Notizie

February is a time for lovers. Romance, as well as the hope to find it are abound and what better place to seek it out than at your local repertory cinema. Sure, a dark theater full of strangers may seem like an odd space for finding a potential suitor, but who knows what can happen at the concession stand or under the marquee? One thing’s for sure: There’s nothing quite like the allure of the big screen.

This month’s offerings across New York and Los Angeles feature a whole host of fare designed to fill audience’s hearts, not just in the sense of discovering love, but also reaching to the soul. Starting January 31 and running through March 5, Film at Lincoln Center will be hosting a career retrospective titled “Frederick Wiseman: An American Institution” that is sure to envelop newcomers to the documentarian’s hypnotic work, as well as longtime fans.

Billy Wilder was the six-time Oscar winner who left behind a series of classically quotable features from Hollywood’s Golden Age, crafting sharp witted and darkly cynical stories that blended comedy and pathos in equal measure. Let’s take a look back at 25 of his greatest films, ranked worst to best.

Wilder was born to a family of Austrian Jews in 1906. After working as a journalist, he developed an interest in filmmaking and collaborated on the silent feature “People on Sunday” (1929) with fellow rookies Fred Zinnemann, Robert Siodmak and Edgar G. Ulmer. With the rise of Adolph Hitler, Wilder fled to Paris, where he co-directed the feature “Mauvaise Graine” (1934). Tragically, his mother, stepfather and grandmother all died in the Holocaust.

After moving to Hollywood, Wilder enjoyed a successful career as a screenwriter, earning Oscar nominations for penning 1939’s “Ninotchka” and 1941’s “Hold Back the Dawn” and “Ball of Fire.” He...

Janis Paige, the ebullient redhead who starred in the original Broadway production of The Pajama Game and in such Hollywood musicals as Silk Stockings and Romance on the High Seas, has died. She was 101.

Paige, who was discovered in the 1940s while performing at the legendary Hollywood Canteen, died Sunday of natural causes at her home in Los Angeles, her friend Stuart Lampert announced.

Paige starred on her own network sitcom, playing a widowed nightclub singer struggling to raise her 10-year-old daughter, on the 1955-56 CBS series It’s Always Jan, and she had recurring roles as Dick van Patten’s free-spirited sister on ABC’s Eight Is Enough and as a hospital administrator on CBS’ Trapper John, M.D.

The actress also turned in two memorable guest-starring stints in 1976, playing an attractive diner waitress named Denise who tempts Archie (Carroll O’Connor) to cheat on Edith (Jean Stapleton) on All in the Family...

“More stars than there are in heaven” was once the slogan for Hollywood’s largest studio. Larger-than-life celebrities like Judy Garland, Clark Gable, Fred Astaire, Katharine Hepburn, Jean Harlow and Gene Kelly were common fixtures at MGM. Today, MGM is an IP outpost purchased by Amazon for $8.5 billion in 2022, but in its day, Metro-Goldwyn-Mayer had the biggest lot in Hollywood and produced some of the most extravagant films. Located in Culver City, MGM’s famously sprawling lot began as it grew from the 40 acres owned by Samuel Goldwyn. The legendary MGM property was 3 miles long and housed more than 45 buildings and 14 stages, in addition to numerous outdoor sets that would be built over the years.

MGM was home to countless classic films, and in 1939 alone, the studio backed the timeless fantasy The Wizard of Oz and distributed the Oscar-winning Gone With the Wind, the Ernst Lubitsch/Greta Garbo comedy Ninotchka,...

Fred Astaire's "Top Hat" is a timeless classic with joyful musical numbers and iconic visuals. Greta Garbo's performance in "Ninotchka" showcases her versatility and comedic talent beautifully. Marlon Brando's role in "The Godfather" solidifies his lasting impact as a legendary actor.

Although the classic age of Hollywood cinema is now long-gone, its brightest stars created movies which are still being discovered by new fans decades later. In 1999, the American Film Institute curated a list of the greatest movie stars of classic Hollywood cinema. (via AFI) The list includes 25 men and 25 women who appeared in many of the greatest movies of all time.

While these stars have earned their place in history, they have such impressive bodies of work that it can often be hard to decide where to start. Despite their consistent excellence, some actors still have movies which stand out from the rest. They are not just their greatest movies.

It's well known to fans of "The Wizard of Oz" that actor Ray Bolger was originally cast to play the Tin Man and famed comedian Buddy Ebsen was cast as the Scarecrow. They swapped roles at Bolger's insistence, as Bolger had a personal attachment to the role; he was inspired to become an actor after seeing Vaudevillian Fred Stone play the part on stage when Bolger was a child. Ebsen was fine with changing roles, although he had to drop out of production due to makeup problems. The silvery Tin Man makeup contained powered aluminum and Ebsen breathed in big clouds of it, making him sick. At the time, many merely assumed Ebsen had an allergy. Ebsen was replaced with Jack Haley, and the makeup was altered to be a paste instead of a powder.

With the possible exception of "Star Wars," no film's production has been more meticulously recorded...

Clockwise from top left: Notting Hill (Universal Pictures), Love & Basketball (New Line Cinema), Amelie (20th Century Fox),Say Anything (Ugc-Fox Distribution)Graphic: The A.V. Club

Running through the airport to stop a lover’s flight. Making a big speech in front of a crowd of strangers. Picking the perfect song for a serenade.

“We didn’t need dialogue. We had faces,” proclaimed former silent film queen Norma Desmond (Gloria Swanson) in Billy Wilder’s 1950 masterwork “Sunset Boulevard.” One of the greatest faces of the era belonged to French actor Albert Dieudonne who starred in Abel Gance’s breathtaking 1927 epic “Napoleon.” With this dark eyes, distinct nose and rock star style hair, Dieudonne channels the infamous French military leader and emperor who conquered most of Europe in the early 19th century until his disastrous 1812 invasion of Russia. Exiled to Elba in 1814, he emerged once again and suffered a massive defeat at Waterloo in 1815. He died in exile six years later at the age of 51.

Dieudonne commands the 5 ½ hour film restored by Kevin Brownlow which features the jaw-dropping triptych finale that is as exciting now as it was 96 years ago. BFI states that the film is “monumental and visionary, the story’s chapters play out...

Charlie Chaplin defined the silent era with his innovative visuals and timeless style of humor. Greta Garbo seamlessly transitioned from silent films to talkies, setting a standard for acting in her era. Marlon Brando popularized method acting, bringing realism and truth to his performances and influencing future actors.

Hollywood is a constantly evolving engine, with some ahead-of-their-time actors contributing to pushing the medium forward through their influence. There's a reason Hollywood movie stars get paid so much. The quality of acting is a huge part of selling a film, be it the charisma of an action star or the prestige transformation at the center of a biopic. As much as films have changed over the span of a century, so have the performances at the center of them, with specific actors responsible for shifting things forward in significant ways.

Watching a film from any era, it's easy to notice drastically different acting styles.

(Welcome to Did They Get It Right?, a series where we look at Oscars categories from yesteryear and examine whether the Academy's winners stand the test of time.)

If you were to guess who the most nominated director was in the history of the Academy Awards, who would you guess? Maybe you'd say Steven Spielberg, who has made films for a half-century that have been beloved by millions. Or maybe you're inclination was to guess Martin Scorsese, given his level of simultaneous mainstream acclaim and critical adoration. Or maybe you'd go back to the golden age of Hollywood and guess someone like Frank Capra or John Ford, filmmakers fundamental to establishing what popular American cinema was and directed many films still revered today. In reality, it's not any of these people.

It may come as a surprise to learn that the most nominated director of all time is William Wyler.

Swedish-born Greta Garbo became a star with a string of hit films throughout the 1920s and 1930s before disappearing from screens in 1941 at the age of 36. Though she appeared in only a handful of titles, enough have remained classics to give her a special place in history. Let’s take a look back at 10 of her greatest films, ranked worst to best.

Born in 1905, Garbo got her start in the silent era, acting in her native Sweden before coming to Hollywood at the behest of MGM studio chief Louis B. Mayer. She soon became a popular presence on the silver screen as a romantic leading lady. Her performance in “Flesh and the Devil” (1926) as a seductress who tears two friends apart proved she was a woman to die for.

Since English was not her first language, Mayer was rightfully nervous that the emergence of sound would destroy one of his biggest stars.

Mr. Wilder And Me author Jonathan Coe with Anne-Katrin Titze: “I love Powell and Pressburger, so I was very happy to get in a reference to them.”

With Film Forum’s Written and Directed By Billy Wilder tribute, programmed by Bruce Goldstein, starting next week in New York, Jonathan Coe’s Mr. Wilder And Me is the perfect summer read.

Jonathan Coe on Fedora: “The imagery always reminds me of that Georges Franju film Eyes Without A Face.”

In the first instalment with the author we discuss Christoph Waltz as Billy Wilder in Stephen Frears’ yet-to-be-filmed adaptation of Jonathan’s novel; meeting Volker Schlöndorff just before the Covid lockdown; the images of Nicolas Roeg’s Don’t Look Now staying with him; a connection between Georges Franju’s [film id=13604]Eyes Without A...

The relationship between fathers and sons is complicated. It can be tough, tender, loving, combative, disappointing, violent, the stuff of Shakespearean and even Greek tragedy. It’s little wonder there have been countless films exploring fathers and sons including “East of Eden,” “Finding Nemo,” “Back to the Future,” “Field of Dreams,” “Nebraska,” “Fences,” “Beginners” and “Kramer vs. Kramer.”

One of the most indelible is Martin Ritt’s “Hud,” which celebrates its 60th anniversary. And time hasn’t diminished the power of this unapologetic drama starring Paul Newman, Melvyn Douglas, Patricia Neal and Brandon De Wilde.

Newman had played characters of questionable morality such as his Oscar-nominated turn “Fast” Eddie Felsen in 1961’s “The Hustler,” but he had never played anyone quite like Hud, the ultimate heel who never met a bottle of booze he wouldn’t drink or a married woman he didn’t seduce. Living on a cattle ranch in a tiny,...

“Es ist eine schwimmende Plattform!” Here’s something for committed Sci-fi followers, a lavish German production with big drama, big emotions, and impressive, ambitious special effects. Hans Albers makes sure his pal Paul Hartmann’s artificial mid-Atlantic airport becomes reality, only to lose his new girlfriend Sybille Schmitz to him. The Murnau Foundation’s superb restoration makes the giant Flugplatform seem real. UfA produced the show in three languages with three different casts; Kino’s handsome disc gives us excellent renderings of two of them. Plus glorious German songs about the joy of flying!

F.P. 1 Doesn’t Answer

Blu-ray

Kino Classics

1932 / B&w / 1:19 Ar / 112 min. / Street Date August 10, 2021 / available through Kino Lorber / 29.95

Starring: Hans Albers, Sybille Schmitz, Paul Hartmann, Peter Lorre, Georg John, Hermann Speelmans, Erik Ode, Werner Schott.

Cinematography: Otto Baecker, Konstantin Irmen-Tschet, Günther Rittau

Production Designer: Erich Kettlehut

Film Editor: Willy Zeyn

Special Effects: Konstantin Irmen-Tschet,...

Writer, director and actress Rebecca Miller discusses a few of her favorite films with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Personal Velocity: Three Portraits (2002)

The Ballad Of Jack And Rose (2005)

The Private Lives Of Pippa Lee (2009)

Maggie’s Plan (2015)

Explorers (1985)

The Way We Were (1973)

Battleship Potemkin (1925)

Monsieur Hulot’s Holiday (1953)

Annie Hall (1977)

Repulsion (1965)

Rosemary’s Baby (1968)

Knife In The Water (1962)

The Tenant (1976)

Cries and Whispers (1972)

Persona (1966)

The Magician (1958)

Hour Of The Wolf (1968)

The Virgin Spring (1960)

The Seventh Seal (1957)

Abbott and Costello Meet Frankenstein (1948)

The Exorcist (1973)

The Shining (1980)

La Dolce Vita (1960)

Regarding Henry (1991)

Angela (1995)

Badlands (1973)

Casino (1995)

On The Waterfront (1954)

My Dinner with Andre (1981)

Jules and Jim (1962)

The Bitter Tears Of Petra von Kant (1972)

Wings Of Desire (1987)

The Killer Inside Me (1976)

The Killer Inside Me (2010)

Married To The Mob (1988)

Blue Velvet (1986)

Dune (1984)

Imitation Of Life (1934)

Imitation Of Life (1959)

Written On The Wind (1956)

Magnificent Obsession (1954)

All That Heaven Allows...

Auteur! Auteur! Four of this year’s Best Director Oscar nominees — Chloe Zhao (“Nomadland”), Emerald Fennell (“Promising Young Woman”), Lee Isaac Chung (“Minari”) and Thomas Vinterberg (“Another Round”) — have a writing credit on their films. Zhao, Fennell and Chung reaped bids for their scripting efforts.

Over the past decade, the majority of the Oscar-winning directors were also nominated for their screenplays. Last year, Boon Joon-Ho won Best Director and shared in the Original Screenplay award with Han Jan for their work on the Best Picture champ “Parasite.”

Though writer/directors getting Oscar love is the norm these days, that wasn’t always the case. When nominations were announced for the first Academy Awards, Charlie Chaplin was cited for both Best Actor and Comedy Direction for his 1928 masterpiece “The Circus,” which he also wrote and produced. But the academy decided to withdraw his name from the competitive classes and decided “that...

6 random things that happened on this day, November 9th, in showbiz history...

1931 Diva movie star Gloria Swanson divorces aristocrat Henri de la Falaise and marries Michael Farmer on the same day! (She and Farmer had married three months prior only to realize her divorce hadn't been final... so they had to to it again by which time she was four months pregnant) She was 33 years old and it was her fourth (of six) marriages.

1939 "Garbo Laughs!" Ninotchka has its world premiere in NYC...

By Raymond Benson

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“Billy Wilder Goes To War”

By Raymond Benson

In 1943, Hollywood churned out dozens of war films in support of the U.S. involvement in the global conflict raging at the time. Many were cheaply made rush jobs, others were good “B” pictures, and a select group were “A” level, excellent pieces of celluloid that are now classics. All were essentially propaganda pictures made to lift the spirits of the American people and the troops who were able to see them. Rah Rah, Let’s Go Get ‘Em!

Billy Wilder, an Austrian Jew who had fled Germany as the Nazis gained power, settled in Hollywood in 1933 after a brief stint in France. He immediately found work as a talented screenwriter, ultimately earning his first Oscar nomination for co-writing Ninotchka (1939). As war heated up in the 1940s, Wilder then became, after the likes of Preston Sturges,...

It’s smart, it’s funny, it has a touch of romance… it’s Billy Wilder & Charles Brackett’s entertaining espionage thriller set between the battle lines of the North Africa campaign. Franchot Tone must impersonate a double agent, when the command staff of General Rommel (Erich von Stroheim!) takes over a half-bombed hotel run by the forlorn Akim Tamiroff. Anne Baxter is the French maid desperate to make a deal, with whichever side will help her get what she wants. Even the title of this winner has a clever special meaning.

Five Graves to Cairo

Blu-ray

Kl Studio Classics

1943 / B&w / 1:37 Academy / 96 min. / Street Date September 29, 2020 / available through Kino Lorber / 24.95

Starring: Franchot Tone, Anne Baxter, Akim Tamiroff, Erich von Stroheim, Peter van Eyck, Fortunio Bonanova.

Cinematography: John F. Seitz

Film Editor: Doane Harrison

Original Music: Miklos Rozsa

Written by Billy Wilder, Charles Brackett from a play by Lajos Biró...

Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. This week, Billy Wilder movies, one… two… three of them, with appropriate wine pairings.

1961’s One Two Three saw James Cagney playing the head of Coca Cola’s Berlin office. If I were in Germany, I would prefer a Riesling. Cagney’s boss in Atlanta puts him in charge of his daughter, who is visiting the divided city. She turns up married to a young East German communist hothead, and the comedy unfurls at a breakneck pace under Billy Wilder’s direction. Cagney’s comic chops were never better.

The movie was loosely based on the 1939 Wilder-penned film, Ninotchka, which lampooned the Soviet Union under Stalin. With the Ussr still ripe for satire in the Cold War ‘60s, Wilder borrowed heavily from his previous work for One Two Three’s framework.

With the Academy Awards just around the corner, it’s time to talk about the “who didn’ts” — the actors who never won an Oscas, let alone received a nomination-as well as classic films that never saw Oscar gold. And there are plenty of who didn’t filmmakers. Countless legendary directors didn’t win Oscars or even earn nominations.

Martin Scorsese, who is one of the most influential, acclaimed directors of the past 50 years has only won for directing 2006’s Best Picture winner “The Departed.” Though his 1976 masterpiece “Taxi Driver” was nominated for Best Picture, he didn’t earn an Oscar nomination for Best Director. He first got his first directing nomination for his 1980 masterwork “Raging Bull,” but lost to Robert Redford for “Ordinary People.”

Scorsese has received a lot of Oscar love. As far as producing, writing and directing, he’s received 14 nominations. And this year, he’s nominated...

The Metropolitan Museum of Art Costume Institute Curator Jessica Regan on The Wizard of Oz, Judy Garland, Gilbert Adrian connection In Pursuit of Fashion The Sandy Schreier Collection: “Oh yes, in relation to the gingham bows that are on the kittens.” Photo: Anne-Katrin Titze

Costume designer Gilbert Adrian had longtime working relationships with some of the biggest stars on the silver screen, including Greta Garbo, Norma Shearer, Jean Harlow, Jeanette MacDonald, Katharine Hepburn and Joan Crawford. He created the ruby slippers and designed the gingham dress worn by Judy Garland as Dorothy in Victor Fleming’s The Wizard Of Oz.

Jessica Regan on working with Nathan Crowley and Shane Valentino: “They were looking at 1930s film set design and taking inspiration …” Photo: Anne-Katrin Titze

Adrian designed Garbo’s clothes for 17 of her 24 American films and helped in making her a lasting icon of style. “She has created a type,...

John Wayne! Janet Leigh! Nifty jet-age flying sequences! Goofy, bad-taste sex jokes! Hans Conreid as a chortling Russian army officer! Howard Hughes’ personal fun project took seven years to make while he played games with the aerial footage. It’s a highly-polished absurd joke, but it’s certainly entertaining. See Hughes try to do for Janet Leigh what he did for Jane Russell — I assume Ms. Leigh was too shrewd to sign any long-term contracts! This German disc has excellent widescreen image and audio.

Jet Pilot

Blu-ray

Explosive Media GmbH

1957 / Color / 1:85 widescreen / 113 min. / Düsenjäger / Street Date June 14 2018, 2019 / 12.99 euros

Starring: John Wayne, Janet Leigh, Jay C. Flippen, Paul Fix, Richard Rober, Roland Winters, Hans Conried, Ivan Triesault, Hall Bartlett, Gregg Barton, Gene Evans, Paul Frees, Harry Lauter, Nelson Leigh, Denver Pyle, Gene Roth, Kenneth Tobey, Mamie Van Doren, Carleton Young.

Cinematography: Winton C. Hoch

Aerial Stunts: Chuck Yeager

Original Music:...

Billy Wilder would’ve celebrated his 113th birthday on June 22, 2019. The six-time Oscar winner left behind a series of classically quotable features from Hollywood’s Golden Age, crafting sharp witted and darkly cynical stories that blended comedy and pathos in equal measure. In honor of his birthday, let’s take a look back at 25 of his greatest films, ranked worst to best.

Wilder was born to a family of Austrian Jews in 1906. After working as a journalist, he developed an interest in filmmaking and collaborated on the silent feature “People on Sunday” (1929) with fellow rookies Fred Zinnemann, Robert Siodmak and Edgar G. Ulmer. With the rise of Adolph Hitler, Wilder fled to Paris, where he co-directed the feature “Mauvaise Graine” (1934). Tragically, his mother, stepfather and grandmother all died in the Holocaust.

SEEOscar Best Director Gallery: Every Winner In Academy Award History

After moving to Hollywood, Wilder enjoyed a successful career as a screenwriter,...

I was recently challenged to list my top 10 favorite movies of all time, which proved an impossible task; however, I can easily name my favorite Decade for filmmaking: the 1930s. Movies truly evolved during this decade, with the final one of 1939 becoming the greatest year ever for films: “Gone with the Wind,” “The Wizard of Oz,” “Stagecoach,” “Ninotchka,” “Mr. Smith Goes to Washington,” “Wuthering Heights” and so many more! Since that special year is celebrating its 80th anniversary, let’s take a look back.

SEEOscar Best Picture Gallery: History of Every Academy Award-Winning Movie

The film industry was still in its youth as the decade rolled in with “talking pictures” becoming the new standard. Besides mastering the technical aspects of that, they were still learning how to develop a story, how to act for the camera as opposed to stage acting, and how to engineer special effects. At the same time,...

Greta Garbo would’ve celebrated her 113th birthday on September 18. Born in 1905, the Swedish-born actress became a star with a string of hit films throughout the 1920s and 1930s before disappearing from screens in 1941 at the age of 36. Though she appeared in only a handful of titles, enough have remained classics to give her a special place in history. In honor of her birthday, let’s take a look back at 10 of her greatest films, ranked worst to best.

Garbo got her start in the silent era, acting in her native Sweden before coming to Hollywood at the behest of MGM studio chief Louis B. Mayer. She soon became a popular presence on the silver screen as a romantic leading lady. Her performance in “Flesh and the Devil” (1926) as a seductress who tears two friends apart proved she was a woman to die for.

Since English was not her first language,...

Old Hollywood has its pitfalls, but it sure made some excellent, even downright delightful films. Case in point, Heaven Can Wait, from director Ernst Lubitsch. Lubitsch was born in 1892 and began making films in the early 1900s. He worked with movie stars from Hollywood's Golden Age, like Greta Garbo, Carole Lombard, Gary Cooper, Claudette Colbert, Burgess Meredith, Melvyn Douglas, and many more. Starring a young Don Ameche (Mortimer in Trading Places!) as playboy Henry Van Cleve and the extraordinarily beautiful Gene Tierney, the film opens with Van Cleve meeting with Satan, who has a large basement office with fake painted books on the walls (Hell indeed). Before Van Cleve can be admitted to Hell, he must recount his...

[Read the whole post on screenanarchy.com...]...

Character actress, filmmaker and bona fide Tinseltown progeny Illeana Douglas —granddaughter of two-time Oscar-winning “Ninotchka,” “Hud” and “Being There” actor Melvyn Douglas — hoisted her comfortable and pleasantly un-fancy Greek Revival-style bungalow in the historic Spaulding Square neighborhood in Hollywood, Calif., up for sale at $1.799 million. The dedicated film buff and historian who hosted the series “TCM Spotlight: Trailblazing Women” that highlighted the accomplishments of women in film, both in front of and behind the cameras, purchased the 1,711-square-foot charmer in early 2006 for $1.28 million. Just peeking out over an evocative vine-draped white picket fence and approached via a trellis-shaded porch that overlooks the grassy front yard, the circa 1919 bungalow has two bedrooms and two updated vintage-style bathrooms.

Highlighting a fireplace accented with dignified grey tiles, slightly time-worn oak floors and unexpectedly ornate ceiling moldings, all original to the house, the living room adjoins a window-lined sun porch while a bank of...

MGM wasn’t the most current studio in 1957, as can be seen by this throwback to another era, a semi-screwball romantic comedy with big stars and directed in high style by Vincente Minnelli. Gregory Peck and Lauren Bacall party like it’s 1939, and with the musical-comedy help of the irrepressible Dolores Gray, almost pull it off.

Designing Woman

Blu-ray

Warner Archive Collection

1957 / Color / 2:35 widescreen / 117 min. / Street Date June 19, 2018 / available through the WBshop / 21.99

Starring: Gregory Peck, Lauren Bacall, Dolores Gray, Sam Levene, Tom Helmore, Mickey Shaughnessy, Jesse White, Chuck Connors, Alvy Moore.

Cinematography: John Alton

Film Editor: Adrienne Fazan

Art Direction: E. Preston Ames, William A. Horning

Original Music: André Previn

Written by George Wells

Produced by Dore Schary, George Wells

Directed by Vincente Minnelli

1957 was definitely the end of an era at MGM. With next to nobody on the payroll, it could no longer claim to possess All the Stars in Heaven.

In 2009 — when the Academy Awards went to 10 Best Picture nominees for the first time since 1943 — the preferential system of voting, which had been used from 1934 to 1945, was reintroduced. The academy did so as it believed this “best allows the collective judgment of all voting members to be most accurately represented.”

We have detailed how the preferential voting system works at the Oscars in the modern era. So, let’s take a look back at those dozen years early in the history of the academy when it first used this complicated counting to determine the Best Picture winner rather than a simple popular vote. (At the bottom of this post, be sure to vote for the film that you think will take the top Oscar this year.)

See Best Picture Gallery: Every winner of the top Academy Award

1934

This seventh ceremony marked the first time that the Oscars eligibility period was the calendar year.

Frances McDormand (“Three Billboards Outside Ebbing, Missouri”), Saoirse Ronan (“Lady Bird”), Sally Hawkins (“The Shape of Water”), Meryl Streep (“The Post”) and Margot Robbie (“I, Tonya”) have long been our predicted Best Actress Oscar nominees. If they all make the cut, along with their films in Best Picture, they’d join a very exclusive club: It’d be first Best Actress slate in 40 years and just the fifth overall where everyone is in a film nominated for Best Picture.

The only other times this has occurred were for the film years 1934, 1939, 1940 and 1977 — but many of them come with caveats. In 1934, there were still only three acting nominees — winner Claudette Colbert (“It Happened One Night”), Grace Moore (“One Night of Love”) and Norma Shearer (“The Barretts of Wimpole Street”) — and 12 Best Picture nominees, before the academy standardized the categories to five each. This was also the infamous year of the write-in...

The following essay was produced as part of the 2017 Locarno Critics Academy, a workshop for aspiring film critics that took place during the 70th edition of the Locarno Film Festival.

Locarno isn’t just home to a major European film festival. It’s also an ideal place for many Swiss and foreign families to travel in summer and enjoy its hot weather, pleasant cuisine, and serene lake. This makes it a terrific place for contemplating new movies.

Ironically, during the 70th edition of the Locarno Film Festival, many of the films outwardly questioned the value of traditional family life. Many viewers encountered the puzzling contrast of watching subversive movies, leaving the screening rooms, and watching very conventional heterosexual families enjoying their vacations. But this only made the power of these movies stand out.

“C’est moi” says Fanny Ardant, a transgender women, in “Lola Pater,” the film by the Franco-Algerian director Nadir Mokneche,...

After polling critics from around the world for the greatest American films of all-time, BBC has now forged ahead in the attempt to get a consensus on the best comedies of all-time. After polling 253 film critics, including 118 women and 135 men, from 52 countries and six continents a simple, the list of the 100 greatest is now here.

Featuring canonical classics such as Some Like It Hot, Dr. Strangelove, Annie Hall, Duck Soup, Playtime, and more in the top 10, there’s some interesting observations looking at the rest of the list. Toni Erdmann is the most recent inclusion, while the highest Wes Anderson pick is The Royal Tenenbaums. There’s also a healthy dose of Chaplin and Lubitsch with four films each, and the recently departed Jerry Lewis has a pair of inclusions.

Check out the list below (and my ballot) and see more on their official site.

100. (tie) The King of Comedy (Martin Scorsese,...

Some like their comedy hot and some like it cold. Billy Wilder opted to step on the joke accelerator to see what top speed looked like. One of the most finely tuned comedies ever made, this political satire crams five hours’ worth of wit and sight gags into 115 minutes. The retirement-age James Cagney practically blows a fuse rattling through Wilder and I.A.L. Diamond’s high-pressure speeches, without slurring so much as a single syllable.

One, Two, Three

Blu-ray

Kl Studio Classics

1961 / B&W / 2:35 widescreen / 115 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95

Starring James Cagney, Horst Buchholz, Pamela Tiffin, Arlene Francis,

Howard St. John, Hanns Lothar, Lilo Pulver

Cinematography Daniel L. Fapp

Production Designers Robert Stratil, Heinrich Weidemann

Art Direction Alexander Trauner

Film Editor Daniel Mandell

Original Music André Previn

Written by Billy Wilder, I.A.L. Diamond from the play by Ferenc Molnar

Produced and Directed by Billy Wilder

How...

By Hank Reineke

The Vampire Bat (1933) was a staple of TV late-night movie programming well into the 1980s. Too often the running time of this maltreated film was irreverently trimmed or stretched to accommodate commercial breaks or better fit into a predetermined time slot. With black-and-white films almost completely banished from the schedules of local television affiliates by 1987, TV Guide disrespectfully dismissed The Vampire Bat as a “Dated, slow-motion chiller.” That’s an unfair appraisal. But with the MTV generation in the ascendant and Fangoria gleefully splashing the lurid and blood-red exploits of such slice-and-dice horror icons as Michael Meyers, Jason Voorhees, and Freddy Krueger on its covers, it’s somewhat understandable why the other-worldly atmospherics of The Vampire Bat were perceived as little more than a celluloid curio – an antiquated footnote in the annals of classic horror.

The Vampire Bat is hardly original. The film was, no doubt, conceived...

Get in touch to send in cinephile news and discoveriesNEWSJonathan Demme with Anthony Hopkins on the set of The Silence of the LambsWe are very saddened to learn that the American director Jonathan Demme has died at 73. Demme won a Best Director Academy Award for The Silence of the Lambs, but that hardly summarizes or rewards the remarkable extent of his beautiful filmmaking. Just last year he released one of his very best works, the concert film Justin Timberlake + the Tennessee Kids. Below is his 1985 music video for New Order's "The Perfect Kiss":Last year's jury for the Cannes Film Festival was lambasted as misguided after awarding the Palme d'Or not to Maren Ade's Toni Erdmann but to Ken Loach's I, Blake. The 2017 jury, headed by Pedro Almodóvar, has been announced and seems an attempt to make up for last year's kerfuffle: directors Maren Ade, Agnès Jaoui,...

Ernst Lubitsch’s To Be or Not to Be, that controversial World War II farce/satire/dark comedy about a group of ham actors who go on a mission to save Polish resistance from the Gestapo – and, in the course of doing so, ridicule the Nazi war machine as well as Adolf Hitler himself – recently turned 75, and is one of those films that age like good wine.

“Shall we drink to a blitzkrieg?” seems precisely the kind of question you should not put into one of your actors’ mouth in a farcical comedy shot at the beginning of 1940s, when the Nazis were gradually turning Europe into a wasteland. “I prefer a slow encirclement” would be, then, a perfect illustration of a witty repartee every director making movies at that time ought to stay away from. Yet Ernst Lubitsch, that German virtuoso of sophisticated American comedy who taught millions of viewers how to use allusion,...

Bela Lugosi fan alert! This Monogram horror opus is yet another narrative-challenged fumble of unmotivated, incomprehensible characters… but Bela’s great in it, in a central role. He’s a sympathetic, non- maniac this time, if you don’t count his tendency to go into trances and smother random houseguests. Savant’s review has the lowdown on the interesting cast; Tom Weaver’s commentary has the authoritative lowdown on whole show.

Invisible Ghost

Blu-ray

Kl Studio Classics

1941 / B&W / 1:37 flat Academy / 64 min. / Street Date March 21, 2017 / available through Kino Lorber / 24.95

Starring: Bela Lugosi, Polly Ann Young, Clarence Muse, John McGuire, Betty Compson, Ernie Adams, Terry Walker, George Pembroke .

Cinematography: Harvey Gould, Marcel Le Picard

Film Editor: Robert Golden

Original Music: hahahahah, good one.

Written by Helen Martin & Al Martin

Produced by Sam Katzman

Directed by Joseph H. Lewis

Horror movie fans come in two varieties, obsessive and dangerously obsessive. Back...

Mubi is exclusively showing Billy Wilder and Alexander Esway's Mauvaise Graine a.k.a. Bad Seed (1934) in the United States and most countries around the world from August 18 - September 16, 2016.In light of his illustrious Hollywood career to follow, Billy Wilder’s obscure directorial debut, Mauvaise Graine (1934), may seem like a mere curiosity. Making the film as he was passing through France by way of Germany en route to America, Wilder regarded the work with little adoration. For him, the experience was one rife with difficulty; it wasn’t fun, there was tremendous pressure, and he simply wasn’t accustomed to have such sweeping control over a production. But the writing was on the wall by 1933, and Wilder, like so many others, was keen to get out of Berlin while the getting was good. Arriving first in Paris, he met other film professionals seeking refuge from the burgeoning Nazi party,...

It's in glorious Technicolor Metrocolor, CinemaScope and StereoPhonic Sound! Fred Astaire's final MGM musical gives him Cyd Charisse and a Cole Porter score, plus some nice Hermes Pan choreography. The script and Rouben Mamoulian's direction aren't the best, but the combined magic of the musical and dancing talent saves the day. Silk Stockings Blu-ray Warner Archive Collection 1957 / Color / 2:40 widescreen / 117 min. / Street Date July 12, 2016 / available through the WBshop / 21.99 Starring Fred Astaire, Cyd Charisse, Janis Paige, Peter Lorre, George Tobias, Jules Munshin, Joseph Buloff, Wim Sonneveld Cinematography Robert Bronner Art Direction Randall Duell, William A. Horning Film Editor Harold F. Kress Original Music Cole Porter Written by Abe Burrows, Leonard Gershe, George S. Kaufman, Leueen MacGrath, and Leonard Spigelgass Produced by Arthur Freed Directed by Rouben Mamoulian

Reviewed by Glenn Erickson

On the Town?  The Pajama Game?  Damn Yankees?   The Warner Archive Collection's next musical up for the...

Merle Oberon movies: Mysterious star of British and American cinema. Merle Oberon on TCM: Donning men's clothes in 'A Song to Remember,' fighting hiccups in 'That Uncertain Feeling' Merle Oberon is Turner Classic Movies' Star of the Month of March 2016. The good news: the exquisite (and mysterious) Oberon, whose ancestry has been a matter of conjecture for decades, makes any movie worth a look. The bad news: TCM isn't offering any Oberon premieres despite the fact that a number of the actress' films – e.g., Temptation, Night in Paradise, Pardon My French, Interval – can be tough to find. This evening, March 18, TCM will be showing six Merle Oberon movies released during the first half of the 1940s. Never a top box office draw in the United States, Oberon was an important international star all the same, having worked with many of the top actors and filmmakers of the studio era.

Today in 1955, Silk Stockings opened at the Imperial Theatre, where it ran for 478 performances. Silk Stockings is a musical with a book by George S. Kaufman, Leueen MacGrath, and Abe Burrows and music and lyrics by Cole Porter. The musical is loosely based on the Melchior Lengyel story Ninotchka and the 1939 film adaptation it inspired. It ran on Broadway in 1955. This was the last musical that Porter wrote for the stage.

We're less than a week from Hollywood's High Holy Night. Are you excited yet?

For today's trivia party we'll look at the only people to win exactly six Oscars. Four men. It's always men (sigh). Only 11 people have won more Oscars than these four men. I did not include confusing cases like Visual FX guru Dennis Murren -- IMDb argues exactly 6 but that depends on how you count them since his prizes are many and a confusing jumble of technical achievements, special Oscars, and regular competitive statues. (Unfortunately I couldn't find photographs of the set decorators) 

Gordon HollingsheadGORDON Hollingshead (1892-1952)

This producer won more Oscars in the short film categories than anyone other than the legendary Walt Disney and Frederick Quimby (of Tom & Jerry fame) but he won them for live action films. His first Oscar, though, was in the inaguaral year (1933) of a category called "Best Assistant Director" which...

'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...

Ernst Lubitsch: The movies' lost 'Touch.' Ernst Lubitsch movies on TCM: Classics of a bygone era Ernst Lubitsch and William Cameron Menzies were Turner Classic Movies' “stars” on Jan. 28, '16. (This is a fully revised and expanded version of a post published on that day.) Lubitsch had the morning/afternoon, with seven films; Menzies had the evening/night, also with seven features. (TCM's Ernst Lubitsch schedule can be found further below.) The forgotten 'Touch' As a sign of the times, Ernst Lubitsch is hardly ever mentioned whenever “connoisseurs” (between quotes) discuss Hollywood movies of the studio era. But why? Well, probably because The Lubitsch Touch is considered passé at a time when the sledgehammer approach to filmmaking is deemed “fresh,” “innovative,” “cool,” and “daring” – as if a crass lack of subtlety in storytelling were anything new. Minus the multimillion-dollar budgets, the explicit violence and gore, and the overbearing smugness passing for hipness,...

Charles Brackett ca. 1945: Hollywood diarist and Billy Wilder's co-screenwriter (1936–1949) and producer (1945–1949). Q&A with 'Charles Brackett Diaries' editor Anthony Slide: Billy Wilder's screenwriter-producer partner in his own words Six-time Academy Award winner Billy Wilder is a film legend. He is renowned for classics such as The Major and the Minor, Double Indemnity, Sunset Blvd., Witness for the Prosecution, Some Like It Hot, and The Apartment. The fact that Wilder was not the sole creator of these movies is all but irrelevant to graduates from the Auteur School of Film History. Wilder directed, co-wrote, and at times produced his films. That should suffice. For auteurists, perhaps. But not for those interested in the whole story. That's one key reason why the Charles Brackett diaries are such a great read. Through Brackett's vantage point, they offer a welcome – and unique – glimpse into the collaborative efforts that resulted in...

Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch...

Greta Garbo movie 'The Kiss.' Greta Garbo movies on TCM Greta Garbo, a rarity among silent era movie stars, is Turner Classic Movies' “Summer Under the Stars” performer today, Aug. 26, '15. Now, why would Garbo be considered a silent era rarity? Well, certainly not because she easily made the transition to sound, remaining a major star for another decade. Think Norma Shearer, Joan Crawford, William Powell, Fay Wray, Marie Dressler, Wallace Beery, John Barrymore, Warner Baxter, Janet Gaynor, Constance Bennett, etc. And so much for all the stories about actors with foreign accents being unable to maintain their Hollywood stardom following the advent of sound motion pictures. A Metro-Goldwyn-Mayer star, Garbo was no major exception to the supposed rule. Mexican Ramon Novarro, another MGM star, also made an easy transition to sound, and so did fellow Mexicans Lupe Velez and Dolores del Rio, in addition to the very British...

Vivien Leigh ca. late 1940s. Vivien Leigh movies: now controversial 'Gone with the Wind,' little-seen '21 Days Together' on TCM Vivien Leigh is Turner Classic Movies' star today, Aug. 18, '15, as TCM's “Summer Under the Stars” series continues. Mostly a stage actress, Leigh was seen in only 19 films – in about 15 of which as a leading lady or star – in a movie career spanning three decades. Good for the relatively few who saw her on stage; bad for all those who have access to only a few performances of one of the most remarkable acting talents of the 20th century. This evening, TCM is showing three Vivien Leigh movies: Gone with the Wind (1939), 21 Days Together (1940), and A Streetcar Named Desire (1951). Leigh won Best Actress Academy Awards for the first and the third title. The little-remembered film in-between is a TCM premiere. 'Gone with the Wind' Seemingly all...

Long before the lurid "E! True Hollywood Story" series, there was "Sunset Boulevard" -- maybe the darkest, most cynical movie ever made about what Hollywood is really like.

Released 65 years ago this week (on August 10, 1950), director Billy Wilder's classic explored fame from the perspective of those who had it and lost it (like Gloria Swanson and her "waxwork" friends, playing lightly fictionalized versions of themselves) and those who never quite made it, like the struggling young screenwriter (William Holden) and the failed actress-turned-script reader played by Nancy Olson.

Even if you haven't seen "Sunset Boulevard," you may feel like you have, whether because of the popular Andrew Lloyd Webber musical it spawned, the movies that copied it (particularly "American Beauty," with its narration from beyond the grave), and the countless parodies of Swanson's final "All right, Mr. DeMille, I'm ready for my close-up" scene. In honor of the film's anniversary,...