issues that were not widely discussed at the time.
In this article, we’ll explore Delon’s revolutionary impact on cinema and culture, looking at his career highlights, acting styles and philosophies.
Alain...
From his early work in the ‘60s to more recent films like The Professional, Alain Delon has challenged ideas about acting and storytelling. He has created a unique style of performance that is both powerful and subtle. He is also credited with popularizing the ‘anti-hero’ type of character – a morally ambiguous figure who often exists outside traditional violence or justice systems.
Delon’s influence on filmmaking has been immense, but it’s not just about his individual performances: his work was also driven by philosophy and activism. Throughout his career, he became an outspoken advocate for gay rights and gender equality – two issues that were not widely discussed at the time.
In this article, we’ll explore Delon’s revolutionary impact on cinema and culture, looking at his career highlights, acting styles and philosophies.
Alain...
- 4/4/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Hochhäusler’s latest feature Till The End Of The Night is screening in Competition at the Berlinale.
German director Christoph Hochhäusler, whose latest feature Till The End Of The Night is screening in Competition at the Berlinale, is to make his first foray into French-language filmmaking with Death Will Come, a thriller starring Franco-Belgian actress Sophie Verbeeck and veteran French actor Louis-Do de Lencquesaing.
Principal photography on the thriller will begin in Brussels on March 1 before moving to Luxembourg and Cologne. It is being produced by Cologne-based Heimatfilm with Amour Fou Luxembourg and Tarantula Belgique.
Death Will Come centres on female contract killer Tez,...
German director Christoph Hochhäusler, whose latest feature Till The End Of The Night is screening in Competition at the Berlinale, is to make his first foray into French-language filmmaking with Death Will Come, a thriller starring Franco-Belgian actress Sophie Verbeeck and veteran French actor Louis-Do de Lencquesaing.
Principal photography on the thriller will begin in Brussels on March 1 before moving to Luxembourg and Cologne. It is being produced by Cologne-based Heimatfilm with Amour Fou Luxembourg and Tarantula Belgique.
Death Will Come centres on female contract killer Tez,...
- 2/17/2023
- by Martin Blaney
- ScreenDaily
As Brad Pitt’s new thriller Bullet Train arrives in cinemas, Guardian writers have picked their most exciting action films of all time
When John Woo’s 1989 breakthrough The Killer started slipping into repertory houses and cult video stores, it was the beginning of a revolution, like an adrenalized marriage between the cool of Jean-Pierre Melville’s Le Samouraï and the operatic bloodletting of Sam Peckinpah’s The Wild Bunch. But The Killer turned out to be a mere throat-clearing for Woo’s follow-up, Hard Boiled, which kicks off with a shootout in a teahouse filled with birdcages (bullets and feathers go flying) and builds to 40 minutes of pyrotechnics at a hospital that swings unforgettably through the nursery.
When John Woo’s 1989 breakthrough The Killer started slipping into repertory houses and cult video stores, it was the beginning of a revolution, like an adrenalized marriage between the cool of Jean-Pierre Melville’s Le Samouraï and the operatic bloodletting of Sam Peckinpah’s The Wild Bunch. But The Killer turned out to be a mere throat-clearing for Woo’s follow-up, Hard Boiled, which kicks off with a shootout in a teahouse filled with birdcages (bullets and feathers go flying) and builds to 40 minutes of pyrotechnics at a hospital that swings unforgettably through the nursery.
- 8/2/2022
- by Scott Tobias, Charles Bramesco, Jesse Hassenger, Adrian Horton, Veronica Esposito, Andrew Pulver, Benjamin Lee, Radheyan Simonpillai, Lisa Wong Macabasco, AA Dowd and Andrew Lawrence
- The Guardian - Film News
Jean-Pierre Melville in 4K? That’s an inviting idea. All of Melville crime pictures are memorable, and this is one of his best-remembered, a traditional caper drama with a wordless heist scene that lasts almost half an hour. The color production stars three big French actors and one Italian. Alain Delon and Gian Maria Volonté are the career thieves, joined by the conflicted Yves Montand as an alcoholic ex-cop. Comedian Bourvil is enlisted in a surprise role as the completely serious and less-than-ethical police inspector on their trail. We have to admire producer-writer-director Melville’s skill — he achieves a high-budget sheen with a minimum of production resources.
Le cercle rouge
4K Ultra HD + Blu-ray
The Criterion Collection 218
1970 / Color / 1:85 widescreen / 140 min. / The Red Circle / available through The Criterion Collection / Street Date March 15, 2022 / 49.95
Starring: Alain Delon, Bourvil, Gian Maria Volonté, Yves Montand, Francois Périer, Ana Douking, Paul Crauchet, Paul Amiot, Pierre Collet,...
Le cercle rouge
4K Ultra HD + Blu-ray
The Criterion Collection 218
1970 / Color / 1:85 widescreen / 140 min. / The Red Circle / available through The Criterion Collection / Street Date March 15, 2022 / 49.95
Starring: Alain Delon, Bourvil, Gian Maria Volonté, Yves Montand, Francois Périer, Ana Douking, Paul Crauchet, Paul Amiot, Pierre Collet,...
- 3/26/2022
- by Glenn Erickson
- Trailers from Hell
Jerry Douglas, the actor best known for playing patriarch John Abbott on the long-running soap opera “The Young and the Restless,” died Nov. 9 in Los Angeles after a brief illness. He was 88.
Douglas was a mainstay of CBS’ top-rated daytime serial for more than 30 years in the role of the square-jawed cosmetics magnate and pillar of “Y&r’s” fictional Genoa City. He also racked up dozens of TV guests shots and supporting roles in movies over his long career, ranging from “The Bionic Woman,” “Barnaby Jones” and “The Streets of San Francisco” to “Arrested Development,” “Cold Case” and “Melrose Place.”
Douglas was a regular on “Y&r” from 1982 to 2006. Even after his character died, Abbott appeared in flashbacks from time to time, most recently in 2006 when he returned as a ghost to guide his children from the afterlife.. “Y&r” has been a mainstay of CBS’ daytime lineup since 1973. The serial topped the 20,000-episode mark last year.
Douglas was a mainstay of CBS’ top-rated daytime serial for more than 30 years in the role of the square-jawed cosmetics magnate and pillar of “Y&r’s” fictional Genoa City. He also racked up dozens of TV guests shots and supporting roles in movies over his long career, ranging from “The Bionic Woman,” “Barnaby Jones” and “The Streets of San Francisco” to “Arrested Development,” “Cold Case” and “Melrose Place.”
Douglas was a regular on “Y&r” from 1982 to 2006. Even after his character died, Abbott appeared in flashbacks from time to time, most recently in 2006 when he returned as a ghost to guide his children from the afterlife.. “Y&r” has been a mainstay of CBS’ daytime lineup since 1973. The serial topped the 20,000-episode mark last year.
- 11/11/2021
- by Katie Song
- Variety Film + TV
Jerry Douglas, who played patriarch John Abbott on CBS’ The Young and the Restless for more than 30 years, died November 9 after a brief illness, his family announced Wednesday. He was 88.
Born Jerry Rubenstein on November 12, 1932, in Chelsea, Ma, Douglas launched his acting career upon graduating from Brandeis University, studying acting with Uta Hagen in New York and Jeff Corey in Los Angeles.
He joined the cast of The Young and the Restless in March 1982 as John Abbott, patriarch of the Abbott family and wealthy chairman of Jabot Cosmetics. When viewers first met him, he was a single father helping children Jack, Ashley and Traci navigate adulthood.
In later years, John Abbott wed Jill Foster and they had a son, Billy. John also had several romantic reunions with estranged ex-wife, Dina Mergeron.
Showbiz & Media Figures We’ve Lost In 2021 – Photo Gallery
John Abbott was a mainstay in Genoa City until the...
Born Jerry Rubenstein on November 12, 1932, in Chelsea, Ma, Douglas launched his acting career upon graduating from Brandeis University, studying acting with Uta Hagen in New York and Jeff Corey in Los Angeles.
He joined the cast of The Young and the Restless in March 1982 as John Abbott, patriarch of the Abbott family and wealthy chairman of Jabot Cosmetics. When viewers first met him, he was a single father helping children Jack, Ashley and Traci navigate adulthood.
In later years, John Abbott wed Jill Foster and they had a son, Billy. John also had several romantic reunions with estranged ex-wife, Dina Mergeron.
Showbiz & Media Figures We’ve Lost In 2021 – Photo Gallery
John Abbott was a mainstay in Genoa City until the...
- 11/11/2021
- by Denise Petski
- Deadline Film + TV
It makes sense that one of the protagonists of “Materna” is a fan of Jean-Pierre Melville’s existential neo-noir “Le Samouraï,” given that David Gutnik’s feature debut is itself a tapestry of modern alienation and disaffection. Charting the plights of four women whose paths eventually cross on a New York City subway train, Gutnik’s fragmented feature debut is rooted in fraught mother-daughter dynamics and intertwined issues of regret, resentment, racism, classism and homophobia.
Having won prizes for best actress (Assol Abdullina) and best cinematography at the pandemic-pinched 2020 Tribeca Film Festival, it should entice audiences in search of distinctive art-house fare when it debuts in limited release on Aug. 6 (ahead of an Aug. 10 VOD premiere), even if
Co-written with leads Abdullina and Jade Eshete, Gutnik’s film begins in a New York City subway car whose crowd includes a quartet of women — later identified as Jean (Kate Lyn Sheil...
Having won prizes for best actress (Assol Abdullina) and best cinematography at the pandemic-pinched 2020 Tribeca Film Festival, it should entice audiences in search of distinctive art-house fare when it debuts in limited release on Aug. 6 (ahead of an Aug. 10 VOD premiere), even if
Co-written with leads Abdullina and Jade Eshete, Gutnik’s film begins in a New York City subway car whose crowd includes a quartet of women — later identified as Jean (Kate Lyn Sheil...
- 8/6/2021
- by Nick Schager
- Variety Film + TV
It’s French! It’s hot! Jacques Deray’s most unusual film is an intimate, minimalist murder story that digs deep into the affairs of four very superficial people. Among the wealthy set are four pleasure seekers with a laissez faire take on relationships, that think they’re above basic drives — jealousy, possessiveness, resentment. The movie also makes book on the fame & notoriety of the off-on show biz couple Romy Schneider and Alain Delon — the film’s opening seems to celebrate their bigger-than-life glamour and beauty. A notable extra is a 2019 documentary with Delon and his co-star Jane Birkin, plus the film’s famous writers.
La piscine
Blu-ray
The Criterion Collection 1088
1969 / Color / 1:66 widescreen / 122 min. / Available at The Criterion Collection / Street Date July 20, 2021 / 39.95
Starring: Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin, Paul Crauchet, Suzie Jaspard.
Cinematography: Jean-Jacques Tarbès
Production Designer: Paul Laffargue
Film Editor: Paul Cayatte
Original Music: Michel Legrand
Written by Jean-Claude Carriìre,...
La piscine
Blu-ray
The Criterion Collection 1088
1969 / Color / 1:66 widescreen / 122 min. / Available at The Criterion Collection / Street Date July 20, 2021 / 39.95
Starring: Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin, Paul Crauchet, Suzie Jaspard.
Cinematography: Jean-Jacques Tarbès
Production Designer: Paul Laffargue
Film Editor: Paul Cayatte
Original Music: Michel Legrand
Written by Jean-Claude Carriìre,...
- 7/20/2021
- by Glenn Erickson
- Trailers from Hell
Back in February, it was reported David Fincher was set to adapt the graphic novel series, “The Killer,” into a new feature film with Michael Fassbender attached to star. Since then, film fans have been waiting anxiously for some sort of confirmation the film is happening, as the report also claimed the filmmaker was hoping to begin filming this year. Well, we have good news—Fincher has been spotted in the wild and his “Mank” cinematographer has confirmed the film is moving forward… and soon.
Continue reading David Fincher Reteaming With ‘Mindhunter’ & ‘Mank’ Dp Erik Messerschmidt For ‘The Killer’ at The Playlist.
Continue reading David Fincher Reteaming With ‘Mindhunter’ & ‘Mank’ Dp Erik Messerschmidt For ‘The Killer’ at The Playlist.
- 6/25/2021
- by Charles Barfield
- The Playlist
We already knew that David Fincher is teaming up with his Se7en writer, Andrew Kevin Walker, to make The Killer for Netflix with Michael Fassbender in the starring role. What we didn’t know, however, was when production on the film would get underway. And now we do. Exciting news, folks — we now have that info! According […]
The post David Fincher’s ‘The Killer,’ Starring Michael Fassbender, Will Begin Filming This Year appeared first on /Film.
The post David Fincher’s ‘The Killer,’ Starring Michael Fassbender, Will Begin Filming This Year appeared first on /Film.
- 6/24/2021
- by Vanessa Armstrong
- Slash Film
David Fincher took a six-year film hiatus between “Gone Girl” (2014) and “Mank” (2020), but such a long break won’t be happening in between “Mank” and the director’s upcoming assassin movie “The Killer.” As first reported by El Diario Vasco, Fincher is eyeing to begin production on “The Killer” in Paris this November. The locale makes sense, given Fincher was spotted in Paris in late May at a lunch with his “Mank” actress Lily Collins (who is in Paris filming the second season of Netflix’s “Emily in Paris”). To make “The Killer” more exciting, Fincher is reuniting with his Oscar-winning “Mank” cinematographer Erik Messerschmidt for his new film.
News first broke in February that Fincher would follow “Mank” with “The Killer,” an adaptation of Alexis Nolent’s graphic novel series of the same name. Andrew Kevin Walker, the screenwriter who worked with Fincher on his serial killer drama “Seven,...
News first broke in February that Fincher would follow “Mank” with “The Killer,” an adaptation of Alexis Nolent’s graphic novel series of the same name. Andrew Kevin Walker, the screenwriter who worked with Fincher on his serial killer drama “Seven,...
- 6/24/2021
- by Zack Sharf
- Indiewire
With it being more than seven years between Gone Girl and Mank, it looks like we won’t have to wait nearly as long for the next film from David Fincher. Earlier this year we got the news he was developing an adaptation of The Killer graphic novel series from Alexis Nolent. Marking a reteam for Fincher with his Se7en screenwriter Andrew Kevin Walker, Michael Fassbender was attached to lead as a cold-blooded assassin. While it was set up at Netflix as part of the director’s four-year deal, it wasn’t clear when it may actually see the light of day, but now we have an update.
Cinematographer Erik Messerschmidt––who won an Oscar for Mank, which also marked the first feature he ever shot––spoke to El Diario Vasco (via The Fincher Analyst) and confirmed he’ll be reteaming with Fincher on The Killer. He also revealed...
Cinematographer Erik Messerschmidt––who won an Oscar for Mank, which also marked the first feature he ever shot––spoke to El Diario Vasco (via The Fincher Analyst) and confirmed he’ll be reteaming with Fincher on The Killer. He also revealed...
- 6/23/2021
- by Jordan Raup
- The Film Stage
The song says “the livin’ is easy” during the season of sun and fun, but things are about to get difficult for the titular character in Season 2 of Netflix’s wildly popular Italian soap Summertime.
The season opener starts out breezily enough on the country’s Adriatic Coast. Summer and Edo are a couple now — who didn’t see that coming? — and as they embark on their post-high school lives, the two decide they will attend college together in Paris. Edo even gets his own place on the beach: just an awesome little love shack his father used to rent to tourists,...
The season opener starts out breezily enough on the country’s Adriatic Coast. Summer and Edo are a couple now — who didn’t see that coming? — and as they embark on their post-high school lives, the two decide they will attend college together in Paris. Edo even gets his own place on the beach: just an awesome little love shack his father used to rent to tourists,...
- 6/3/2021
- by Mekeisha Madden Toby
- TVLine.com
Celebrated action filmmaker John Woo will produce a live-action adaptation of Stan Lee’s “Monkey Master,” from a superhero story created by Lee and collaborator Sharad Devarajan.
Based on an unreleased comic book series and story created by Marvel maven Lee and Graphic India co-founder and CEO Devarajan, the film will follow New York City archeologist Li Yong who discovers an ancient prophecy about the Chinese legend of The Monkey King that brings him to India where he uncovers a hidden power that transforms him into a modern-day superhero – the Monkey Master.
In 2016, Lee had discussed “Monkey Master,” saying: “I have always been fascinated by the Chinese and Indian cultures which are so philosophical and rich in tradition and morality. I’ve written countless superheroes of every nationality and every part of the world before, I’ve even created many heroes from other planets and galaxies, but ‘Monkey Master’ will...
Based on an unreleased comic book series and story created by Marvel maven Lee and Graphic India co-founder and CEO Devarajan, the film will follow New York City archeologist Li Yong who discovers an ancient prophecy about the Chinese legend of The Monkey King that brings him to India where he uncovers a hidden power that transforms him into a modern-day superhero – the Monkey Master.
In 2016, Lee had discussed “Monkey Master,” saying: “I have always been fascinated by the Chinese and Indian cultures which are so philosophical and rich in tradition and morality. I’ve written countless superheroes of every nationality and every part of the world before, I’ve even created many heroes from other planets and galaxies, but ‘Monkey Master’ will...
- 4/1/2021
- by Naman Ramachandran
- Variety Film + TV
As a critic committed to maintaining a certain professional distance with those whose work I might review, I don’t often play the fan in the presence of filmmakers. But with French director Bertrand Tavernier — who passed away at the age of 79 on Thursday — I made an exception.
Knowing that Tavernier would be attending the Cannes Film Festival, as always, I once stuffed my suitcase with his “50 Years of American Cinema” — a two-volume, 1,247-page encyclopedia of classic film history — then lugged it to his hotel so that this éminence grise might sign it. The book, like Tavernier’s even heavier but more personable “Amis Américains”, serves as proof that, apart from Martin Scorsese perhaps, the great authority on American cinema is in fact a Frenchman.
Like Scorsese, Tavernier’s “day job” was as a director. He worked for decades, but the best among them are arguably “Coup de Torchon” (1981), about...
Knowing that Tavernier would be attending the Cannes Film Festival, as always, I once stuffed my suitcase with his “50 Years of American Cinema” — a two-volume, 1,247-page encyclopedia of classic film history — then lugged it to his hotel so that this éminence grise might sign it. The book, like Tavernier’s even heavier but more personable “Amis Américains”, serves as proof that, apart from Martin Scorsese perhaps, the great authority on American cinema is in fact a Frenchman.
Like Scorsese, Tavernier’s “day job” was as a director. He worked for decades, but the best among them are arguably “Coup de Torchon” (1981), about...
- 3/28/2021
- by Peter Debruge
- Variety Film + TV
David Fincher made his return to feature filmmaking after a six-year absence with “Mank,” and it doesn’t look like he’s letting his momentum stop. The filmmaker revealed the projects he’s currently working on, including a TV series where he talks with special guests about the movies they love.
Read More: ‘The Killer’: David Fincher Teaming With Michael Fassbender & ‘Se7en’ Writer For A New Thriller
During a recent interview with Aaron Sorkin on the Director’s Guild of America’s The Director’s Cut podcast, Fincher outlined three projects currently in the works, including a “Chinatown” prequel and the aforementioned TV show.
Continue reading David Fincher Is Working On A “Film Appreciation” TV Series Where He Discusses His Favorite Movies With Special Guests at The Playlist.
Read More: ‘The Killer’: David Fincher Teaming With Michael Fassbender & ‘Se7en’ Writer For A New Thriller
During a recent interview with Aaron Sorkin on the Director’s Guild of America’s The Director’s Cut podcast, Fincher outlined three projects currently in the works, including a “Chinatown” prequel and the aforementioned TV show.
Continue reading David Fincher Is Working On A “Film Appreciation” TV Series Where He Discusses His Favorite Movies With Special Guests at The Playlist.
- 3/13/2021
- by Rafael Motamayor
- The Playlist
‘Crazy Rich Asians’ helmer Jon M Chu has been set to direct an adaptation of ‘The Great Chinese Art Heist’ for Warner Bros.
The story is based on an article from GQ by Alex W. Palmer and follows a number of museum art robberies that occurred in Europe, in which specific Chinese antiquities were stolen – ones from a raid of the country’s old Summer Palace in 1860 by French soldiers.
No one knows who the thieves are, but the works of art continually wind up back in China where a new generation of wealthy Chinese people collect artefacts from the old Summer Palace.
Chu will also take on the role of a producer alongside Lance Johnson via their Electric Somewhere banner. Geneva Waserman will also produce for Conde Nast Entertainment.
Also in news – Michael Fassbender in talks to join David Fincher’s assassin drama ‘The Killer’, Andrew Kevin Walker to...
The story is based on an article from GQ by Alex W. Palmer and follows a number of museum art robberies that occurred in Europe, in which specific Chinese antiquities were stolen – ones from a raid of the country’s old Summer Palace in 1860 by French soldiers.
No one knows who the thieves are, but the works of art continually wind up back in China where a new generation of wealthy Chinese people collect artefacts from the old Summer Palace.
Chu will also take on the role of a producer alongside Lance Johnson via their Electric Somewhere banner. Geneva Waserman will also produce for Conde Nast Entertainment.
Also in news – Michael Fassbender in talks to join David Fincher’s assassin drama ‘The Killer’, Andrew Kevin Walker to...
- 2/26/2021
- by Zehra Phelan
- HeyUGuys.co.uk
‘X-Men’ star Michael Fassbender is looking to team up with David Fincher for his long-overdue assassin drama ‘The Killer’.
Fincher has been attached to the project since 2007, which initially had Brad Pitt circling, when Paramount Pictures set up the adaptation of the French novel. After working with Fincher for ‘Mank’, Netflix has now taken over the production which is due to commence in September.
The adaptation will be written by ‘Se7en’ and ‘Fight Club’ scribe Andrew Kevin Walker. The graphic novel was originally penned by Matz and Luc Jacamon and was first published in 1998.
Fassbender will take on the lead as an assassin who begins to psychologically crack as he develops a conscience, even while his clients continue to demand his skills.
Also in news – Gillian Anderson cast as Eleanor Roosevelt in series ‘The First Lady’
Over the past couple of years, Fassbender has been keeping a low profile...
Fincher has been attached to the project since 2007, which initially had Brad Pitt circling, when Paramount Pictures set up the adaptation of the French novel. After working with Fincher for ‘Mank’, Netflix has now taken over the production which is due to commence in September.
The adaptation will be written by ‘Se7en’ and ‘Fight Club’ scribe Andrew Kevin Walker. The graphic novel was originally penned by Matz and Luc Jacamon and was first published in 1998.
Fassbender will take on the lead as an assassin who begins to psychologically crack as he develops a conscience, even while his clients continue to demand his skills.
Also in news – Gillian Anderson cast as Eleanor Roosevelt in series ‘The First Lady’
Over the past couple of years, Fassbender has been keeping a low profile...
- 2/25/2021
- by Zehra Phelan
- HeyUGuys.co.uk
David Fincher recently signed an exclusive deal with Netflix, and it looks like he’s ready to make good on it. The filmmaker is gearing up to make The Killer for the streaming service, a film that he was originally going to make for Paramount back in 2007. The project will reunite Fincher with Seven screenwriter Andrew Kevin […]
The post ‘The Killer’ Will Reunite David Fincher With ‘Seven’ Writer Andrew Kevin Walker For Netflix Thriller Starring Michael Fassbender appeared first on /Film.
The post ‘The Killer’ Will Reunite David Fincher With ‘Seven’ Writer Andrew Kevin Walker For Netflix Thriller Starring Michael Fassbender appeared first on /Film.
- 2/24/2021
- by Chris Evangelista
- Slash Film
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